Film Review : Force

My expectations for this film kept minimising with every new trailer. The music was good though. And I ended up liking the film which isn't as well made as Nishikant Kamat's debut film 'Mumbai Meri Jaan'.

I haven't seen the tamil version i.e 'Kaakha Kaakha', though I had some idea of the plot. The story is of a Narcotics officer whose work involves lot of life danger, and therefore ACP Yashvardhan(John abraham) feels he is the bravest officer with no one around him to become his weakness, until he meets Maya(Genelia D'Souza). He couldn't stop falling in love with her.. On one side is Vishnu(Vidyut Jamwal) who wants to see pain in eyes of Yash as his brother was killed by him. Now, Yash has a tough job to catch Vishnu before he does anything to Maya. 

There is a feel of Ghajini kind of story at places. Though the treatment aint like that. The editing is very good, for instance, the scene where the narcotics team dealing with drug deals at various locations at different times, yet at same time in screenplay running parallely.

Action scenes are very well done, its somewhat hatke, if not totally like the bike scene or the climax fight. 

The problem with Force is that it fails to keep you fully engaged plus the punchlines are very ordinary. Its two plots running at same time, one is narcotics officers against the drug dealers, and other is the officers's personal life. At places, the screenplay overdoes going from romantic to action to romantic to action. 

Main Chali is beautifully used to introduce Maya in the film. Khawabon Khawabon is terribly choreographed, good example of how you can destroy a nice song.

The best moments of the film ---
• Maya's introduction scene, specially the car scene with kids.
• Yash with Maya during their journey.
• Vishnu's 1st attack
• Yash chasing Vishnu
• Vishnu's gift to Yash
• Yash revenge

Performances wise,

John Abraham is actually good in romantic scenes as well as action scenes. But quite rigid during delivering the punchlines(even though they weren't good either). Also, at places he was expressionless. Not a convincing performance.

Genelia D'Souza was superb. Her best performance after Jaane tu ya Jaane na. She is a actress who would deliver in good content roles, simple looking, cute. Thats why, I didnt like the glam look given to her in Khawabon khawabon track. The expression on her face when she takes flower from a kid while in car, and lots of kids come with flowers, was unforgettable. So natural!

Vidyut Jamwal was very good in his debut. Very confident, though at times, he was repeating his postures in his entry scenes. His looks also reminds of neil nitin mukesh and shiney ahuja combination. But, I feel he has the talent to get more roles in future.

Anaitha Nair is wasted, hardly any role. Sandhya Mridul despite small role, shines in her every scene.

Mounish Behl and Raj Babbar were fine.


Overall, Force despite its flaws.. was a good watch.


Verdict : Nice

Film Review : Mausam

It was a film whose theatrical trailer impressed me the most, one of best trailers I saw this year. With very good music, the expectations were high, talent like Pankaj Kapur at direction for 1st time. You couldn't fail, but you did!

The story is of a couple who go through various seperations, not due to family opposition but the events that happen at wrong times, forcing them to change priority. A love story that doesn't change even with passage of many years, having seen lots of downs in their lives.

When you have to showcase love from a particular year to some 10-12 yrs later. Then, you have to divide your screenplay accordingly. Remember, Zindagi na milegi dobara ? How they covered 3 events, with other sub-plots combining to form a meaningful and entertaining screenplay. That's what was missing in Mausam. The screenplay, as well as writing were really bad. Pankaj Kapur stretches the village part beyond limits, though let me admit, that was indeed the best part too of the film. But, it removes that connectivity required for rest portion of film. Just when village part ends, there is a sense of slowness in screenplay. And it very much stays like that throughout after that.

Also, one can easily argue.. how can the couple not inform each other before leaving, even if the situation was above their love. Quite immature lovers!

There was a sense of 'I desperately want this film to work big time' in the kind of writing, and as a result, the writing went from good to nice to bad to extremly poor as the film goes on. The climax tells it all... Extremely melodramatic to accept.

Editing wasn't good, Cinematography was very good, some beautiful shot scenes without a doubt.

Rabba and Saj dhaj ke make the most impact out of all the songs, and yea special mention to sonu shreya song not in album which was very artistically used in the film, one of my fav scene from the film.

