Tuesday, April 4, 2023

The Whale Movie Analysis: A Story of Grief and Obesity

Brendan Fraser and Hong Chau give some pleasant moments through their lovable performances, but the drama isn’t engaging enough with a melodramatic finish.


Directed by: Darren Aronofsky

"Do you ever get the feeling that people are incapable of not caring ? “

Liz rests against Charlie’s shoulder after a heated argument, showing their complex bond and struggles in The Whale


Spoilers ahead...


Plot of The Whale: A Depressing Story About Food Addiction

Charlie (Brendan Fraser) eats and eats, not because he loves it, but as a habit formed out of trauma from losing his love, Alan (one of his students during his teaching days long back). The story unfolds over a week, starting from Monday, with Charlie inching closer to his death, stubbornly refusing to visit the hospital.

This is the third movie of Aronofsky that I have watched, following 'Noah' and 'Mother,' neither of which I liked, although the latter had its moments of craziness. 'The Whale' is a depressing movie showcasing how the life of an overweight man is affected by the loss of his lover. I don't recall a food addiction based movie where a person overeats due to grief and mourning; usually, the opposite happens. Here, Charlie overdoes it to the extent that he can't get up from the couch or walk without the help of a stand.

Brendan Fraser and Hong Chau Give Solid Performances

The excellent Hong Chau (Liz) plays his nurse and close friend, taking care of him. She believes his condition is worsening and that he won't last more than a week if he doesn't listen to her and go to the hospital. Whenever the story focuses on them, it's enjoyable and emotional, especially when we learn how Liz is related to Alan, Charlie's lost lover. I also appreciate that Liz, despite being a nurse, keeps bringing junk food for Charlie, perhaps having given up trying to change his habits and wanting him to enjoy his final days as he wishes.

I also enjoyed the few online teaching scenes where Charlie lies about a non-working webcam so his students don't see his overweight body or face. His interaction with his wife, Mary (Samantha Morton), was good; it initially hinted at another cruel character but evolved into a conversation about their old good memories.

While I enjoyed Brendan Fraser's performance, who keeps you invested with his reactions despite the poorly written subplots, I still wouldn't consider it Oscar-worthy. It was tough to watch him manage all alone at home, struggling to get up and walk. Charlie's additional burden of dealing with trauma makes it worse. I loved how Charlie consistently views people positively, calling them amazing, especially when most likely find him disgusting.

Ty Simpkins and Sadie Sink Characters Are Poorly Written

Where the movie falters for me is in the subplots involving the Church guy, Thomas (Ty Simpkins), and Charlie's daughter, Ellie (Sadie Sink). Thomas serves no purpose except to bring back old memories of Alan, whose death was connected to religious beliefs. Without Thomas, the narrative wouldn't change much, as Charlie is always thinking about Alan while slowly drifting towards his death.

Ellie, on the other hand, has an impressive first scene where she coldly forces her father to walk toward her, knowing he can't due to his weight. However, subsequent meetings between them are disappointing, focusing on the father-daughter bond. Ellie, whom Charlie left behind when she was eight because of Alan, has a reason to be angry, but Sadie overplays it, underplaying the 'I am so hurt you left me behind' aspect. Her role would have been better if it had been less evil and full of anger and hurt. She does get a solid final scene, revealing the origin of the 'Whale' poem that Charlie repeatedly wants to narrate when he feels he is about to die.

Due to the shortcomings in the writing of Thomas and Ellie, it becomes tiring to watch a movie with no exterior locales. I've seen movies set in one room, but they require strong characters throughout, which isn't the case here. The movie might have worked better if it had started a day after Alan's death, showing Charlie's slow self-destruction through overeating and flashbacks of good times with Alan, with Ellie becoming part of his life in an interesting manner. I know this differs from the director's intent, but it could have been more engaging.

