Friday, April 1, 2022

Movie Analysis : The Guilty (Both Versions) (Netflix)

The Guilty (English version)

Directed by : Antoine Fuqua

Broken people save broken people.


Spoilers ahead... 


About a demoted police officer Joe Baylor (Jake Gyllenhaal) assigned to a call dispatch desk who gets an emergency call from a kidnapped woman. 

Set in Los Angeles and the backdrop of California wildfires making the office proceedings more lively where basically the entire story takes place with us not shown the faces on the other side of the call.

Its a very edge of the seat thriller, because like Joe you do believe that the kidnapped woman is in trouble but at same time you are also wondering a twist may come yet its pretty tough to guess what we do get in the final act. 

I like the added touch of Joe trying to interact with his wife on phone regarding saying good night to his daughter and then his phone lock having her daughter's picture while he talks to the kidnapped woman or that woman's girl later on adds more to the emotional layer. 

Oddly, what made the film work less for me was Jake Gyllenhaal. He always is a reason to watch movies but here he played this character with over expressive anger. 

The twist works perfectly for me, and so did the other actors involved in the phone conversations. The court hearing looming over Joe next day is also well inserted in to add more drama.

The Guilty is a good watch, probably you would like it more than me if you don't mind the way Jake plays this role. 

My Rating : 5.5/10


The Guilty (Danish version)

Directed by : Gustav Moller

He kept crying because he had snakes in his stomach. I just took them out. 


The demoted police officer here is Asger Holm (Jakob Cedergren) and rest of the plot or even the conversations are same as the English version. This is the original movie though. 

The setting here is very minimal, so much so that there's hardly much happening at the office workplace until ofcourse the kidnapped woman's call arrives. There's no mention of Asger's wife or children which does slightly effect the scene where Asger talks to the kidnapped women's girl.

Its Jakob Cedergren who makes this a better watch, he plays the character with same amount of anger inside but always restraining it. You could rather see it in his eyes way he emotes whenever he feels a strong emotion. A reason why he admitting his Guilt regarding the court hearing case next day work a lot with all the office staff around listening in shock, whereas in English version, Jake didn't admit to it in front of them all. 

This one also has a much darker ending because of a certain person not able to escape death. The fact that they never show any of those horrofic visuals makes it even better as you just can't help but think about it when it happened. 

Despite the less chaos or a backdrop setting, there's lot more to enjoy in this original version of The Guilty. 

My Rating : 7/10

Mini Review : Sooryavanshi (Netflix)

Directed by : Rohit Shetty

Kabhi kabhi sochta hoon Sir ki kaash ek hi dharm ek hi upar wala hota toh shayad yeh sab nahi hota.
Hota! Hum insaan ladh marne ke liye koi na koi aur bahana dhoondh hi nikaal lete.


Spoilers ahead... 


The chief of Anti Terrorism Squad, DCP Veer Sooryavanshi (Akshay Kumar) takes up the challenge of stopping a 1993 kind situation with terrorists wanting to wreck havoc again in Mumbai.

Usually I like when the antagonist part is strong and given good importance, but here the entire Omar Hafeez (Jackie Shroff), Bilal Ahmed (Kumud Mishra) and Riyaaz Hafeez (Abhimanyu Singh) plot felt so non-interesting. Kumud and Abhimanyu do try their best but the characters just don't get the kind of story you would want.  Maybe a scene of what led them to do what they did in 93 or the Masjid demolition would had added lot more. Also, I never get why terrorists name need to be changed from Dawood/Tiger ?

The end result is that Akshay Kumar part feels too rushed to my liking, he doesn't really get proper buildup that say Ajay got in Singham or even Ranveer in Simmba. Yet,  its commendable how Akshay still keeps you very engaged throughout his scenes. 

Felt very disappointed how Jaaved Jaaferi (Kabir Shroff) gets totally sidelined in what was possibly a very good serious role he had got.

Also, co-incidences happen too often in this movie, like Bilal and cops at same funeral place. Then there's the weird song insertion - You just set up a terror situation where Sooryavanshi is ready to tackle it however tough it maybe. And then you follow it up with a flashback of Sooryavanshi with Ria dancing on the tunes of 'Tip Tip Barsa Paani', yes I get it that she looks damn sexy and beautiful in it but atleast have some sense of placing the song. 

In the end its the banter of Ajay, Ranveer and Akshay in the final 20 so minutes that is a joy to watch and probably the best part of the movie, sadly it comes way too late.

Sooryavanshi is more of a timepass movie than a good addition to the Cop Universe. Singham still stays Rohit's best cop movie by some huge margin.