My fav moments from the film

• The car stunt scene
• The feeling Harry gets when he watches sonam pass through his house.
• The sonu-shreya romantic song, where the couple talks by writing on paper and then putting it into glass of water.
• Rajjo sending mithai to harry coming to his house at night.
• Harry running from one station back to old, since train is 1 hr late.. just to catch Aayat whom he has been searching since long time.


Performances wise,

Shahid Kapur is extremely good in the innocent image of village boy in early part of film. The air pilot image at places dont go too good at him. Infact, in the scene where he portrays his anger to his sister on phone about the fight going on.. it just doesn't come out naturally.  He excels in post air pilot story very well.

Sonam Kapoor continues her routine, only looks and some expressions in few scenes for a change. But once she tries to deliver a dialogue, you just have to feel for the poor girl who has still not learnt how to act.

Supriya Pathak, I am a big fan of hers.. but in this film she was just about nice. Nothing much to offer in her role, except for a worried bua of Aayat throughout the story.

Anupam Kher has a very small and insignificant role to say in the film ..

Aditi Sharma(if she was rajjo) was very good. Her love for Harry was so easily visible in her eyes in every scene..


Overall.. Mausam dissappoints big time. 1st 30 mins are worth a watch, after that you are just waiting for this love story to end.


Verdict : Poor

Film Review : Mere Brother Ki Dulhan

The trailers of the film were not appealing, but the music was. The story resembled Sorry Bhai, but only to a small extent.. The question was Will two not so good actors Imran and Katrina would manage to keep you interested in the film throughout, with Ali Zafar not having a bigger role. The answer, you will get at the end of the review ... 

Film's opening sequence though begins on interesting note with Padosan's song in background over the good locales, but as the scene develops, you get the feeling of 'How overdone its in terms of direction'. Thats the feeling I get at various places in the film. 

What keeps you hold on to the film is the good laughing moments that keep coming at pretty much right time, along with the awesome music the film has. 

The script could had been better, I was looking for lots more twists. It was heading in a straight direction from interval onwards which was a big dissappointment. Editing was fine. Dialogues were uneven, some good while some poor ones.. Ali Abbhas Zafar needs to work a lot on his direction skills, I aint impressed with his debut effort. He surely tackled the romantic scenes very well, but the drama which is the main part of film is where he lacked the most. 

The songs are very well placed, my fav is ishq risk.. very beautiful (though Imran hams in it). Choomantar and Dhunki are good too while Do dhaari talwaar was the surprise package of the film, liked it a lot. 

The best moments of the film ---

• Imran's starting two attempts of finding the girl. 
• The scooter scene involving Imran and Katrina. 
• The rapidfire scene between Ali and Katrina
• Choomantar and intial sequence of Ishk risk. 
• Do Dhaari Talwaar, amazing energy.
• The badminton scene between Tara and Imran, and the next scene involving dialogues between Imran and Ali.

Performances wise, 

Imran Khan was over-acting in pretty much most part of the film, he was good at some places though. But some other actor instead of him could had made the film more likeable for sure. 

Katrina Kaif, if her bad hindi dialogue delivery is kept aside.. then she was really good in the entire film. She reminded me a lot of her character in 'Ajab prem ki gazab kahani'. Pretty, cute, hot and talkative. 

Ali Zafar was very good. At places he did falter, but I would consider that as director not able to get the best out of him from the scene. Specially love the scene where he is shocked to see Imran and Tara playing badminton.

Great to see amazing actors Kanwaljeet Singh and Parikshat Sahni in a film again.. I specially love Kanwaljeet sir's acting a lot. He should get more roles in hindi films.

Tara D'Souza was nice, reminded of Gisselle in 'I Hate Luv Storys', though much better than her.

Mohammed Zeeshan Ayyub was awesome. Remember. 'Manish' of No one Killed Jessica. He has got lots of talent, looking forward to see him act in future projects too. Though, only character roles would suit him...


Overall, Mere Brother Ki Dulhan was a decent watch. Thanks to all the small good moments of laughter coming in short intervals regularly...


Verdict : Above Average

Agneepath.. kar Shapath.

Agneepath, one of my most favourite films ever. Amitabh Bachchan, Danny, Mithun with awesome performances and a brilliant screenplay with a background score that fitted the whole theme of the film.

I hate remakes, Don the clear example of it. But, I do watch them, and in case of Agneepath I see lots of changes, plot and soul is same.. master dinnanath dies, vijay seeks revenge from kaancha as he grows up. But no mithun's character, romantic angle of vijay gets more emphasis. I get that kind of feel that this time, its not really copied remake..