Over-eating in Anger Taken to a Whole New Level in The Whale

One of my favorite parts of the movie is Charlie's interactions with Gambino's food delivery boy. Charlie always asks him to leave the food outside, collecting it once he feels the boy is gone. The thought crosses my mind—what if he decides to open the door and collect it directly one day? It happens, but differently. Charlie opens the door unknowingly while the delivery boy is still there, trying to glimpse the man who never shows his face. The delivery boy's reaction and quick departure suggest how hurt Charlie must have felt. This guy, who had simple 'Hello' conversations for weeks (or months), would likely stop interacting with him.

It's a very painful feeling to go through, and no wonder we see Charlie get angry, leading to over-eating pizzas and anything he can find in the kitchen/fridge. This anger drives him to finally attend a class using his webcam, and we see varied student reactions, mostly negative (with a few recording it), revealing Charlie as an extremely overweight man.

Verdict on The Whale

Overall, 'The Whale' features solid performances from Brendan Fraser and Hong Chau but lacks an engaging drama and becomes melodramatic.

Rating: 5.5/10

Also, Check out Movie Analysis of Close

Monday, April 3, 2023

Close Movie Analysis: Broken friendship story with flaws

Starts off on a great note before it becomes way too emotionally manipulative.


Directed by: Lukas Dhont
Imdb link -> Close (2022) - IMDb

"We are close because we are best friends."

Leo and Remi, two close friends, attentively observe someone, reflecting their deep bond and emotions in the film Close


Spoilers ahead...


Plot Summary: About broken friendship and more

Leo (Eden Dambrine) and Remi (Gustav De Waele), two thirteen-year-old boys, are very close friends who are hard to separate - eating together, playing games together, and having sleepovers. They even manage to be in the same class in their first year of school. However, their closeness leads to questions from other boys and girls, eventually causing Leo to doubt himself and begin distancing himself from Remi. This leads to an unfortunate incident, leaving Leo and others to grieve and attempt to heal.

This movie almost feels identical to The Banshees of Inisherin because the first act is so enjoyable, as are the starting portions of the second act. The initial friendship is well established, and there are subtle hints that this may be more than just 'close friends'. I like how the growing distance is shown with Leo developing new tastes, including ice-skating, and making new friends. The themes of male toxicity and homophobia are handled in a subtle manner, highlighting the challenges of teen friendship and coming-of-age.

Disappointing Second Half of Close

What brings the movie down for me is the sudden change (again like Banshees) with the suicide moment, after which the plot revolves around grief and healing, making it very mediocre. There's way too much time spent on the ice-hockey scenes, and it's a long wait for the confrontation scene when Leo lets his guilt out to Remi's mother.

A better narrative could have involved a full second act revolving around how much further distant Leo grows from Remi and then using the final act to show some kind of major reaction, which needn't be a suicide. The scenes involving Remi's mother since the loss of her son didn't invoke the emotions I expected.

If you think about it, that one talk from the girls to Leo and Remi changed everything. Those girls may not even realize that more than Leo, they are the ones responsible for Remi's death. It is really tough to pinpoint a person responsible, to be honest. One could argue that Remi was too emotional and, for his age, just couldn't take the betrayal of his closest friend at all. The movie deeply explores mental health issues and the impact of emotional drama on young minds.

Excellent Performances by Eden Dambrine and Gustav De Waele

Eden Dambrine is brilliant, playing a coming-of-age character struggling with new learnings and a huge loss at his age, along with the guilt that he may unknowingly be the reason why Remi did what he did. Gustav De Waele is equally good, even with lesser screen time. It was heartbreaking to see how Remi has a fistfight with Leo at school, which was more of an emotional outburst that had been building for a while.

Verdict on Close

Overall, Close promises a lot in the first half of the movie and then falters, becoming manipulatively emotional. A different execution would have resulted in a much better movie.

Rating: 6.5/10

Also, Check out Movie Analysis of Living

Sunday, April 2, 2023

RRR Movie Analysis: Rajamouli in top form yet again

Not another masterpiece from Rajamouli, but still close to it with Ram Charan and N.T. Rama Rao Jr performances a treat to watch


Directed by: S.S Rajamouli
Imdb link -> RRR (2022) - IMDb

Meri apni himmat meri taakat hai, par tumhari himmat meri jeet hogi.

