Monday, December 19, 2022

Bhoole Bisre Geet

Rote huye aate hai sab - Muqaddar Ka Sikandar (1978)
Singer : Kishore Kumar
Music Director : Kalyanji Anandji
Lyricist : Anjaan

Amitabh Bachchan in 'Rote huye aate hai sab' (Muqaddar Ka Sikandar)

Kishore Kumar may have probably sung many better songs or superhit songs than this one. Yet whenever someone asks me my favourite Kishore Kumar song this song will always come first in my list. No particular reason I just happen to love it way too much, infact I would be very mad at radio if it was playing this song and didn't play the 'zindagi toh bewaffa' antara. The lyrics very well shows the harsh reality of life that is full of pain especially for some particular people who get very less happiness, and yet it's asking to take a leap of faith and trying to motivate. There's also this small sad version very well sung by Mohd Rafi, link is below. 

zindagi toh bewaffa hai ek din thukraayegi, 
maut mehbooba hai apne saath lekar jaayegi..

Listen here -


Mehbooba Mehbooba - Ajnabee (2001)
Singer(s) : Sunidhi Chauhan, Adnan Sami
Music Director : Anu Malik
Lyricist : Sameer

Akshay Kumar and Bipasha Basu in 'Mehbooba mehbooba' (Ajnabee)

Another nostalgic song for me and I remember how many times I had heard it during the school days. Akshay Kumar is a very good dancer, but what I have always loved about him in dance tracks is the energy he brings to them, and if you watch the video carefully you would very much agree too. A great Anu Malik composition that's very well sung by both Adnan Sami and Sunidhi Chauhan. 

jo dekha tujhe, jo socha tujhe, mera dil yeh tujhipe aaya
har khushi mili, bekhudi mili, jo maanga tha maine paaya...

Listen here - 


Pyar Hua Ikrar Hua Hai - Shree420 (1955)
Singer(s) : Manna Dey, Lata Mangeshkar
Music Director : Shankar Jaikishan
Lyricist : Shailendra

Raj Kapoor and Nargis in 'Pyar Hua Ikrar Hua Hai' (Shree420)

Classic song, a beautiful melody by Shankar Jaikishan with lovable lyrics by Shailendra. Both Manna Dey and Lata Mangeshkar at their best, and its a delight to watch the chemistry of Nargis and Raj Kapoor in the visuals. 

geet hamare pyaar ke dohrayengi jawaaniyaan,
main naa rahungi tum naa rahoge, phir bhi rahengi nishaaniyaan...

Listen here -


Toofan Toofan - Vishwatma (1992)
Singer(s) : Alka Yagnik, Amit Kumar, Sadhana Sargam, Sapna Mukherjee
Music Director : Viju Shah
Lyricist : Anand Bakshi

Divya Bharti and Amrish Puri in 'Toofan Toofan' (Vishwatma)

Even though the choreography has some unintentional comical bits, I miss these kind of songs these days where in the climax the heroines dance at the villian's adda and then there's the heroic entry of their heroes to rescue them. Gulshan Grover's 'flute' part in the song specially stands out. The entire theme of rule of bad/corrupt is going to come to an halt, is so well explored, and same can be said for the way song is used in Scam 1992 series too. All the singers compliment each other very well, and great to watch the likes of Divya Bharti, Amrish Puri (2:55-3:15 specially), Naseeruddin Shah and many more in the visuals.

nahi pehchaanta kuch bhi
nahi jo jaanta kuch bhi 
nahi jo maanta kuch bhi 
usse nadaan kehte hai...

Listen here - 


Mera Naam Chin Chin Chu - Howrah Bridge (1958)
Singer : Geeta Dutt
Music Director : O.P. Nayyar
Lyricist : Qamar Jalalabadi

Ashok Kumar and Helen in 'Mera naam chin chin chu' (Howrah Bridge)

Lovely choreography, a classic song sung very well by Geeta Dutt that works best for its beats and that starting hookup line. Has that lovely happy vibe and also Helen's simple yet enjoyable  dance steps in the video. 

mera naam chin chin chu, chin chin chu baba chin chin chu, 
raat chandni main aur tu, hello mister how do you do? 

