A dark comedy that works exceptionally well for first half of the movie, before a narrative shift derails the movie completely.


Directed by: Martin McDonagh

You used to be nice. Or did you never used to be ? Oh, God. Maybe you never used to be.”

From The Banshees of Inisherin movie: Top left, Padraic Suilleabhain walks past his former friend Colm Doherty on a rocky path, top right, Padraic's sister Siobhan sits at a table in conversation, bottom left, Colm sits alone in a dimly lit room while Padraic watches from outside, and bottom right, Padraic sits on a stone ledge beside Dominic Kearney with the ocean in the background discussing Colm's silence


Spoilers ahead...


A Bizarre and Unique Dark Comedy about Friendship

Set in the early 1920s with the backdrop of the Civil War on an isolated Irish island, The Banshees of Inisherin follows Padraic Suilleabhain (Colin Farrell), who learns that his closest friend, Colm Doherty (Brendan Gleeson), no longer wants to talk to him. Colm wishes to spend the remaining years of his life creating music that will be remembered forever and feels Padraic is too dull to be friends with.

It’s a super interesting premise—just imagine you’ve been best friends with someone for years, and suddenly, they tell you that you’re dull and not an interesting person to hang out with. Just hearing that would tear you apart, especially after being so emotionally invested in this person.

The first half of the movie explores this thought with dark comedy, accompanied by a lovely, folkish score. Padraic is taken aback by Colm’s sudden decision, and he’s not someone who would accept it easily. We see Padraic trying all his ways to revive the friendship, including a funny scene where he checks the calendar to see if it’s April 1st, hoping Colm is playing a prank. Of course, to his disappointment, Colm is serious.

Shift in The Banshees of Inisherin’s Narrative

The sudden change in tone is where the film loses its mark for me and totally goes downhill. Colm actually chopping off his fingers to prove to Padraic how serious he is about ending their friendship was absurd and made no sense to me. The absurdity only increases as he chops all his fingers off. For someone who wants to be remembered as a musician, why would he do that and make it difficult to manage playing music on his own?

Had the movie continued with the tussle between Padraic trying to get Colm to talk and Colm pushing him away, it would have worked—even if it became a bit repetitive. But the route they took completely took my interest away.

I understand that the main theme is loneliness during wartime, using war as a metaphor for the escalating conflict between Padraic and Colm. The film portrays how war affects everyone and brings nothing good, even those not directly involved, like Dominic Kearney (an excellent Barry Keoghan), the son of an abusive policeman, who used to like the ‘nice’ Padraic but can’t stand the new ‘bitter’ Padraic. The same goes for Padraic’s sister, Siobhan Suilleabhain (Kerry Condon), who feels trapped in the war between Padraic and Colm, leading her to leave and take up a job offer, possibly never returning.

The Gore Horror Route of the Second Half

The gory horror route the second half takes may work for others, but I just couldn’t stand it. I’m okay with the ending, though—it’s understandable that the war ends with nothing resolved, with both characters just destroying each other for no good reason. I didn’t mind that we are never told the reasons behind Colm’s behavior, though there are hints of depression whenever he speaks to the priest.
Besides Barry Keoghan, Colin Farrell’s performance was the standout for me, with Kerry Condon also delivering a strong supporting act.

Verdict on The Banshees of Inisherin

Overall, The Banshees of Inisherin is one of those films I thought I would love midway through, with many hilarious moments, but after that, there was just nothing to like due to the way the story is told.

Rating: 5/10

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