Bheem and Raju unite by clasping hands after saving a child from the river, symbolizing the meeting of Water and Fire in the film RRR


Spoilers ahead...


Plot of RRR: A Cinematic Spectacle Inspired by Real-Life Revolutionaries

Set in the 1920s British India, a young girl Malli from a tribal Gond community in Adilabad gets abducted and taken to the British Palace in Delhi. The Gond warrior Komaram Bheem (N.T. Rama Rao Jr) disguises himself as a Muslim mechanic (Akhtar) and is in search of Malli when he confronts a British Indian Policeman Alluri Sitarama Raju (Ram Charan). Their friendship begins while both having no idea of each other's real identity. They are in their own ways fighting for independence, against King Scott Buxton (Ray Stevenson) and Lady Scott/Catherine Buxton (Alison Doody).

Rajamouli's Inspirations from Ramayana and Mahabharata

Inspired by the lives of two real-life revolutionaries, Alluri Sitarama Raju and Komaram Bheem, Rajamouli builds a narrative with many influences taken from Ramayana and Mahabharata, creating a fantasy fiction where these two who never met in real life actually not only meet here but fight against each other too before eventually teaming up. That's one of the reasons I was able to enjoy the action knowing these main characters are pretty much like superheroes with great powers. For instance, it didn't affect me watching Raju, who never used arrows before, suddenly hit bullseye in the climax, though a childhood scene is set up to give a small indication of how perfect he can be without practice. And also how Bheem, with total ease, picks up a motorbike in his hands. I wonder if Rajamouli did that intentionally to help viewers tone down their thinking about the over-the-top action or if it was just a case of adding more depth to the characters. Both ways it works!

Top-Notch Writing: Building Character Arcs for Ram Charan and N.T. Rama Rao Jr

Raju (Ram Charan) waves goodbye from a boat, promising to return once his mission is successful in the film RRR.

Told through parts - The Story, The Fire, and The Water. Each short segment builds up characters very well. 'The Story' establishes the main plot of Malli, who gets captured and has to be rescued before she gets harmed in any way. The final scene ends here with a very haunting background score. 'The Fire' brings to light the character of Raju, who very much like 'Ramayana's Ram' believes in following the given orders even if it means going through a large dangerous mob. And then there's 'The Water' that shows the efficiency and physical power of Bheem to tackle wild animals, mainly 'Tiger,' who plays a significant role later on. Also, this helps in scenes when Bheem uses forest 'jadibhooti' ways to cure Ram when he gets injured.

The writing is top-notch when we see scenes that aren't there for the sake of it but rather hold important keys as the story progresses. Like notice the Dosti song where Bheem is doing pushups holding Raju over his shoulders, that is used in an innovative action sequence during the final act. Or the scene in the jungle where Raju writes a letter to Sita, and we see a god statue in the background, and again in the last act, it's where the transformation of Raju into God happens.

We also get to see some well-done twists; for instance, Bheem assuring Sita that he will bring Raju back to her, is the total opposite of Ramayana, where Hanuman assures Ram that he will bring Sita back.

Epic Action Sequence: Ram Charan vs N.T. Rama Rao Jr

Bheem unleashes wild animals during his attack on the British palace in the film RRR, showcasing his fury and determination

In his last three films, Rajamouli has already established how effective his storytelling style is, and once again he uses the scale to his advantage where the emotions still take the forefront. The set pieces are more than just the action that's taking place. Both Raju and Bheem get full character arcs, and the scene where they fight against each other is reminiscent of Ironman vs Captain America fight. It's become a popular trope now where you make the audience feel bad watching two main heroes land deep punches on each other when you know they should together be using that energy against the villain.

MM Keeravaani's Music and Background Score in RRR

MM Keeravaani, just like Baahubali, lifts up Rajamouli's storytelling to another level, and I am someone who totally enjoys when a background piece is done so well without trying to manipulate. RRR is full of such instances. The most notable is, of course, the goosebumps-inducing 'Train Accident' scene where the slow 'dara dum dara dum dara dum dum' brings the first meeting of Raju and Bheem, eventually leading to their friendship. That visual of the handshake has already become viral and famous. I love the same theme used in that final act scene too when Bheem is using music to find the solitary cell where Raju is.