Listen here -


Jhalak Dikhla Ja - Aksar (2006)
Singer : Himesh Reshammiya
Music Director : Himesh Reshammiya
Lyricist : Sameer

Emraan Hashmi, Dino Morea, Udita Goswami in 'Jhalak Dikhla ja' (Aksar)

Song that belongs to the time when Himesh Reshammiya was a sensation. I don't know if it was the fact that I was still in my early 20s that I enjoyed his songs a lot, or he was really so good during that time. I still love this song, has great catchy beats, Himesh vocals that suits the lyrics and the choreography is decent too. There's a recreated version by Tanishk Bagchi in 'The Body' movie, which is very bad. 

deedar ko tarse akhiyan, 
na din gujre, na kate ratiyan..

Listen here - 


Gali Gali Mein - Tridev (1989)
Singer(s) : Manhar Udhas, Alka Yagnik
Music Director : Kalyanji Anandji
Lyricist : Anand Bakshi

Jackie Shroff, Sangeeta Bijlani and Amrish Puri in 'Gali Gali Mein' (Tridev)

So many good villains together in same song while Jackie Shroff and Sangeeta Bijlani takes the centre stage. One of the songs where the female is trying to woo the guy who refuses to fall into the love trap. I love that music piece right after the end of prelude. Great composition that instantly gives vibes of the music of 80s era along with perfect vocals of Manhar Udhas & Alka Yagnik. There's also a KGF version of song and if you are able to listen that in a one go then I would consider it a victory, it's that bad.  

ho, tera pyaar hai ik sone ka pinjra o shehzaadi, 
mujhko apni jaan se pyaari hai apni azaadi...

Listen here -


Ek Mulaqat Zaroori Hai Sanam - Sirf Tum (1999)
Singer(s) : Ameen Sabri, Fareed Sabri 
Music Director : Nadeem Shravan
Lyricist : Sameer

Sanjay Kapoor and Priya Gill in 'Ek Mulaqaat Zaroori Hai Sanam' (Sirf Tum)

Love this qawwali a lot and I feel it must be favourite of most of the people during the 2000's decade specially ones involved in long distance relationships. There's that deep desperation in the song and also the voice of excellent Sabri brothers (the version I prefer) where the person just wants to meet and can't take it anymore without him/her. Sameer's lyrics for a change aren't ordinary and appeal a lot, specially the 1st and last antara's.  Also, check out Jaspinder Narula's version, which is pretty nice too. 

mere bichde dilbar, tu jo ek baar mile..
chain aa jaaye mujhe, jo tera deedar mile...

Listen here - 


Kya Khoob Lagti Ho - Dharmatma (1975)
Singer(s) : Mukesh & Kanchan
Music Director : Kalyanji Anandji
Lyricist : Indeewar

Feroz Khan and Hema Malini in a still from 'Kya khoob lagti ho' (Dharmatma)

Hema Malini and Feroz Khan pairing looks so beautiful in this song. Its a romantic number filmed mostly on a jeep, a trope that was pretty regular in pre90s era especially. Among best tracks of Mukesh, and sometimes I feel jealous off the people born in the Kishore-Rafi-Mukesh times, so lucky they were to listen never ending gems from these 3 greats. Nothing to take away from Kanchan, she's very much equally a reason for this song to be so famous, her voice suiting Hema Malini totally. 

tareef karoge kab tak, bolo kab tak ?
mere seene mein saans rahegi jab tak...