Though I have to admit it, I still want to see the dialogues of Vijay in the new agneepath to be assured of the changes. Also, I am hoping most of the dialougees used in film are fresh, ofcourse 'kar shapath, latpath, agneepath agneepath' couldnt had been left out, and as hrithik said in interview 'Its gonna be used at a very perfect place in the film'.

What I loved about the trailer -

The eye expressions of both Vijay and Kaancha, the background score of fast aarti mixed with action sequences. The angry look Hrithik has in entire trailer, the running sequence(I love these ones). The sizzling romantic scenes between Hrithik and Priyanka. Lastly, the only dialogue from main lead 'Vijay Dinnanath Chauhan ko marna padega'.

In short, the Agneepath trailer lives upto the hype created. The minuses I would say are eunuchs used, always dont like to see them in a intense film. Also, its taking time to like the new villaineous look of Kaancha, not sure if it was really essential to go for a bald look, shakaal types. Could had thought of some other look. But, maybe, just being optimistic, while watching the film, I may like it more. And the small vijay's dialogue delivery was not that good as original agneepath one.

That makes me wonder, how much comparison is gonna take place between both the films. As long as the words said by everyone associated with Agneepath that its just a adapated version, and a new take on the film, not a remake. I would say I have a chance of loving this film...

Also, I feel even if the film doesnt live upto the expectations, it wont turn out to be Karan Johar ki agneepath like Ram gopal verma ki aag. I saw some of these jokes floating on twitter. Reason I feel it wont happen is that the characterisation would be right here, and more chances are the performances would be good too. Only screenplay would be the decisive factor!

The next trailer comes with ra one film which surely will have more dialogues, and more insight as to how much different this one is from original agneepath...

Agneepath Trailer - Youtube Link

Yash~

Murder 2

When Delhi Belly Songs came, they were so fantastic that I couldnt resist listening them in a non stop loop. But little did I knew, that Murder 2 songs are arriving in 2 days.. and the moment they came, I have not felt like listening Delhi Belly songs anymore.

That should directly mean, Murder 2 songs are better than Delhi Belly. Nope! Delhi Belly is way above it. But it proves one thing for me, I am inclined more towards romantic/emotional albums than path-breaking or new theme music. Its just 3 songs in Murder2, 1 romantic, 1 romantic/emotional mix and 1 message/encouragement kind.. that have me totally hooked to the album. Though I wish, the rest 2 songs were also good. How could Bhatt camp not identify how weak those 2 songs were, aneways.. better enjoy those 3 songs than crib on the 2 bad ones ;) ..

My fav lines from the 3 songs .. .

Phir Mohabbat (Mohd Irfan, Arijit and Saim) - Composed by Mithoon

Hmm .. Dil

sambhal jaa zara.. phir mohabbat karne chala hai tu..

Dil ..

yahin ruk jaa zara .. phir mohabbat karne chala hai tu..

kuch bhi nahi jab darmiyaan ..

phir kyun hai dil tere khawaab bunta

chaha ki de tujhko bhula

par yeh bhi mumkin ho na saka

kya hai yeh maamla

jaanu na .. main jaanu na..

Aye khuda (Mithoon, Kshitj Tarey and Saim) - Composed by Mithoon

Aye khuda .. gir gaya

gir gaya ..

Main jo tujhse door hua

lut gaya ..

Samandar sa beh kar tu chalta hi gaya

teri marzi poori ki .. tune har dafaa

tu hi tera mujrim bandheya

Aisa koi manzar tu dikhla de

mujhe koi shaksh se milwa de

aise koi dil se tu sunwa de

ke zakhm koi usse na mila ...

Haal e Dil (Harshit Saxena) - Composed by Harshit Saxena

Tere sang jo pal bitaata

waqt se main woh maang laata

yaad karke muskuraata .. haan

- Yash

Recap : 2010 - Top100 Songs

As I have always done in the past.. The top 100 songs of 2010 in Hindi Films are here ... But I have to admit that its one of those years when I skipped lots of songs, and albums, not that I wasn't interested but because I couldn't get that much time... So, this time the list will be less accurate as compared to previous occasions..