Almost every song is well-used, and they are really good in terms of lyrics too. My pick is 'Dosti' track by Amit Trivedi (I saw the Hindi version of the movie) that so brilliantly shows the quickly blossoming friendship of Raju and Bheem, comparing them to Fire and Water, Rock and Storm, Lightning and Thunder, East and West, and also there's the fear that their different goals might spoil their friendship one day. Usually, I would be complaining about how rushed the bonding is shown with just one montage, but such is the power of visuals with music in here that you are made to believe how quickly they became close friends. I think whenever friendship-based songs between two males will be considered, this track will be right up to the top. I loved it that much. Also, love the other two versions of Dosti track - Sad and Victorious.

Bheem (NTR Jr.) and Raju (Ram Charan) perform the Naatu Naatu dance at the British Palace in the film RRR

Naatu Naatu is another fantastic track (also Oscar award winner now), though it's a song that appeals to me visually more than the audio. The dance-off that takes place with the Britishers and then between Raju & Bheem and its mad choreography makes this a treat to watch. 'Komuram Bheemudo' is the most emotional track of the movie, which reminded me of 70s patriotic movies where a person would be singing while being smashed all over the body with a whip. The scene was expectedly the toughest one to watch. Also, I love how the song doesn't try to just let the pain of Bheem out, but also how it affects the perspective of Raju, not just as a friend but his beliefs change when he sees the impact of Bheem's song on the gathered crowd.

Underutilized Characters like Alia Bhatt, and Over-the-Top Action

RRR isn't without flaws though. It may have got labeled as a spectacle which quite frankly it is, but at the same time, I wouldn't call it a masterpiece and won't rate it above Baahubali. I felt Alia Bhatt's character was very poorly used in the narrative, and the meeting scene of Bheem-Seetha felt more of a convenience rather than organic. The other major issue I had was with the villain; sure, we see glimpses of Scott being exploitative, but there could have been more of his involvement in the finale. Or at least Lady Scott, who we see cruelly asking for more blood from Bheem in the public flogging scene, she could have played an extra part before meeting her expected wild death. In her own words, I missed 'the pool of blood', and the end of Scott happens rather too quickly. In short, the final 15 mins felt very underwhelming.

The end credits was another letdown which gave a feeling of 'Did I just switch to a Farah Khan movie?' I have seen the film many times and always end up skipping that end credits song. There are 1-2 instances when the action goes way too over the top to digest, like when Rajamouli is too eager to show Fire vs Water in that Palace animal attack sequence that we literally see firecrackers and water pipes themselves having a go at each other. Thoda jyada ho gaya yeh!

Ram Charan and N.T. Rama Rao Jr in RRR are Exceptional

Raju (Ram Charan) emerges through flames, transforming into Lord Rama with bow and arrow in the film RRR

Both Ram Charan and NT Rama Rao Jr have given great performances; I can't really pick the best out of them. I love when we see Raju torn between his friendship and the goal of his life when he learns the truth about Akhtar's real identity. And the moment when NTR Rao Jr feels deep anger towards Raju with the rage in his eyes suggesting how hurt he felt at the interval scene. Also, I like how the entire forest angle is used perfectly in NTR Rao Jr's attack over the palace as he unleashes the animals at the Britishers.

Ajay Devgn's Cameo and Shreya Saran's Role

Good to see Ajay Devgn nail the cameo with such ease. Can't help but get emotional during the scene when he forces Ram to 'Load, Aim, Shoot' when he just lost two of his family members. Shreya Saran does feel wasted in an almost nothing role. Maybe she just wanted to be part of this special movie.

Verdict on RRR

Overall, RRR may not be a masterpiece for me, but I still enjoyed it more than most movies of 2022. Rajamouli knows how to handle a multi-starrer, and with good music and great performances, he delivers a movie which I will revisit again for the action and emotions in it.