Listen here -


Jhonka Hawa Ka - Hum Dil De Chuke Sanam (1999)
Singer(s) : Hariharan & Kavita Krishnamurthy 
Music Director : Ismail Darbar
Lyricist : Mehboob

Salman Khan in a still from 'Jhonka hawa ka' (Hum Dil De Chuke Sanam)

A very emotional song, that starts on a note of remembering your loved one in a sweet way and then there's the transformation in the final stanza where he questions if she even remembers their old talks or has moved on. Easily can feel the pain in those lyrics, written by Mehboob and excellent Hariharan's vocals with the right use of Kavita Krishnamurthy's humming. Also, it's one of best characters Salman Khan has played, doing full justice to this track. 

ek ek meri baatein tumko yaad toh aati hogi na,
yaad toh aati hogi na, yaad toh aati hogi na...

Listen here - 


Aye Zindagi Gale Laga Le - Sadma (1983)
Singer : Suresh Wadkar
Music Director : Ilaiyaraaja
Lyricist : Gulzar

Kamal Haasan and Sridevi in a still from 'Aye Zindagi gale laga le' (Sadma)

It feels like a polite rant/frustration towards the thing called 'Life'. The guy wants the life to be kind to him, and embrace him like he does while willing to live a simple life without demanding too much. Gulzar's lyrics are really deep, I don't really understand the first line of the final antara. There's a sweet innocence in the song, which gets highlighted lot more way its filmed on Sridevi. Also, the re-created version in 'Dear Zindagi' is very good that has same lyrics and keeps the mood of original alive, its sung by Arijit Singh and composed by Amit Trivedi. 

humne bahaane se chhupke zamaane se, 
palkon ke parde mein ghar bhar liya

Listen here -


Dus Bahaane - Dus (2005)
Singer(s) : K.K, Shaan
Music Director : Vishal-Shekhar
Lyricist : Panchhi Jalonvi

Abhishek Bachchan in a still from 'Dus bahaane' (Dus)

Another of the College days track that was heard on repeat mode daily for a long time. Has those catchy beats, with KK-Shaan pairing making this one of the memorable tracks. Plus, I enjoyed the swag of Abhishek Bachchan in the video a lot. Also, I love that 'aayen-aayen' bit at 2:07. 

yeh dil toh pehle aisa nahi tha, kisne behkaya aisa sapna dikhaya kyun
yeh aankhein meri dekhe ussi ko, soche bina hi usse apna banaya kyun...

Listen here - 


Laila Main Laila - Qurbani (1980)
Singer(s) : Kanchan, Amit Kumar
Music Director : Anandji-Kalyanji
Lyricist : Indeevar

Zeenat Aman in a still from 'Laila main Laila' (Qurbani)

Qurbani is among those albums that has every song likeable, but my personal favourite is 'Laila main Laila'. Anandji Kalyanji composition begins with amazing drum beats to set the tempo and then Kanchan's beautiful vocals that match Zeenat Aman in the visuals. I love how they reference Majnu in the lyrics and also the 'gulu gulu' part of Amjad adds fun element to the track. He is actually hilarious to watch in entire song giving all those reaction shots and Amit Kumar vocals go well with him. Pawni Pandey's remix version in Raees is also pretty good, I still prefer original but have to recommend at a good attempt of re-creating old classic giving it right item song touch. 

mujhe dekhkar jo naa dekhe kisi ko, 
mere vaaste jo mita de khud hi ko...

Listen here -


Ek Pal Ka Jeena - Kaho Naa Pyaar Hai (2000)
Singer : Lucky Ali
Music Director : Rajesh Roshan
Lyricist : Ibrahim Ashq

Hrithik Roshan in a still from 'Ek pal ka jeena' (Kaho Naa Pyaar Hai)

This was the start of little quality 'Lucky Ali' time we got in the Hindi Movies Industry with his biggest hit 'Ek pal ka jeena'. Also, it was the start of Hrithik Roshan in the Khans era, his dance moves were a thing and you would eagerly wait to see him in next film with tougher dance moves that he would pull off with ease. Credits also goes to the great choreography and those dance steps (specially that guitar bit) that even today everyone would wanna groove to. Also, very much like Dhoom Machale, its a dance track that has meaningful lyrics and not just is asking you to dance at the beats. 

jeevan khushiyon ka ek jhonka sa hai, haan koi jhonka sa hai
aur yeh jhonka ek dhokha sa hai, haan koi dhokha sa hai...

