Friday, February 20, 2015

Movie Analysis : The Theory of Everything

Directed by : James Marsh
Imdb link -> http://www.imdb.com/title/tt2980516/

A biopic of a famous physicist that unfortunately prefers to show his love life rather than achievements. 


Spoilers ahead … 


Stephen Hawking (Eddie Redmayne), a student of cosmology at Cambridge in 1960’s, falls in love with a art student Jane Wilde (Felicity Jones). But soon its learnt that Stephen is suffering from symptoms of ALS and would not live for more than 2 years. Yet Jane agrees to marry him and thereby go through lots of years of pain and longing for a lover.

When a film is based on a real famous physicist Stephen Hawking, and with a title ‘The Theory of Everything’, what you expect is a very good biopic on his achievements in life with a sub-plot that showcases his love life. But instead this film ends up focussing completely on his two marriages and its struggle and that too in a very disappointing manner.

There’s one scene where Stephen’s roomie recalls him about a particular college work that was supposed to be done, and we see him quickly attempt to do it as he was more of a carefree guy then, cut to scene where he stuns every student including professor with the accurate answers he did. We aren’t told how he got this genius mind, instead we just get to see glimpses of how good he is, whenever director feels like taking a break from Stephen-Jane disaster marriage, like that blackhole speech he gives later on.

What’s disappointing is that the science aspect from Stephen’s POV is so far and few in the movie. Even if for a second you forget his achievements, and see the movie from the angle of the tragedy his life was while with Jane, its almost impossible to have any feelings for her. Because in all her scenes before marriage with Stephen, I never saw that love feel from her side for Stephen. And then all of sudden to see her ready to sacrifice her life for 2 yrs by marrying Stephen because she loved him, had no impact whatsoever. I could feel sorry for Stephen’s  declining health year by year, but watching Jane feel probably guilty (over her decision to marry him) or that longing to go away from this tired life that starts and ends at taking good care of Stephen, it didn’t make me feel bad for her. The new love angle only worsened her plot for me.

It would had been ideal if director James tried to show more love from Jane in early part of Stephen’s life when she met him, he rushed too soon to the denial phase. Now I felt that she hardly loved Stephen or tried coping with his health, and gave up too easily. The likable part of Felicity Jones performance was when she tries to take care of Stephen during 1st year of marriage, and the scene where she comes to a realization that no matter how much she tries, the marriage won’t work now.

What keeps me going in this movie is only Eddie Redmayne’s performance, the head tilt mannerisms were perfect, and so was that leg movement, or the smile. I hardly know real Stephen Hawking, but can bet that Eddie brought the character on screen completely with his performance. He makes the scenes where his organs gradually stop working look very uncomfortable to watch, reference to that scene where on his own he goes to college without anyone’s help or climbing stairs of home. Won’t be a surprise if he wins a oscar award.


The movie may work for you if you see it more like a dramedy rather than a biopic, but for me The Theory of Everything would had worked only if it was more a biopic of a physicist with details of his findings and success.



Verdict : 2.5/5 

Movie Analysis : Dolly ki Doli

Directed by : Abhishek Dogra
Imdb link -> http://www.imdb.com/title/tt4332114/

Sonam and Rajkumar makes this average movie watchable.. 


Spoilers ahead… 


Story revolves around Dolly (Sonam  Kapoor) who believes in fake marriages, and running away with belongings of groom and their family on the 1st night of marriage, and therefore named as Looteri Dulhan. She is accompanied in it by her team that includes a acting brother Raju (Mohammed Zeeshan Ayyub) who actually loves her. But Dolly has a past story too behind this profession.

First time director Abhishek Dogra hits the right note with the start of movie, with Dolly’s victim Sonu (Rajkumar Rao), a haryanvi guy wanting to have romantic time with her, only getting denied as Dolly believes in marriage first. Even the hunt to get the next bakra Manjot (Varun Sharma) is well done.

Where the film actually misses out badly is, not trying to explore more out of Dolly-Raju subplot which was almost untouched. Infact it was surprising to see Raju first express his feelings, then betray Dolly in jail, and then return to team up with her again. Another plot that film didn’t work out was Sonu’s return to life of Dolly when she marries Varun. Inspite of all what Dolly did to him, Sonu still had love for her and wanted her back, but again we hardly see much story in that regards.

Instead we get the monotonous, another bakra and this time getting caught scenario that has Saif in a special appearance. The climax was a let down too, the message of ‘this is what I love and is good at, even though knowing it is bad’ was kinda of ridiculous.

The title song is hilarious, a montage of uncountable guys Dolly marries and runs away from.

Sonam Kapoor gives a good performance, which is expected as these roles are tailor-made for her.

Varun Sharma still had the hangover of Fukrey. Pulkit Samrat appeared like he was made to watch Salman’s Dabangg before started shooting and he forgot he was playing a new cop character.

Rajkumar Rao was superb in his haryanvi accent, wish his character had more significance in 2nd half though. There is a surprise moment in terms of his excellent dance you see for 1st time (whose glimpse we have already seen in one of song from 'Gangs of Wasseypur II').

Special mention to the lady whose only dialogue in movie is ‘beti de di, sab kuch de diya’, too funny.