Rating: 8.5/10

Also, Check out Movie Analysis of Mission Majnu

Wednesday, March 15, 2023

Living Movie Analysis: Adaptation of Ikuru is decent

Good film, but the idea of living your life to the fullest until its too late isn’t properly explored.


Directed by: Oliver Hermanus
Imdb link -> Living (2022) - IMDb

I don't have time to get angry.”

Montage from Living: Mr. Williams (Bill Nighy) on a swing singing; Margaret Harris (Aimee Lou Wood) talking with him during dinner; Peter Wakeling (Alex Sharp) in conversation with him


Spoilers ahead...


Plot Summary of Living: Adaptation of Kurosawa’s Ikuru

Set in the early 1950s and an adaptation of Kurosawa's 'Ikuru', the story is about the people working in the London County Council. Mr. Williams (Bill Nighy) heads up the Public Works department where Middleton (Adrian Rawlins), Margaret Harris (Aimee Lou Wood), Rusbridger (Hubert Burton), Hart (Oliver Chris), and the new recruit Peter Wakeling (Alex Sharp) work under him. One day, Mr. Williams learns that he has been diagnosed with cancer and has a maximum of 9 months left to live. He suddenly realizes what kind of life he has lived all the while and decides to finally enjoy a little.

Through the opening few scenes, we learn, much like Peter Wakeling, what it's like working at LCC where work takes a long time to get done, and the files keep stacking up. It actually reminded me of government places in India, where they do the same: make you go to various departments until you feel tired after finally fulfilling the purpose you came for.

But this is just a small part of the plot. The real story begins when Mr. Williams, who is always punctual to work, starts to suddenly skip coming altogether. He meets a guy, Sutherland (Tom Burke), at a restaurant and decides to tell him about his illness for the first time. From here, we see how Mr. Williams tries to enjoy life doing things the people at his workplace can't imagine he would do, ranging from getting drunk, going to a strip club, singing a beautiful song 'Rowan Tree', buying a new hat, etc. Out of all these adventures, that song scene was the only one that I found moving.

There's this beautiful shot where Mr. Williams is sitting on a couch all alone while his son and daughter-in-law are coming home, having some not-so-good conversation regarding him. The whole family plot of the daughter-in-law not being happy with the in-laws felt a little irritating to watch, almost like I was watching some 'Baghban' or 'Avatar' (Hindi one) suddenly.

Good Performances by Bill Nighy and Aimee Lou Wood

The main problem I felt with the movie was that the proceedings stay too subtle or restrained, especially the lead character of Mr. Williams. Bill Nighy is good in his performance, but it never felt memorable or Oscar nomination-worthy to me. I do totally love the scene when he's recalling his younger days, probably thinking about what he was and what he became at his robotic kind of job life.

Aimee Lou Wood is wonderful, and I love the scene where she gets emotional upon learning that she's the first person from the workplace to know about Mr. Williams' illness and why he decided not to tell his own son too. She brings energy into the movie, no wonder we see Mr. Williams having the desire to live a life feeling alive like she does.

I did enjoy the letter Mr. Williams sends to Peter Wakeling, whom he clearly sees as his own younger self—so enthusiastic and eager. Mr. Williams gives a friendly warning to not end up losing himself in this work field. And the final ending scene with him singing the 'Rowan Tree' song again was a very good choice to finish the story on.

Verdict on Living

Overall, Living is a good film, but the idea of 'living your life to the fullest until it's too late' isn't properly explored. I may give the Kurosawa version a go to see if that works for me or not.

Rating: 6/10

Also, Check out Movie Analysis of The Quiet Girl

Monday, March 13, 2023

The Quiet Girl Movie Analysis: Needed more dramatic moments

Simple movie, but just lacks the essential dramatic moments a movie still requires.

Directed by: Colm Bairead

She says as much as she needs to say. May there be many like her.”

Eibhlin talks at the dining table while Cait listens attentively; Sean stands in the background with a cup of coffee in the film The Quiet Girl


Spoilers ahead...