My Rating : 5.5/10

Sunday, March 27, 2022

Oscars 2022 : Predictions

One of rare occasions when I had seen 0 films when the Oscar 2022 nominations were out. And also one of rare times when I ended up watching all films that got nominated (minus the Documentary and Short Film categories).

A quick few lines views on all the films I will be posting in few days time. For now about to tell my predictions on who will win and who I wish rather wins. This time around I am not posting the snubs as I have seen very few non-Oscar nominated movies.

Refer to the nominations list here - https://www.oscars.org/oscars/ceremonies/2022

And the Oscar goes to .. 




BEST PICTURE 

Will Win : The Power of Dog
Should Win : Coda

Some of the films like Nightmare Alley, Don't Look Up and Licorice Pizza surprised me to be even there nominated. The Power of Dog, I found very average too but it looks like front-runner. I will so love 'Coda' to win, or even 'Belfast' would be a pleasant surprise. 


BEST ACTOR IN A LEAD ROLE 

Will Win/Should Win : Will Smith (King Richard)

Although I want Andrew Garfield to win for tick, tick... BOOM!, Will Smith was easily the best of all the nominees by a huge margin. Please, no Benedict!
 

BEST ACTRESS IN A LEADING ROLE 

Will Win : Kristen Stewart (Spencer)
Should Win : Nicole Kidman (Being the Ricardos)

To be honest this is one category where I didn't enjoy any of the nominated performances to the fullest, infact my personal choice would be Lady Gaga for 'House of Gucci'. Aneways, most likely it will be between Kristen or Olivia. Give it to Nicole or Penelope please!


BEST ACTOR IN A SUPPORTING ROLE 

Will Win/Should Win : Troy Kotsur (Coda)

It has to be Troy, though I am little torn wanting Ciaran Hinds (Belfast) to win too. Rest of  the nominees, a huge no!


BEST ACTRESS IN A SUPPORTING ROLE 

Will Win : Ariana DeBose (West Side Story)
Should Win : Jessie Buckley (The Lost Daughter)

Even though West Side Story didn't work for me, I liked Ariana performance a lot, infact more than the leads. Yet, I would prefer Jessie to win, again it was a case of me liking her act lot more than the lead Olivia. Judi I believe has no chance, that final scene of her's was so good but not enough to get her an oscar. Aunjanue was also very good in King Richard.. Kirsten Dunst I hope doesn't win, her character kind of goes in directions that made me not enjoy her act that initally was pretty good. 


BEST DIRECTOR 

Will Win : Jane Campion (The Power of the Dog)
Should Win : Kenneth Branagh (Belfast) 

I seriously don't understand the hype over 'The Power of the Dog', even its Imdb rating is below 7. Kenneth would be great to see win, or Ryusuke Hamaguchi for 'Drive my Car' I would prefer even if I had some issues with the movie.


BEST ANIMATED FEATURE FILM

Will Win : Encanto
Should Win : Flee 

Flee was a very emotional animated documentary, a kind I saw for first time. The other animation films were more of timepass, good fun, but none was terrific enough for me. 


BEST INTERNATIONAL FEATURE FILM 

Will Win : Drive My Car (Japan)
Should Win : Lunana : A Yak in the Classroom (Bhutan)

I wish Lunana could win, it was such a simple yet heart-touching movie. But almost 100% sure it would be Drive My Car taking Oscar here. 


BEST MUSIC (ORIGINAL SCORE) 

Will Win/Should Win : Hans Zimmer (Dune)

Its funny when your favourite always wins Oscar for a work you find not their best, for instance Leonardo winning for 'The Revenant'. Similarly, Hans Zimmer in Dune I felt was far from his best, yet he is most likely to win mostly because the other nominees don't really pose any competition. 


BEST MUSIC (ORIGINAL SONG)

Will Win : Dos Oruguitas (Encanto)
Should Win : No Time To Die (No Time To Die)

Usually its a very tough category, this time around far easy because only Dos Oruguitas and No Time To Die stand out.. personally I prefer Billie Eilish very well rendered version of 'No Time To Die', but at the same time I liked spanish track 'Dos Oruguitas' too specially for its tragic love story portrayed in the lyrics.


BEST WRITING (ADAPTED SCREENPLAY)

Will Win : Maggie Gyllenhaal (The Lost Daughter)
Should Win : Sian Heder (Coda)

I won't mind Maggie winning, but the heart wants Coda to take this specially knowing its got very few oscar nominations. 


BEST WRITING (ORIGINAL SCREENPLAY)

Will Win/Should Win : Kenneth Branagh (Belfast)

Definately should be winning, 'The Worst Person in the World' has a chance too, any other winning would be a disappointment. 


BEST EDITING 

Will Win : Pamela Martin (King Richard)
Should Win : Myron Kerstein and Andrew Weisblum (Tick, Tick.. Boom!)