Top 100 Songs (2010) : 

1. Dil kyun yeh mera - kites
2. Dilli - no one killed jessica
3. Cham cham jani raatein - striker
4. Aietbaar - no one killed jessica
5. Kites in the sky - kites
6. Ranjha ranjha - raavan
7. Dua karo - no one killed jessica
8. Tere liye - prince
9. Tujhe bhula diya - anjaana anjaani
10. Dil toh bachcha hai jee - ishqiya
11. Call me dil - jhootha hi sahi
12. Azaadiyan parion ki bediyaan - udaan
13. Ainvayi ainvayi - band baaja baaraat
14. Tees maar khan - tees maar khan
15. Tarkeebein - band baaja baaraat
16. Ibn e batuta - ishqiya
17. Munni badnaam - dabangg
18. Sheila ki jawani - tees maar khan
19. Behene de - raavan
20. Cry cry - jhootha hi sahi
21. Aali re - no one killed jessica
22. Tumse hi tumse - anjaana anjaani
23. Tujhi mein - crook
24. Rann hai - rann
25. Kaun hoon main - prince

26. Mora piya - raajneeti
27. I am dog gone crazy - action replayy
28. Saude bazi (javed ali) - aakrosh
29. By the way - aisha
30. Udi  - guzaarish
31. Challa - crook
32. Guzaarish  - guzaarish
33. Parda - once upon a time in mumbaai
34. Chaska - badmaash company
35. I will be waiting - jhootha hi sahi
36. Saiba  - guzaarish
37. Bombay bombay - striker
38. Bin tere - i hate luv storys
39. Kabhi na kabhi toh miloge - shaapit
40. Ayaashi - badmaash company
41. Tera zikr - guzaarish
42. Mere bina - crook
43. Do nishaaniyan - jhootha hi sahi
44. Suno aisha - aisha
45. Hey ya - karthik calling karthik
46. Madno - lamhaa
47. Tere naina - my name is khan
48. Rehmat zara - lamhaa
49. Kata kata - raavan
50. I hate luv storys - i hate luv storys

51. Oh girl you are mine - housefull
52. Tere mast mast do nain - dabangg
53. Jeetoge tum - toonpur ka superhero
54. Jab mila tu - i hate luv storys
55. Tere bin - dil toh bachcha hai jee
56. Zindagi do pal ki - kites
57. Rabba - aashayein
58. Luk chup jaana - action replayy
59. Hairat - anjaana anjaani
60. Fakeera - badmaash company
61. Ale - golmaal3
62. Yeh pal - no one killed jessica
63. Dil khol ke lets rock - we are family
64. Ishq ki gali - milenge milenge
65. Lehrein - aisha
66. Keh do zara this - jaane kahan se aayi hai
67. Tum bhi ho wahi - kites
68. I dont know what to do - housefull
69. Hello hello - jhootha hi sahi
70. Tum jo aaye - once upon a time in mumbaai
71. Yeh dil hai nakhrewala - dil toh bachcha hai jee
72. Dont worry about me - break ke baad
73. Baaki main bhool gayi - action replayy
74. Humko peeni hai - dabangg
75. Sham - aisha

76. Loser - housefull
77. Haq se le haq se - striker
78. Thok de killi - raavan
79. Aa bhi jaa sanam - prince
80. Uff teri ada - karthik calling karthik
81. Tel maalish - road the movie
82. Khelein hum jee jaan sey - khelein hum jee jaan sey
83. Apna har din - golmaal3
84. Noor e khuda - my name is khan
85. Lets go to toonpur - toonpur ka superhero
86. I am in love - once upon a time in mumbaai
87. Dum dum - band baaja baaraat
88. Band baaja baaraat - band baaja baaraat
89. Isi umar mein - isi life mein
90. Main jiyunga - break ke baad
91. Kya hawa kya baadal - allah ke banday
92. Mohabbat bollywood style - love sex aur dhokha
93. Chahta dil tumko - shaapit
94. Tum milo toh sahi - tum milo toh sahi
95. Jaane kiske khawaab  - guzaarish
96. Ab mujhko jeena - aashayein
97. O naye insaan - robot
98. Nakhre - action replayy
99. Maula - allah ke banday
100. Ishq barse - raajneeti