Plot: About Emotional Abuse and Longing for Parental Love

Set in rural Ireland in the early 1980s, the story follows a 10-year-old quiet girl, Cait (Catherine Clinch), who lives with a dysfunctional family. Her mother, expecting a new child soon, sends Cait to her cousin's, Eibhlin Cinnsealach (Carrie Crowley), far away for the summer. Eibhlin and her husband, Sean Cinnsealach (Andrew Bennett), look after Cait, providing a much more loving family environment. Cait is told that a family should not have any secrets, yet she later discovers a deep hidden secret about Eibhlin and Sean.

Lack of Hard-Hitting Moments a Major Issue in The Quiet Girl

It's a very simple film, which is often enough to enjoy, but here you feel they just didn't try much in the narrative, making it sail through without enough conflicts or hard-hitting moments. Even the hinted secret wasn't as deep as I thought it would be. Sure, it still plays better with the narrative, but there was a chance to go darker, like Cait thinking she got a very good place, but they are actually even worse. This may have made for a tough watch, but at least there would be something more going on. Alternatively, they should have included more conversations between Cait and Eibhlin/Sean, especially after she learns about the secret.

The final scene is heartbreaking and easily the best one of the movie. You feel for Cait because, most likely off-screen, the story would go on with Cait having to live again with her parents, who don't care for her. The lack of care and emotional abuse are in full display every time we see Cait with her parents. It doesn't help that her relationship with her sisters seems non-existent, and the same goes for her school scene, where she is shown to be all alone.

Eibhlin and Sean's sequences are good to watch, playing the kind parents who have no children of their own. We finally see Cait find some happiness in her life, even if it’s meant to be short-lived. If you are observant, you may predict that Sean's initial cold behavior towards Cait might have to do with his own personal loss. The 'taking water out from the well' sequence at the end was frightening to watch. For a moment, I felt maybe Eibhlin and Sean were about to witness another loss. I am happy they didn't go this route at all. It would have been too depressing for my liking.

Final Verdict on The Quiet Girl

Overall, The Quiet Girl is a decent watch. It is slow and a bit too simple. You just wish the childhood depression could have been explored more to make it a more emotional movie.

Rating: 5.5/10

Also, Check out Movie Analysis of The Banshees of Inisherin

Oscars 2023 Predictions: Top Picks and Likely Winners

I watched all nominated Oscar movies except for Avatar: The Way of Water, Tell it Like a Woman, and Babylon (also minus the Documentary and Short Film Categories).

As always, an Oscar-nominated movie means it has to be seen but it never means that it has to be perfect. This year too, it was a mix-bag. Last year the theme of lighthearted movies was visible throughout, and this time I felt the loss/grief or broken friendship/love was seen in majority.

Out of all the nominated Oscar movies I watched, my top picks were Top Gun:Maverick, Aftersun, and Marcel the Shell with Shoes On. I need to have a re-watch of Everything Everywhere All At Once and The Batman to decide if they change my top three or not.

Refer to the nominations list here: Oscars 2023Nominations

Predictions for the Upcoming Oscars 2023

And the Oscar goes to...

Scenes from nominated 2023 Oscar films: Top left, Evelyn Wang defends her family in Everything Everywhere All at Once; top right, Paul Bäumer and Katczinsky assess the battlefield in All Quiet on the Western Front; bottom left, Elvis Presley performs for an adoring crowd in Elvis; bottom right, Rooster and Maverick discuss a dangerous plan in Top Gun: Maverick

Best Picture

Will Win: Everything Everywhere All At Once
Should Win: Top Gun: Maverick

I liked Everything Everywhere All At Once, so quite happy if it wins. Also, I know there's almost a 0.00001% chance for Top Gun: Maverick. While The Banshees of Inisherin, Triangle of Sadness, and Women Talking didn't deserve to be nominated. Infact stupid to think that Aftersun missed out on a nomination against these bunch of average movies.

Best Actor in a Lead Role

Will Win/Should Win: Austin Butler (Elvis)

Austin Butler was too good playing the role of Elvis Presley and thoroughly deserves the Oscar. Brendan Fraser could be a close competitor here. Bill Nighy, I feel, got a nomination because there probably is a lack of available options. While Tom Cruise, I guess they didn't consider as putting own life at risk doing dangerous stunts isn't yet considered to be part of acting.