Pamela likely winner here, surprise me with Tick Tick Boom that clearly had the best editing! 


BEST SOUND 

Will Win/Should Win : West Side Story

I belong to the section that didn't like Sound Editing and Sound Mixing category getting combined. Aneways, West Side Story is my pick here, though I am kind of leaning towards Dune too. 


BEST CINEMATOGRAPHY

Will Win/Should Win : Greig Fraser (Dune)

Straightforward pick it was, and I hope for Oscars it is too. There is competition from both 'The Tragedy of Macbeth' and 'West Side Story'. 


BEST PRODUCTION DESIGN

Will Win/Should Win : Nightmare Alley 

Its the only thing other than the supporting cast performances that I liked about Nightmare Alley. There's a huge possibility that Dune might steal away the Oscar here. No chance for rest nominees.


BEST COSTUME DESIGN 

Will Win : Cruella
Should Win : West Side Story 

The movie based on costumes makes Cruella as top contender, I personally prefer West Side Story which is lot more eye-catching.


BEST MAKEUP AND HAIRSTYLING 

Will Win : The Eyes of Tammy Faye
Should Win : Dune 

Even Cruella has a chance, but 'The Eyes of Tammy Faye' looks likely the winner. 


BEST VISUAL EFFECTS

Will Win/Should Win : Dune

What is 'No Time To Die' and 'Free Guy' even doing here? Spiderman is the only competitor here, but feel Dune should get the Oscar. 

Friday, February 4, 2022

Mini Review : Satyameva Jayate 2 (Amazon Prime)

Directed by : Milap Zaveri

Gandhiji ki hamesha jai ho, lekin Bhagat Singh mera banda hai.


Two twin brothers, Satya and Jay (John Abraham) fight against corruption and injustice against common people or women in their own ways. 

Over the top superhero level action, ear bleeding dialogues, patriotism presented in absurd possible manners and songs coming in at any random moment.. Now, multiply these by three times, thats the exaggeration limit this film crosses. 

There's a scene where the cop Jay is fighting a eve-teaser at some Independence event and suddenly national anthem starts running making our patriot guy stand silently while the guys are hitting him (why didn't they aim for his head, Oops Thor fans). Or the father of Satya and Jay, Dadasaheb (also John Abraham) is fighting guys in hospital with one hand while other is transferring blood to his wife. I seriously don't know how writers write this crap. 

We get to see 3 John Abraham, and all are so resembling to each other, like they have the same personality and ofcourse same physical looks, doesn't matter if one is a home minister or a farmer or a cop. The less said about Divya Khosla acting the better. 

Not gonna waste more time, almost every scene can be ripped apart. Some films are so bad that they work as comedy, but this one is a plain torture. And whosoever liked this film, I am sorry I am gonna judge you for your taste. 

My Rating : 0/10 

Wednesday, February 2, 2022

Movie Analysis : Shershaah (Amazon Prime)

Directed by : Vishnu Vardhan

Main tiranga lehra ke aayun, nahi toh usmein lipat ke aayunga.. lekin aayunga zaroor haan. 


Spoilers ahead ... 


Based on the life of Captain Vikram Batra (Sidharth Malhotra), a brave Indian Army Officer who got awarded with Param Vir Chakra for his courageous actions during the 1999 Kargil War. 

Felt like the cue given to the director was, go somewhere in between Border and URI. As a result, Shershaah isn't melodramatic but it doesn't keep entire focus on war either.  I do like how they show Vikram Batra philosophy when facing enemy, always ready to take them down at cost of his own life though it also results in situations where he puts others and civilians lives in danger. However, I wish they showed more about Vikram, surely his personality wasn't limited to this. 

His equation with parents or for that matter twin brother is never given importance and its hard to understand why they hide his brother face who is the narrator like we don't know about it. 

Two particular war scenes I loved, one was where Vikram leads team to catch terrorist Haider which does give you a dejavu of 'Zero Dark Thirty' capture of Osama to some extent but I will still take it. Other was the strategised mission where the code name of Vikram was 'Shershaah' that happens in two parts and you wish he didn't insist on going for the 2nd one or he would had been alive but then such is life. 

One good thing is there's no unwanted caricature Pakistan characters or jingoism shown to please audience. Liked the use of real footage of Vikram where he tells about how he responded to the warning of Pakistani while climbing the hill. Also, use of Atal Bihari Vajpayee speech part was almost a given. What the film does lack however is building up the tension through use of media scenes or even whats going at the other side on Pakistan streets.

I couldn't really love any actor playing role of senior or junior to Vikram, not because they acted poor but they just got very little screen-time to make any sort of impact. Then, there's that unwanted scene where one is talking about his daughter to Vikram, and you can't help but feel they are gonna kill him very soon, again the point is what's the need of this scene or this particular story!