Listen here - 


Badan Pe Sitare Lapete Huye - Prince (1969)
Singer : Mohammad Rafi
Music Director : Shankar-Jaikishan
Lyricist : Hasrat Jaipuri

Shammi Kapoor and Vyjayanthimala in a still from 'Badan pe Sitare lapete huye' (Prince)

As much as this is a good composition from Shankar-Jaikishan and lovable lyrics by Hasrat Jaipuri, it's a total Mohammad Rafi show throughout that steals the limelight. Visually, it's less appealing Shammi Kapoor song from his other full of energy tracks but its still a pretty good watch. 

mohabbat ki yeh inteha ho gayi, ke masti mein tumko khuda keh gaya.
zamaana yeh insaaf karta rahe, bura keh gaya ya bhala keh gaya...

Listen here -


Tum Bin Jiya Jaye Kaise - Tum Bin (2001)
Singer : K.S Chithra
Music Director : Nikhil-Vinay
Lyricist : Faiz Anwar

Sandali Sinha and Priyanshu Chatterjee in a still from 'Tum Bin Jiya Jaye Kaise' (Tum Bin)

Must be a go to song for any heartbroken person in love even in today's times. In the movie though its used to show the pain of losing someone permanently. K.S Chithra's voice expresses that extreme pain, emptiness/loneliness feeling, happy memories sounding painful, broken dreams and how you feel your existence is of no value without that person. 'Aa jao laut kar tum, yeh dil keh raha hai' line adding to the misery because deep within you know its just a wishful thinking that won't happen. 

kya kya na socha tha maine, kya kya na sapne sajaaye
kya kya na chaaha tha dil ne, kya kya na armaan jagaaye...

Listen here - 


Jawani Janeman - Namak Halal (1982)
Singer : Asha Bhosle
Music Director : Bappi Lahiri
Lyricist : Anjaan

Parveen Babi in a still from 'Jawani Janeman' (Namak Halal)

The disco background setting, simple yet enjoyable choreography and Bappi Lahiri's composition is so pleasant to the ears. The song works 2 ways for me, one is the obvious audio with Asha Bhosle's vocals giving the perfect feels to enjoy a drink at home or at bar, and other is the visuals of the sensuous looking Parveen Babi in that costume making this song even great to watch with fun reactions from both Amitabh Bachchan and Shashi Kapoor. 

shikaar khud yahan shikaar ho gaya,
yeh kya sitam hua, yeh kya zulm hua...

Listen here -


Dhoom Machale - Dhoom (2004)
Singer : Sunidhi Chauhan
Music Director : Pritam
Lyricist : Sameer

Esha Deol in a still from 'Dhoom Machale' (Dhoom)

Not sure if labelling this as a odd song would be right, because it's the track that started my mad passion for Hindi music when I would daily listen to this track on tv or radio until I got tired off it, a habit I applied later on to endless other songs. Out of all the Dhoom title tracks, this one is my personal favourite even though there's no match to Hrithik's dance steps in 'Dhoom Again'. It's not just one of Sunidhi's best song, but also as a dance number I quite like the lyrics that is urging you to fall in love and not be afraid of it. Little controversial but one of rare times when I find Sameer's lyrics quite good. 

tanha koi kabhi jee na sake, sabko yahan hai pata
bekhabar ajnabee mere dil ne jo ki, tu bhi karle haseen woh khata...