Songs that missed out --- 


Mera jeena hai kya - aashayein
Bahara - i hate luv storys
Aye khuda - paathshaala
Aas paas hai khuda - anjaana anjaani
Papa jag jayega - housefull
Dooriyan hain zaroori - break ke baad
Bekarar - paathshaala
Pee loon - once upon a time in mumbaai
Atithi tum kab jayoge - atithi tum kab jayoge
Love sex aur dhokha - love sex aur dhokha
Fire - kites
Kuch toh baaki hai - milenge milenge
Zor ka jhatka - action replayy
Aadha ishq - band baaja baaraat
Mast punjabi - no problem
Ajab leher - break ke baad
Isak se meetha - aakrosh
Gal mithi mithi - aisha
Remote ko bahar phenk - rann
Aila re aila - khatta meetha
I feel good - anjaana anjaani
Chhan ke mohalla - action replayy
Ullu da patha - tere bin laden
Abhi kuch dino se - dil toh bachcha hai jee
Baari barsi - band baaja baaraat
Adhoore - break ke baad
Keh na saku  - guzaarish
Chal chal bhosala market - khichdi the movie
Kya - crook
Dhanno - housefull
Dilkash dildaar duniya - aashayein
Beera - raavan
Dhatad tatad - lafangey parindey
Sadka - i hate luv storys
Sajda - my name is khan
Mera bharat mahaan - rann
Chori kiya re jiya - dabangg
Sau gram zindagi  - guzaarish
Musafir - lahore
Kajra kajra re - kajrare
Babu rao - once upon a time in mumbaai
Dhoop ke makaan -  break ke baad
Do dooni chaar - do dooni chaar
Udd udd dabangg - dabangg
Sajde - khatta meetha
Tum chain ho - milenge milenge
Badmaash company - badmaash company
Neeyat kharab hai - teen patti
Dhak dhak dhak - action replayy
Daayein baayein - guzaarish
Charha de rang - yamla pagla deewana
Mitra - band baaja baaraat
Yamla pagla deewana - yamla pagla deewana
Tu gandi - love sex aur dhokha
Woh lamha phir se jeena hai - kajrare
Sara pyar hai bekaar - phas gaye re obama
Wallah re wallah - tees maar khan
Bheegi si bhaagi si - raajneeti
Tinku jiya - yamla pagla deewana
Happy ending - tees maar khan
Anjaana anjaani - anjaana anjaani
Bade dilwala - tees maar khan

Dev D Emosanal Atyachar Rock

"Welcome home ... "

As Chunni throws Dev onto the bed.. the background tune of Emosanal Atyachar rock starts..

Chanda is looking at Dev closely, who for her is yet another customer. The background tune is steady for now...

"Paro ... "

Dev who is fully drunk and doesnt know where he is, takes name of Paro while lying on bed with eyes closed...  The background tune which started initially comes to a total low now.

Chanda who was observing Dev till now, is a bit surprised with the name Paro, as she looks suspiciously with glass of wine in right hand and cigerette in other. The background now takes a high as the Dev chapter comes written.

Cut to, a metro which passes by the station in a second as we shift back to Dev's life post Paro marriage.

"Bharpa ek shor hai,
Pukhta hai purzorr hai ...
agg ragg jalte iske sarmaaye .. "

Close up shot of Dev sitting in a metro, completely shattered look.. as if he isnt alive, lost in his thoughts, lost in paro. The lyrics talks of his current state, a guy who doesnt have the girl whom he loved but allowed to slip away
.

"Kal mera bebaak tha,
aaj magar kamzor hai ..
khud se aankhein hi na mil paayein ... "

Cut to Mid-Shot, guy sitting next to Dev closely looking at him as he wonders what must have happened with him. The lyrics focus further on Dev's state, telling how good his life once was, and how weak he has become now that he feels ashamed in his own eyes.

"Aankhon ke aage jo hai
manzar, laava barsaaye .. "

Side profile Shot, the metro is about to stop at the station. Dev gets up and in the background a high beat instrument plays adding a new dimension to the feel of the song. The lyrics further says, that Dev's eyes portray the pain and agony of losing his love.

"Jalta hai dil, jalta hai dil ..
til til main jalta hoon .. "

Track in shot, with background at some portions kept little blurred. The anger feeling is given emphasis here in the lyrics and the way shot comes out. Dev walking past a decent crowded place. The anger feel also comes in the shot like a heart broken into pieces with the background of hard beat if noticed properly in start of this shot, which began at the end of last shot.

Same shot continued... A reference made with the crowd and time, on how much Dev suffers everyday, every minute.