Vikram-Dimple romantic plot was touching, emotional but with flaws. Major issue was the cringy punjabi dialogues they speak which spoils the otherwise very good chemistry Sid-Kiara have here. There's a cute moment when Vikram is for first time noticed by Dimple and how he reacts after that feeling very delighted. And their final scene works lot more because as a viewer you know it will be their last face to face talk which they don't know then. However, I wish the manipulative 'Kabhi tumhe' track wasn't inserted there. I did love the use of 'Ranjha' track which is my personal favourite from the album beautifully showing the love between Vikram and Dimple. And that is a reason why 'Raatan Lambiyan' track was also misplaced and should had been edited out. 

Won't say Sidharth Malhotra was perfectly casted, but he did a fairly good job at playing Vikram Batra, meanwhile Kiara Advani is adorable and shines when she gets the chances like the burst out scene at her father telling she would marry no one else if not for Vikram. 

I didn't cry at any scene, but did feel moved by the post Vikram death scenes with the song 'Mann Bharryaa' making a great impact. I always feel that whole ceremony how its carried out ends up evoking strong emotions. 

Despite all the mentioned problems, Shershaah is still a good movie, it just isn't what I was hoping for after all the hype. Maybe Vikram-Dimple angle or for that matter Vikram Batra bravery itself deserved a far better movie. 

My Rating : 6/10 

Tuesday, February 1, 2022

Movie Analysis : Mimi (Netflix)

Directed by : Laxman Utekar

Hum jo sochte hai woh zindagi nahi hoti hai, hamare saath jo hota hai woh zindagi hoti hai. 


Spoilers ahead... 


Mimi Rathod (Kriti Sanon), a small town girl from Rajasthan has big dreams of making it big in the Bollywood industry of Mumbai. She is running out of patience from the small amount of money earned through regular dance shows. And enters Bhanu Pratap Pandey (Pankaj Tripathi), a driver who offers Mimi to act as surrogate for an American Couple, John-Summer (Aidan Whytock - Evelyn Edwards) and in return get a heavy sum of 20 lakhs. Everything is going as per plan until the American couple backout and run away back to their country. 

The premise tries to tackle surrogacy and single parenthood to some extent mostly through light humor and succeeds for most of the 1st half. It is the 2nd half where the overdose of melodrama specially the final 30 mins where the narrative derails with very minimal humor. The issue with a film tackling serious topic in a comic manner often is that most of the times you may not actually feel for the characters the way you would want in the emotional scenes. Same happens here, the end is predictable and I was hoping actually they won't go the 'American Couple' returns back to get their child which unfortunately they do. 

Another main issue is how the struggle of Mimi is quickly shown through a montage kind 'Rihaayi De' track, you just don't get to see her go through it. Again it has to do with probably how light they wanted the film to be, which as a result has effected the film. 

While 'Yaane Yaane' and 'Rihaayi De' were great to listen to, you can feel this isn't Rahman at his best at all. 

Few of comic scenes really stand out, like one where Mimi tells her parents that Bhanu is her husband, and the epic chaos scene later when Bhanu's real wife and mother visits Mimi's house. 

Kriti Sanon does deliver a great performance, probably best of her career so far, as even when the writing is falling apart she holds herself in many scenes, and you can feel her anger towards the American Couple or when she scolds a random bike guy for almost hitting her child. Pankaj Tripathi is spot on yet again, his comic timing is out of the world, his scene with maulvi made it hard for me to control my laughter. Even in the serious scenes with Kriti he is a treat to watch. Also, special mention to how foreign actors looked part of the film rather than looking jokers like mostly happens in our films. 

Sai Tamhankar as Mimi's best friend and Sheikh Ishaque Mohammad as one of Mimi's father's student were other notable performances. Manoj Pahwa and Supriya Pathak were totally wasted, it almost felt like they were the most convincable parents to live on earth. 

Mimi is a good watch, entertaining 1st half but it just needed a better treatment and writing to avoid all the hiccups it has specially in the 2nd half. 

My Rating : 6.5/10

Sunday, January 30, 2022

Series Analysis: Money Heist (Netflix)

"We are the Resistance" 



Creator : Alex Pina
Directed by :
Jesus Colmenar (14 episodes, 2017-2021)
Alex Rodrigo (10 episodes, 2017-2021)
Koldo Serra (7 episodes, 2019-2021)
Alejandro Bazzano (4 episodes, 2017)
Javier Quintas (3 episodes, 2017-2020)
Miguel Angel Vivas (2 episodes, 2017)
Albert Pinto (1 episode, 2021)

Imdb link -> https://www.imdb.com/title/tt6468322/


Spoilers ahead ..