Listen here - 


Yeh Hai Bombay Meri Jaan - C.I.D (1956)
Singer(s) : Mohammed Rafi, Geeta Dutt
Music Director : O.P. Nayyar
Lyricist : Majrooh Sultanpuri, Jan Nisar Akhtar

Johnny Walker in a still from 'Yeh Hai Bombay Meri Jaan' (C.I.D)

A song that talks about survival particularly referring to Bombay of 1950s. Might actually hold true to present Mumbai too, though I feel the song works well even when heard in comparison to life anywhere on earth. Brilliantly sung by Mohd Rafi, with a small cameo at the end by Geeta Dutt. Picturised on Johnny Walker beautifully capturing some of the Bombay locales.

milta hai yahan sab kuch ek milta nahi dil,
insaan ka nahi kahin naam o nishaan...

Listen here -


Ae Dil Humhe Itna Bata - Hamesha (1997)
Singer(s) : Udit Narayan, Sadhana Sargam
Music Director : Anu Malik
Lyricist : Rahat Indoree

Aditya Pancholi and Kajol in 'Ae dil humhe itna bata' (Hamesha)

Love this song that many may not know about and I myself discovered it very late. It talks about deep love for someone that's slowly transforming into madness leading to do anything wrong to get that person. Udit Narayan's rendition along with superbly written lyrics turn this into a very lovely track. The only negative I found was the average picturisation and how Udit's voice didn't sync with Aditya Pancholi for most part of the song. The audio version is definately worth a listen! One of under-rated gems from Anu Malik. 

yeh dil jinki chaahat mein paagal banaa hai, unhe kya khabar hai humhe kya hua hai..
unhe kya pataa kya hai haalat hamari, tadapti hai kaise mohabbat hamari...

Listen here - 


Arre Yaar Meri - Teen Devian (1965)
Singer(s) : Kishore Kumar, Asha Bhosle
Music Director : S.D Burman
Lyricist : Majrooh Sultanpuri 

Dev Anand and Kalpana Karthik in a still from 'Arre yaar meri' (Teen Devian)

A fun composition that very well shows the girl is willing to be brave, carefree and more outgoing in the times when it wasn't considered right. Basically she wants to say that if I am beautiful why do I need to hide it under a ghoonghat! Perfectly picturised on Dev Anand and Kalpana Karthik. I love the final few vocals of Kishore Kumar, he is at his dramatic best. 

dekhke tarse laakh yeh bawre, aur inhe tarsaayungi
teri gali ki ek kali hoon, tere gale lag jayungi..

Listen here -


Mujhe Tumse Mohabbat Hai - Tumsa Nahin Dekha (2004)
Singer(s) : Shaan, Shreya Ghoshal
Music Director : Nadeem Sharavan
Lyricist : Sameer

Dia Mirza and Emraan Hashmi in a still from 'Mujhe tumse mohabbat hai' (Tumsa Nahin Dekha)

Has very ordinary lyrics but the tune especially makes this a very catchy and guilty pleasure song. Also, was the college days so heard it even more then. If not for Dia, I feel Sunidhi would have been perfect match for the type of song this is. I definately prefer the original version over the remix.

yeh khel nahi hai dil kisi se lagaana,
tum dil ko laga ke mujhe bhool na jaana..

Listen here -


Yeh Duniya Yeh Mehfil - Heer Raanjha (1970)
Singer : Mohammed Rafi
Music Director : Madan Mohan
Lyricist : Kaifi Azmi

Raaj Kumar in 'Yeh Duniya Yeh Mehfil' from 'Heer Raanjha'

A song about heartbreak with lyrics stating how the person feels this world is useless and of no value to him without his love. A classic song of Mohd Rafi composed by Madan Mohan, filmed on Raaj Kumar mainly with some shots in the end of Priya Rajvansh. 

unko khuda mile hai khuda ki jinhe talaash,
mujhko bas ik jhalak mere dildar ki mile...