Best Actress in a Leading Role

Will Win/Should Win: Michelle Yeoh (Everything Everywhere All At Once)

I am never going to forget how much I laughed when Michelle confesses love to Curtis in the movie. It will be a huge disappointment if she doesn't win the Oscar. Both Cate Blanchett and Andrea Riseborough are strong contenders too, but please it has to be Michelle.

Best Actor in a Supporting Role

Will Win/Should Win: Ke Huy Quan (Everything Everywhere All At Once)

My question is 'What is Supporting?' Is it much lesser screen time in comparison to the lead, or is it where you play a crucial part in the story that helps the lead in achieving something even if it's just one scene in the entire film? The former relates to Ke Huy Quan and the latter to Judd Hirsch. I just can't agree that a character that gets one scene can be part of the supporting role category. Ke Huy Quan should win here, though a part of me would not mind if Barry Keoghan wins. Also, how did Miles Teller not get a nomination!

Best Actress in a Supporting Role

Will Win/Should Win: Angela Bassett (Black Panther: Wakanda Forever)

This has to be the toughest to pick category. Almost anyone can win here. Though Jamie Lee Curtis and Stephanie Hsu pose more competition to Angela here.

Best Director

Will Win: Daniel Kwan and Daniel Scheinert (Everything Everywhere All At Once)

Steven Spielberg is the only other deserving nominee. And Aftersun got robbed here too.

Best Animated Feature Film

Will Win: Guillermo Del Toro's Pinocchio
Should Win: Marcel the Shell with Shoes On

I enjoyed both, but Marcel was a lot better for me. Puss in Boots: The Last Wish has no chance. Turning Red and The Sea Beast are lucky to get nominations.

Best International Feature Film

Will Win: All Quiet on the Western Front
Should Win: Argentina, 1985

One of the categories where none of the films blew me away.

Best Music (Original Score)

Will Win/Should Win: Volker Bertelmann (All Quiet on the Western Front)

I am divided here between All Quiet on the Western Front and The Banshees of Inisherin, though frankly none of their scores I would listen to in future.

Best Music (Original Song)

Will Win: Naatu Naatu (RRR)
Should Win: Hold My Hand (Top Gun: Maverick)

'Applause', 'Lift me Up' and 'This is a Life' all have very good lyrics but none of them I can hear on repeat mode. My fav song from Top Gun was 'I ain't worried' but that I guess doesn't qualify as an Original Song. While my fav song from RRR was 'Dosti' track. So, between Naatu Naatu and Hold My Hand, I would go with the latter. Naatu Naatu is really a video song that gets your adrenaline pumping watching the mad dance moves and of course the dance-off that takes place. Audio-wise, Hold my Hand is far superior.

Best Writing (Adapted Screenplay)

Will Win: All Quiet on the Western Front
Should Win: Top Gun: Maverick

Of course, Top Gun: Maverick isn't winning.. and I certainly would prefer All Quiet on the Western Front to win rather than Women Talking.

Best Writing (Original Screenplay)

Will Win/Should Win: Daniel Kwan & Daniel Scheinert (Everything Everywhere All At Once)

Pretty straightforward here, it's something to make the multiverse explored like it should be (something Doctor Strange: Multiverse of Madness couldn't).

Best Editing

Will Win/Should Win: Paul Rogers (Everything Everywhere All At Once)

It must have been a challenge and also so much fun to edit this movie I feel. Also, I find it funny to see Elvis get a nomination here.

Best Sound

Will Win/Should Win: Top Gun: Maverick

Finally a category where Top Gun: Maverick is favorite to win. I won't mind if Elvis wins too.

Best Cinematography

Will Win/Should Win: James Friend (All Quiet on the Western Front)

Looks like there should be no other competition here. To be honest, it was the best thing about the movie for me.

Best Production Design

Will Win: Babylon
Should Win: Elvis

Not seen the movie, but the trailer that I saw suggested rich detailed production design. Otherwise, Elvis has my vote.