Season 1

Have you ever thought that if you can go back in time, you might still make the same decisions?


A group of robbers lead by Professor (Alvaro Morte), try to carry out the most perfect robbery in Spanish history with no bloodshed and becoming a hero in the eyes of public strongly believing in 'We are the resistance', as they steal 2.4 billion euros from the Royal Mint of Spain. Easily one of the most fast paced 1st episode I have seen in any series till now, making me think what would they show if they end up executing the heist this early but ofcourse there's so much more that happens in next episodes. Professor assembles his team, letting them choose names of cities to be referred by, Tokyo (Ursula Corbero), Berlin (Pedro Alonso), Rio (Miguel Herran), Denver (Jaime Lorente), Helsinki (Darko Peric), Nairobi (Alba Flores), Moscow (Paco Tous) and Oslo (Roberto Garcia). No personal names allowed and no relationships allowed, which doesn't happen since Tokyo and Rio get involved. Moscow and Denver are father-dad duo, while Helsinki and Oslo, cousins from Serbia.

The writing and specially narration style is very engaging, we are just told that Professor intends to have a 5 month class of teaching the team, but instead of showing it in detail we are directly cut to the heist day. A clever idea because we are unaware what all plans were set, so many times I felt now this heist will go haywire before a flashback reveals how it was preplanned because Professor went into every detailing to the extent in what ways the police team will do the negotiation. Rachel Murillo (Itziar Ituno) handles the negotiation deal with Professor over phone, while she herself is going through a personal life turmoil with ex-husband who's a cop involved in domestic violence. Their conversation and then how Professor gets close to her in person with a different identity makes for an intriguing watch. So far hiding and playing cards well, wonder at what stage Rachel will identify him in 2nd season?

Nairobi's fun fast dialect with hint of crazyiness, Denver (his funny laugh)-Moscow's lovely father son relationship with a light background theme, Berlin despite been an asshole making you enjoy his act as he never lets the heist fail sticking the team around as captain  and Tokyo, a complicated girl trying to find her feelings with Rio, all of these sub-plots working very well.There's also the hostages having their own plots going, with Monica Gaztambide (Esther Acebo) giving news of been pregnant to the father, also the boss, Arturo Roman (Enrique Arce) just before the heist begins. Fun to see how many times Arturo comes close to death but is alive still (Sadly, as his character only irritates throughout the series). There's the high profile teenager hostage, Alison Parker (Maria Pedraza) trying to find ways of running away but failing every time. And the use of Dali masks that are sort of symbol of resistance, was fun watching the scene where they surprise Rachel's team by changing the masks.

Love the scene where Professor disguises as beggar, or how he reacts while watching the proceedings happening inside the building with those small victory celebrations and then uncomfortable feeling he shows when Tokyo or Nairobi try to flirt with him. Basically there's been zero death as Professor wanted, but the heist hasn't completed and the last scene if really shows their whole plan  then will be interesting to see if they did have a plan for that scenario as well. I highly doubt it though considering Professor always keeps the loose ends to a very minimum.

Special mention to the use of 'Bella Ciao' twice.. first when the team celebrates when they reach the level they intended with tunnel, a quite first to see them happy together ever since the heist began. And the other is ofcourse the perfect ending with Professor and Berlin singing in flashback while Professor sits anxiously in car waiting what Rachel finds out. Very addictive song that I enjoy listening daily ever since I heard it. Also, ''My Life is going on' the show's opening credits song is pretty catchy and suits the story.

All in all Season 1 is very entertaining, well acted by the entire cast, fast paced narration for almost every episode with some new things to learn about characters giving us a chance to feel for every one of them.



Season 2

What are we ? The fucking best.. 


As I thought the ending of last season was just an attempt to trick us with Rachel once again reaching a dead end. However Professor lands into trouble trying to erase the forensic proof Rachel's ex husband finds. This season is lot more dramatic, and thereby less on thrills though we still get them every now and then. What I missed most was Professor interacting with his team or Rachel from his hangar as he is mostly out in the field trying to fix the loose ends. Was a surprise to see him get caught as early as 5th episode but I liked what they did to his relationship with Rachel.

While Tokyo's hot temper and impatient attitude twice led the heist go into danger, which Professor knew would happen with that 'I will save you' flashback sequence. Berlin died with dignity, and it was a crazy emotional way to end him with Bella Ciao theme used again. He was still a hated character but did go in doing something useful and like I said previously, as captain he kept the plan working and was the only one other than Moscow and Helsinki who trusted Professor when he was out of contact for starting episodes. Personally, I always enjoyed watching him.