Listen here -


Awaarapan Banjaarapan - Jism (2003)
Singer : Kay Kay
Music Director : M.M. Keeravani
Lyricist : Sayeed Quadri

John Abraham in 'Awaarapan Banjaarapan' from 'Jism'

It's not just my topmost Kay Kay song, but also the song I end up going to first whenever I am in mood of extremely sad songs. Words will fall short describing how good Kay Kay is in this track, the feeling of loneliness and just surviving, not living is brought out by him with a gem of composition by MM Kreem. Sayeed Qadri's lyrics are so good that its hard to actually pick just one fav line from the track. 

jaane yeh kaisi aag lagi hai, ismein dhuan na chingaari..
ho na ho iss baar kahin koi khawaab jala hai seene mein...

Post 8:49 in the video link is the sad/death version of the track about just a min long sung by MM Kreem himself . And then there's a complete version of song that is sung by MM Kreem which is also damn good with different and relatable lyrics. Even though I prefer Kay Kay version, every now and then I keep coming back to hear this version often. 

dil jis cheez ko haan kehta hai, jehen ussi ko kehta hai naa,
ishq mein uff yeh khud hi se ladna, ek saja hai seene mein...

Listen here - 


Tu Tu Hai Wahi - Yeh Vaada Raha (1982)
Singers : Kishore Kumar, Asha Bhosle
Music Director : R.D. Burman
Lyricist : Gulshan Bawra

Rishi Kapoor and Poonam Dhillon in the song 'Tu tu hai wahi' from 'Yeh Vaada Raha'

Easily among my top 5 picks when it comes to favourite romantic track of pre 90s. The melodious composition of R.D Burman paired with lovely duet vocals by Kishore Kumar and Asha Bhosle, and lyrics complimenting each other beautifully. I love that clap part they do in the video and also the cute face Rishi Kapoor makes throughout. Just shows how a simple choreographed song without any extras in background can work so damn well. Specially the 1st part of video where the setting is just a room of house, the other part however does go little cliched running around trees way.

kabhi zindagi mein padhe mushkile toh, 
mujhe tu sambhaale, tujhe main sambhaalun...

Listen here -


Tu Mile Dil Khile - Criminal (1994)
Singers : Kumar Sanu, Alka Yagnik, Chitra
Music Director : M.M. Keeravani
Lyricist : Indeevar, M.M. Keeravani

Nagarjuna and Manisha Koirala in song 'Tu mile dil khile' from 'Criminal'

For most people, 'Bheege honth tere' or 'Kabhi jo baadal' would qualify as best romantic-sensual combo song. But for me, this is the track that always comes to my mind instantly, and its because of the feeling the song generates, not the visuals. The humming start from Chitra itself sets the mood up and then Kumar Sanu takes over with M.M Kreem's near perfect composition. I love the Ramya Krishnan scene, the tune so well fits with the heartbreak she is going through while the entire song is based on love of Nagarjuna and Manisha. The only hiccup probably comes in form of the english part before the final antara, could had totally avoided it or kept some shayari/hindi lines instead. There's also a telugu version (original I think) of the song that is sung by SP Balasubramaniam and Chitra. 

na ho tu udaas tere paas paas main rahunga zindagi bhar,
saare sansaar ka pyaar maine tujhi mein paaya...

Listen here - 


Babuji Dheere Chalna - Aar Paar (1954)
Singer : Geeta Dutt
Music Director : O.P. Nayyar
Lyricist : Majrooh Sultanpuri

A still from the song 'Babuji Dheere Chalna' (Aar Paar)

One of classic songs and it's beautifully choreographed conveying how she has fallen in the darkness and getting her way out of it all the while warning about this dark and cruel world you have to be careful about. Lovely composition and Geeta Dutt totally nails the song. 

yeh toh babuji pehla kadam hai,
nazar aate hai apne paraye...

Listen here -


Juda Hoke Bhi - Kalyug (2005)
Singer : Atif Aslam
Music Director : Jal/Mithun Sharma
Lyricist : Sayeed Quadri

A still from the song 'Juda Hoke Bhi' (Kalyug)

It's easily the best song of Atif Aslam for me. The pain of losing a loved one, the good and bad memories associated with that person, and how badly it has effected your life is a theme done way too many times in our songs, and here its one of those occasions when the execution both visually and audio wise work so well thanks to the brilliant composition. Also, it was the debut movie of Kunal Khemu as a lead. The long alaap near the end of song is my fav part, always gives the feeling of unleashing all the anger/hurt inside loudly out. 

dil se dhadkan bhula dena, aasan nahi hai..
ab toh aadat si hai mujhko aise jeene mein...