Best Costume Design

Will Win/Should Win: Catherine Martin (Elvis)

This is very straightforward. In Black Panther: Wakanda Forever, I liked only the funeral costumes.

Best Makeup and Hairstyling

Will Win/Should Win: Elvis

A part of me is hoping The Batman wins here.

Best Visual Effects

Will Win/Should Win: Avatar: The Way of Water

Another movie that I haven't seen but the trailer is enough to suggest that it should be a front-runner to get the Oscar here.

Sunday, March 12, 2023

The Banshees of Inisherin Movie Analysis: Good till 1st half

A dark comedy that works exceptionally well for first half of the movie, before a narrative shift derails the movie completely.


Directed by: Martin McDonagh

You used to be nice. Or did you never used to be ? Oh, God. Maybe you never used to be.”

From The Banshees of Inisherin movie: Top left, Padraic Suilleabhain walks past his former friend Colm Doherty on a rocky path, top right, Padraic's sister Siobhan sits at a table in conversation, bottom left, Colm sits alone in a dimly lit room while Padraic watches from outside, and bottom right, Padraic sits on a stone ledge beside Dominic Kearney with the ocean in the background discussing Colm's silence


Spoilers ahead...


A Bizarre and Unique Dark Comedy about Friendship

Set in the early 1920s with the backdrop of the Civil War on an isolated Irish island, The Banshees of Inisherin follows Padraic Suilleabhain (Colin Farrell), who learns that his closest friend, Colm Doherty (Brendan Gleeson), no longer wants to talk to him. Colm wishes to spend the remaining years of his life creating music that will be remembered forever and feels Padraic is too dull to be friends with.

It’s a super interesting premise—just imagine you’ve been best friends with someone for years, and suddenly, they tell you that you’re dull and not an interesting person to hang out with. Just hearing that would tear you apart, especially after being so emotionally invested in this person.

The first half of the movie explores this thought with dark comedy, accompanied by a lovely, folkish score. Padraic is taken aback by Colm’s sudden decision, and he’s not someone who would accept it easily. We see Padraic trying all his ways to revive the friendship, including a funny scene where he checks the calendar to see if it’s April 1st, hoping Colm is playing a prank. Of course, to his disappointment, Colm is serious.

Shift in The Banshees of Inisherin’s Narrative

The sudden change in tone is where the film loses its mark for me and totally goes downhill. Colm actually chopping off his fingers to prove to Padraic how serious he is about ending their friendship was absurd and made no sense to me. The absurdity only increases as he chops all his fingers off. For someone who wants to be remembered as a musician, why would he do that and make it difficult to manage playing music on his own?

Had the movie continued with the tussle between Padraic trying to get Colm to talk and Colm pushing him away, it would have worked—even if it became a bit repetitive. But the route they took completely took my interest away.

I understand that the main theme is loneliness during wartime, using war as a metaphor for the escalating conflict between Padraic and Colm. The film portrays how war affects everyone and brings nothing good, even those not directly involved, like Dominic Kearney (an excellent Barry Keoghan), the son of an abusive policeman, who used to like the ‘nice’ Padraic but can’t stand the new ‘bitter’ Padraic. The same goes for Padraic’s sister, Siobhan Suilleabhain (Kerry Condon), who feels trapped in the war between Padraic and Colm, leading her to leave and take up a job offer, possibly never returning.

The Gore Horror Route of the Second Half

The gory horror route the second half takes may work for others, but I just couldn’t stand it. I’m okay with the ending, though—it’s understandable that the war ends with nothing resolved, with both characters just destroying each other for no good reason. I didn’t mind that we are never told the reasons behind Colm’s behavior, though there are hints of depression whenever he speaks to the priest.
Besides Barry Keoghan, Colin Farrell’s performance was the standout for me, with Kerry Condon also delivering a strong supporting act.

Verdict on The Banshees of Inisherin

Overall, The Banshees of Inisherin is one of those films I thought I would love midway through, with many hilarious moments, but after that, there was just nothing to like due to the way the story is told.

Rating: 5/10

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