Love both scenes of Tokyo, where she is thrown away and then later makes re-entry through bike. Arturo continued his escape plans but what surprised me was Monica helping, I thought she would not bring loaded gun. But then she herself says, she keeps making wrong choices. Was fun though watching her suddenly pick gun and help the heist team in the end.




Rachel's sudden turn towards Professor at the end was questionable too, specially taking a year to decode the postcards to reach him out. And like a miracle Professor was there waiting, like his mind had worked this out too. I was dissappointed with what they did with Alison Parker character, I was expecting a big scene with her doing exactly what Nairobi had told, she does still help Intelligence team in reaching the right tunnel or Berlin may not have died. Totally loved how they developed Denver's relationship with Monica to extent she joins the team and leaves with them.

I didn't like the turn they gave to Denver-Moscow story but happy the way they again changed and gave it a right emotional conclusion. The finale episode makes up for all the missing action, every moment is full of thrills and you are unsure will Professor and his team succeed or not. Overall, its a good followup season, not the same level like last but still very enjoyable. Keen to see if they force a situation that requires new heist in next season or we will see the relationships post the heist, how they turn out, or maybe some hostage/Aruto/cop finds location and its a hide and run situation for Professor and rest.



Season 3

This isn't a robbery.. or a challenge to the system. This is war.. Act accordingly. 


A new heist situation it is because a desperate Coronel Pierto (Juan Fernandez) finds out location of Rio after getting humiliated not catching or stopping the last heist Professor did. No surprises as Tokyo is again responsible for the mess, though indirectly this time with Rio not following the guidelines of Professor and using a satellite phone to contact Tokyo thereby giving up their hideout locations. If I remember right, Berlin is brother of Professor wasn't revealed directly in earlier seasons though their interactions always gave that feeling. Happy that they give Berlin who is ofcourse dead now, plenty of flashback sequences since the new heist was his plan that Professor didn't go with then. The vault entry sequence with parallel flashback commentary of Berlin on how they will pull it off was easily my favorite moment of this season.

The new characters however don't really work out, be it Palermo (Rodrigo De la Serna) who thankfully gets less time as captain with the eye injury right at start of heist, or the other guys like Bogota (Hovik Keuchkerian), Marsella (Luka Peros). For some reasons Rachel from beginning still gave me feels of if she is doing a big betrayal on Professor but the ending very much takes that option out. The flashbacks of the heist plan and the entry into the building are other high entertaining parts of season but after that things go bit haywire. Watching Arturo run into the building was un-necessary case for drama with Stockholm (Monica's new city name) again made to choose, thankfully she didn't fall for him for the timebeing atleast.

Rio-Tokyo breakup, Tokyo trying to come close to Denver or relationship of Denver-Stockholm getting a hit, somehow these plots I felt derailed the heist, specially trying to show the jealousy angle. Its different this time watching Professor with Rachel trying to negotiate with the new in charge of the case who is clearly bent on attacking the building and then the most disliked character of the show arrives, pregnant Alicia Sierra (Najwa Nimri) always with a face that says 'I will show you hell', as she takes advantage of emotions to hit Professor and his team hard.

If the last season ends on a happy note, this one is total opposite with the slow version of Bella Ciao, Professor making a wrong call unable to guess the bluff for a change and now he will have the people against him, losing the 'we are good guys, not bad' angle unless he has a new plan in his sleeves for 4th season. I truly would love to see Professor get back at the cops and Sierra, another season of him losing would not be so good to watch. Enjoyable season that is bit too much carried on shoulders of Professor and Berlin, few thrilling moments with an enjoyable but depressing finale.



Season 4

There's always happier days to remember. And the more fucked up things are, the happier those days seem to be. 


Easily a season that's stretched un-necessary, very less action and some meaningless flashbacks. The only few enjoyable episodes were, one where Gandia (Jose Manuel Poga) launches attack and entire team has to come together to get him down which is funny because at one stage he was getting fired upon by two sides and yet he somehow doesn't get shot because ofcourse writers were keen to kill off Nairobi by him later. Nairobi's emotional scene while been carried out, I just felt angry even though since 1st season I knew one of Serbian cousins and Nairobi would die at some stage but by now Nairobi had become one of lovable characters, and even though Tokyo is fun to watch despite her uncountable mistakes that bring team in mess always, I would had preferred Tokyo to die instead. I will be missing the command and style she had over the people, the regular numbers she would write down on the glass door out of happiness or all the fun moments before the heist with Professor and Tokyo.