Dolly ki Doli could had been a very good film, but average scripting and casting lets the film down. Still, it has some good moments involving Sonam and Rajkumar mainly.


Verdict : 2.5/5 

Movie Analysis : Alone

Directed by : Bhushan Patel
Imdb link -> http://www.imdb.com/title/tt4271730/

Bipasha should give horror genre a break.


Spoilers ahead …. 


Two twin sisters, Sanjana and Anjana (Bipasha Basu) conjoined at birth, made a promise to each other that they will always be together and never separate. But yet Sanjana opts for separation from her, which leads to death of Anjana, and she gets terrified of the scares she gets away from home, and then when the spirit of Anjana makes her return back. The misery of Sanjana begins then, and so does for viewers.

Bhushan Patel employs almost every possible cliche our horror movies has, like going in a isolated place with no neighborhood and big haveli place surrounded by river and trees only, the slow opening of door, girl walking alone in home at night, even outside home like she is at a picnic spot, girl’s husband putting a hand on her from behind scaring her and audience and of course a big secret to be revealed at right end. All of this crap only brings humor into the plot instead of scares. And then there is a romantic plot between Sanjana and Kabir (Karan Singh Grover) that has erotic scenes but hardly good acting in it.

There are also extra characters like the maid and her bahu working at Sanjana’s house who one by one get horror feel from house and Sanjana, and of course they face consequences at climax. And Zakir Hussain gets the role of a person who tries to help Kabir get rid of spirit, good initial scenes and then a weird end scene resembling Ashutosh from Raaz. They even have a Conjuring tribute.

The major problem in script comes for me when the reason for split between Sanjana and Anjana becomes their love feel for the same guy i.e Kabir. It would had been better if the reason was something else, and then the spirit of dying sister returns as spirit to haunt both of them.  And of course without all the cliches. I still didn’t understand why spirit tried to kill or hurt Kabir in the climax, and then later rescue him out.

The only likable portion in the movie for me was that piano tune that plays at many places. Even most of the songs with exception of Awara were mediocre.


Among performances, Bipasha Basu looks glamorous and hot, but is getting terribly boring now in her non-stop horror acts, she should stay away from this genre for atleast 3 yrs now for my liking.

Karan Singh Grover doesn’t really make any impact, plus not a role I would say a actor would like to start film career with.



Alone has no scare thrills and no good performances. It only gives good locales views, and some laughs.


Verdict : 1/5 

Movie Analysis : Tevar

Directed by : Amit Sharma
Imdb link -> http://www.imdb.com/title/tt3398048/

Another avoidable masala movie… 


Spoilers ahead… 


Isn’t it a cause to worry that there are many aspiring new directors that want to begin their film-making journey with a masala movie. Not saying that its the easiest genre to make, it is one of toughest as you need to balance non-logic and style with the story that goes through comedy, drama, romance and action. But creatively if you ask me, if I was to debut as director, I would choose a project that would showcase my skills rather than the genre overpowering me.

Tevar’s story is about a kabbadi player Pintoo (Arjun Kapoor) from Mathura who accidentally meets Radhika (Sonakshi Sinha) and rescues her from a faction leader Gajendar (Manoj Bajpayee). Pintoo who leads a care-less life upto now, has a responsibility of saving Radhika from Gajendar and his men’s threat.


The film begins with a over the top scene ‘Lets slow motionize’ the entry of main lead. Followed by a kabaddi match that is melodramatic to the core. Infact in the entire movie, you would be forced to look for scenes where you can like Arjun Kapoor, he is that bad (coming from me who doesn’t fall in the category of people who hate his acting).

The interesting bits of movie are, first conversation between Gajendar and Radhika, the entire Pintoo and his sister scenes (hardly 10 mins screen time) and to some extent Pintoo and his father scenes.

I was so much interested in Pintoo-sister(played by Gunjan Malhotra) plot that I wished Gajender fell in love with her instead of Radhika, after all who wants to watch Sonakshi Sinha doing the same act. But Sonakshi does have one creative scene in movie, she doesn’t like eating matar in matar-paneer sabji, so she keeps taking matar out one by one in her plate. And best of all, this time she isn’t shown saying disgusting things as a female, like she did in Action Jackson or R.Rajkumar. For some 30-40 mins we see Pintoo struggle saving her, getting himself wounded and then finally when he manages to take Radhika to Delhi airport , she has fallen in love and doesn’t want to leave Pintoo. Someone tell script-writer, why burden us viewers with the nonsense if the girl has to have change of heart.. I felt like please someone kill her. And probably the frustration of watching Sonakshi’s stubbornness to do another masala movie was getting to my nerves too.

The main part of movie is actually Pintoo-Radhika love angle, and it doesn’t work one bit. Manoj Bajpayee does have 1-2 brilliant acting scenes, but even he won’t give you any satisfaction.

Music by Sajid-Wajid is completely forgettable. Dialogue writing is laughable, including a sequence where Gajendar decides he won’t wear trouser till he finds Radhika. Climax has been done umpteen times before, and with greater impact, here you only wait for it to end.


Tevar is a avoidable masala movie, watch at your own risk.


Verdict : 1.5/5