"Iss lamhe ki haqeeqat .. "

Dev is still passing by a locality, the lyrics are trying to underline the truth of his current bad moment or phase of life.

"gawaara na kar paaye"

Cut to 3 twilight guys, one with a hat, two of them smoking, and all looking at someone, which we can guess as Dev.

"Jalta hai dil, jalta hai dil .. 
til til main jalta hoon .. "

And the guess is right, as dev enters into the frame. He stands there for few seconds, as the guys are in his way.

"Hatt jaa re, hatt jaa re .. 
pade hatt jaa re nazro se .. "

Thats what, Dev is trying to say through his body movements or signs. The twilight guys understands it, and lets him go in his direction. Again, the anger state given a major stress during this song.

"Pade hatt jaa re, hatt jaa re .. "

The twilight guys show their back, as they are watching Dev go by, just like we the audience were watching his current state in the song till now.

"Hatt jaa re, hatt jaa re .. 
pade hatt jaa re nazro se .. "

We are introduced to Chunni, who also watches Dev passing by on the road. The shot initially on Chunni, shifts focus to Dev. And the lyrics continue to say, Dev wants everyone to not come in his way...

" Mere lafz ke haar jaise.. 
hain yaadon mein chubte jaise
aansun mere behte rehte 
khoon ke, khoon ke ... "

Long shot of Dev walking towards some place, through a small area. His heart is constantly in the memories of Paro  ... The lyrics initially are used as background, as the drums on that street have high sound, gradually the sound of drums decreases and the last 2 lines of lyrics goes higher in sound.

"Khoon ke .. khoon ke "

Mid shot of Dev .. as it appears he is close to the place where he was heading to since start of song.

And finally he sits at downstairs, with a guy and girl from whom he is gonna buy some drugs. The music which was in background during start of song, is playing again, at a low pitch this time.. as the song's 1st part ends here.

"Hatt jaa re, hatt jaa re .. 
pade hatt jaa re nazro se.. 
pade hatt jaa re nazro se .. "

Rasika says some hard words to Dev, as a result Dev gets angry further. And the perfect lyrics for the mood brings the start of Part-2 of the song.

"Hatt jaa re hatt jaa re .. 
pade hatt jaa re nazro se .. 
hatt jaa re .. "

Dev going from bus to metro, from one place to another. Losing his own identity, and he is just wandering away from everyone.

"Mere lafz ke haar jaise .. "

Its the same lyrics of part1 getting repeated here, as a mid random shot of a place is shown to either tell that Dev is watching a couple at some place or to highlight the place he is at is some bar or pub.

"hain yaadon mein chubte jaise

aansun mere behte rehte 

khoon ke, khoon ke 

khoon ke, khoon ke ... "

Cut to Dev, who gulps his glass of vodka. The music comes to a low, the place where it actually ended in Part1, but here it continues further.

"Aankhon ka hai dhokha, 
aisa tera pyar .. 
tera emosanal atyachar " 

Cut to Paro, love making scene with only paro's face visible. Interesting thing about lyrics in this shot is that the sound is set in a way that it doesnt look to be played on paro but dev, as the sound appears to be played in the background.

"Aankhon ka hai dhokha, 
aisa tera pyar .. 
tera emosanal atyachar .. "

Cut to Dev who gulps another drink. And now we clearly notice the difference in sounds, as same lyrics of last shot plays here but this time its not the background.

This scene comes later in the film, which is the part3 of the song, just 1 min long not more. Dev sitting with Chunni, two shot where Chunni makes drink for Dev but he throws it in a violent way scaring Chunni, and the angst scream of 'Anurag Kashyap' plays to sneak in the last part of the song.

"Aankhon ka hai dhokha, 
aisa tera pyar 
tera emosanal atyachar .. " 

A complete 360 degree revolve shot done on Dev, followed by shot where Dev is drunk and in a state of 'giving up totally'. As he goes to Chunni's place, to meet Chanda. The fact that he is in deeper pain after recent visit of Paro, takes a effect as he drops his wallet at the counter. The song ends, the moment Chanda comes in the frame. The lyrics which again gets repeated, but the composition of these lyrics are different than last time, as the speed is fast and rock feel is present. Anurag Kashyap avoids using the abuse present in the audio song though.


The high beat instrument used in the shot where metro is coming to a stop, remains my personal very fav...

So,thats it, a song that has way too much in its visual excellence. It had to be penned down in my blog...