Liked how they show the good side of Palermo even though he is the reason why Nairobi dies, the farewell scene between him and Berlin, and then accepting to his mistakes while talking to Helsinki, I got a feeling he will play a big positive role in next season and very much like Berlin would make sure plan doesn't fail. Would had liked some flashback scenes of Bogoto and Marsielle in this season, rather than Berlin's wedding (unless Tatiana has a role to play too in next season). The finale unlike last 3 seasons here, was a total let-down, the plan Paris never felt exciting to me and I didn't understand why Rachel/Lisbon is taken to the heist place and not back to Professor, unless ofcourse Professor had planned Sierra catching him (you never know with Professor) so he didn't want Rachel to be there.

Its still a watchable season but they could had rushed up the Rachel part, let her escape by 5th episode and finish the heist by 8th episode, because this heist unlike the Royal Mint one has already been not that fun to watch so far. What was good to see is that Professor does get semi-win in this season over Sierra, minus losing Nairobi and getting caught at end. Have to see if Sierra takes Professor to cops or some of her own hidden place or there's a twist coming right at start of 1st episode.

I didn't like Berlins 'My Life is going on' version in last season but oddly Sierra's version of 'Bella Ciao' worked for me here and sounded quite good, also in sync with her bitchy character the way she sings slightly diminishing the victory moment of Professor and the team chants to succeed in the heist for 'Nairobi'.

Hoping the 5th and final season gets the show back on right track. 



Season 5 (Volume1) 

I believe you keep on living in the final thought you have the moment before you die. 


A much better follow up after a disappointing Season4, and that too when Professor takes a backseat for major part of the season. Also, one of rare times when Tokyo doesn't do something stupid, which the writers may have done intentionally so the emotions pour in perfectly for that final episode. To be honest, I did feel bad about her death even if I had said I would had preferred her dead rather than Nairobi in last season. 

I like how they mix the current heist with a flashback of Berlin and his son Rafael's (Patrick Criado) mini heist which is more of a fun training session. It actually keeps the mood balanced because the ongoing heist is clearly gone haywire and with the military involved now, its only going to get messier. That makes me wonder why would Professor go for such a plan or he felt there was no other option available. 

The entire Alicia-Professor angle felt very weird, had they not showed her conflicted interest it would had been very hard to digest for me. 

The buildup to Stockholm's bullets fired at Arturo was so worth it, I even could imagine loud whistles and claps in theatre over that scene, but alas the next episode has our dearest Stockholm full of guilt eager to get him back to life. She was easily the weakest link of the season. though strangely its a character I felt was growing and now its gone total opposite direction, a part of the reason has to do with how much hated the character of Arturo is,  I mean when he suddenly brought football players like Ronaldo, Messi and Neymar for reference to his tactics, I felt like he just insulted them despite not being a football fan. So, it just felt odd to see her full of guilt just because he is the biological father. It would had worked better if they just kept the angle of regret regarding joining the gang or coming here while her son is somewhere else. 

Even the whole angle of heist gang vs hostages where the latter taking hold of their arsenals with the military approaching anytime, was very well thought, only issue the leader shouldn't had been Arturo. 


Manila (Belen Cuesta) is a good addition, liked her backstory too, bit mixed though about her feelings she admits to Denver or tries hard to make him realize he doesn't love Stockholm.  Rafael was sort of okay, he gave me very misfit vibes and yet I feel he might be the biggest surprise Professor is holding up to unleash in finale. 


Favourite moment has to be the small Nairobi-Tokyo conversation about life after death, and I like how Tokyo believes about it even if its kind of fantasy based. 

Some fun scenes like Palermo eager to kill Arturo telling he has no conscience,  or when he uses football anthem as a weird way of motivating everyone labelling them as losers. Palermo is a fun character (minus that stupid Gandia move he did), feel he has been under-utilized in this season.. love how he is eager to save Helsinki at any cost.
Then loved how Professor fools Tamayo with Marsielle and the helicopter trick, or when Manila complains why she ended up part of this disastrous heist and not the previous one, and ofcourse Professor showing he can be a mid-wife too.

Like the use of songs 'Friday, i am in love with' and 'Will you live or fight?' 

The flashback of Tokyo's past, and why she chose Tokyo as city is well done, and so are her final scenes with Denver, Rio and the end to Gandia. 









Quite a enjoyable season, still no idea if there will be more casualties or Professor will save everyone. My personal hunch says only Professor will die now and probably at hands of Alicia.  



Season 5 (Volume 2)

No matter how bad things get,  even if they have us on our knees, even if it looks like there's no hope, like we are almost dead.. we keep on believing.. because we know we will always have the Professor. 


The start of this final volume of Season5 is very engaging with lots of action happening in the opening episodes, its almost as good as the earlier seasons. Infact two of the scenarios are almost a replica, one where Professor hides into the sofa or the recycle bin later, and other having Palermo describe how the heist will take place with lots of enthusiasm very much how Berlin did in Season3. 

They do try to clear up the Stockholm-Denver-Manila triangle mess, I would say it reached a point that it didn't really matter to me which way this went, good thing is they didn't waste too much time on it. 


The pick of this season (or volume) has to be Alicia and Palermo. Firstly Alicia's tussle with Professor, followed by the hilarious lorry 'galloping, galloping' while the chase is on, and then the fun mimicking of Professor with Tamayo 'what are you wearing, Colonel' or the sarcastic 'I will run away with Professor'.. Eventually she does team-up with Professor and I like how that part progresses without giving the feel of a forced transformation. 


Palermo as I suggested earlier is a character that keeps growing on, the scene where he joyously explains how the heist won't fail to Professor is my personal favourite and so is his reaction when the gold initially doesn't work as per the science. And his sarcasm when he doesn't want any debates with the gang telling they will anyways in the end point guns on each other so he has his gun out in advance. 

Good to see they kept Tokyo part of this season with her voiceover. Her initial dialogue on gold and its consequences are so spot on along with lovely background track of 'Vanderlyle crybaby geeks'.  Talking of songs, I also loved 'Ca Plane Pour Moi' edit done on Professor-Alicia who are trying to run away from Tamayo's place. Or Professor's fun dance on 'Get on up like a sex machine'. And special mention to the background themes, the Sagasta one (think it was used first time in Volume1) and other is when Professor's flashback as a kid is shown. 


Sagasta (Jose Manuel Seda) angle is very well played out keeping you in suspense knowing most likely he will win this time, but its significance I felt is weakened by the ending. More on that later. 


Very different Berlin we see in this volume, mainly because of the heartbreak he gets at hands of his own son, brilliantly acted by Pedro Alonso as always.  Can't wait for his standalone series in a few years time. 


Good to see one last 'Bella Ciao' celebration, though it was my least liked one. The twist of Tatiana-Rafael teaming up to steal gold from Professor is what I didn't see coming. To be honest, I like this twist as Rafael for some reasons never worked for me in a way to see him help Professor in the heist.

Love the Professor's flashback on how he witnessed his own father's death while attempting a robbery. And also  how Rachel decodes it later telling what Professor has been trying to not see all the time. 


Fav moment of this season was the conversation between Tokyo and Professor right at the end of penultimate episode where Tokyo shows how much she adores him and everyone has full faith knowing as long as Professor is around, there is hope. 




I like how the finale begins and proceeds, Professor about to pull off one last masterplan.. now the end if I see from the point of view of 'We won't kill anyone' then it works, because this feels the only way everyone win which is what the line Professor repeats often is 'Either we both win, or we both lose'. But the only issue I had was, all those military people that died, their families and children, they accounted to nothing. You can argue thats because we didn't invest in those people in this series, but you can't deny they were wronged. So, its not fully convincing to me despite knowing all the reasons for why they went with this ending. I am actually happy on one side to see Professor and all gang survive but to be given free tickets, new identities, almost a hero treatment is a bit too much to my liking. The question though is, what other possible option was there if they were all to be alive, to be behind bars maybe with reduced sentence ? 

Also, I haven't been able to understand why Rafael would suddenly agree for lesser share when he and his team could had gotten all of it. Was it because there would be too much bloodshed and he didn't believe in that, but then it appeared he didn't care until Alicia handed that Professor written note. What was in that note that made Rafael change his mind? Something about Berlin or family, or as some of theories I have read suggesting Professor told the gold is fake or Rafael was actually always part of plan waiting to get this note to confirm everything went as they wanted. Too many possibilities, you can go with anything you feel like as no clear answer is given to us! 

Good news is or I should say half good news that we don't get to see a single scene of Arturo in this final volume, though he is sadly alive. 

Is this a perfect final season ? No. But, haven't we seen how often most good series mess-up the final chapter, Money Heist certainly didn't disappoint me in that regards and its more of a show that thrives on thrills and entertainment which it had plenty here.


Overall, Money Heist starts with a bang, loses its touch in 2nd season at places but the finale makes up for it, a too dramatic 3rd season but another great finale and sadly a weak 4th season.  Both volumes of final season brings the show back to where it should had been with some emotional farewells. 

Many would have liked it end at 2nd season with the heist going right and all escaping minus deaths of Berlin and Oslo. But that is too fantasy kind for me, so I am quite happy they went ahead and showed how they have to survive and hide after the heist which they eventually fail at.  

Its a show that isn't my personal favourite but it still holds a special place because I liked most of the characters even when they were making some silly choices, which was most of the time Tokyo. While Professor-Berlin were almost flawless and I hope Professor gets some cameos in the upcoming Berlin standalone series. 

My Rating : 7.5/10