Listen here - 


Mere Piya Gaye Rangoon - Patanga (1949)
Singers : Shamshad Begum, Chitalkar Ramchandra
Music Director : Chitalkar Ramchandra
Lyricist : Rajinder Krishan

A still from the song Mere Piya Gaye Rangoon from 'Patanga'

Shamshad Begum's voice again is so good to listen to. Another of her enjoyable tracks that has got some fun lyrics and a composition that brings smile to your face. Chitalkar gives good support with the male voice, I would still have preferred a solo Shamshad track here. 

Tum bin saajan, January Febuary ban gaye
May aur June...

Listen here -


Satrangi Re - Dil Se (1998)
Singers : Sonu Nigam, Kavita Krishnamurthy
Music Director : A R Rahman
Lyricist : Gulzar

Shahrukh Khan and Manisha Koirala in Satrangi Re from 'Dil Se'

One of best choreographed songs ever, that brilliantly showcases 7 stages of love. Though the entire album is a gem, but this song is something special, Rahman + Gulzar in total awesome level. You can notice in the entire song Shahrukh is seen in black, until the very end when he is in white as he has reached the final stage of love i.e. death. 

teri raahon mein uljha uljha hoon, teri baahon mein uljha uljha..
suljhaane de hosh mujhe, teri chaahon mein uljha hoon...

Listen here - 


Dil Ke Armaan Aansuon Mein - Nikaah (1982)
Singer : Salma Agha
Music Director : Ravi
Lyricist : Hasan Kamaal

Salma Agha in 'Dil Ke Armaan Aansuon Mein' from Nikaah

One of those songs that is too sad and you should avoid listening when in a good mood. Salma Agha's unique voice and the deeply heartbroken feeling Hasan Kamaal lyrics brings out makes this classic song almost a top pick for anyone who makes a playlist of sad songs.

Shayad unka aankhiri ho yeh sitam,
har sitam yeh sochkar hum seh gaye...

Listen here -


Saat Samundar Paar - Vishwatma (1992)
Singers : Sadhana Sargam
Music Director : Viju Shah
Lyricist : Anand Bakshi

Divya Bharti and Sunny Deol in 'Saat Samundar Paar' from Vishwatma

There would rarely be any North Indian wedding function where this song isn't played. Very catchy starting tune followed by vocals of Sadhana Sargam does full justice to this great dance number that very much sidelines average lyrics. Also, ovely choreography minus the un-necessary cutaway closeup shots of background dancers. Its a song that automatically comes to mind while remembering the late Divya Bharti. 

na rasta maloom na tera naam pata maloom,
kaise mere pyar ne tujhko dhoondha kya maloom..

Listen here - 


Sab Kuch Seekha Humne - Anari (1959)
Singer : Mukesh
Music Director : Shankar Jaikishan
Lyricist : Shailendra

Raj Kapoor in 'Sab Kuch Seekha Humne' from Anari

Shailendra's lyrics beautifully captures the complexities of life in this world from heart-break to double faced people to strange priorities, all the while keeping a sarcastic tone. Shankar Jaikishan's composition and Mukesh vocals does full justice to the lyrics, and Raj Kapoor's emotive face only further elevates the track. 

khud hi mar mitne ki 
yeh zidd hai hamari...

Listen here -


Tu Mere Saamne - Darr (1993)
Singers : Udit Narayan, Lata Mangeshkar
Music Director : Shiv-Hari
Lyricist : Anand Bakshi

Shahrukh Khan and Juhi Chawla in 'Tu Mere Saamne' from Darr

Love the starting music arrangement. Lata Mangeshkar's 'toot gayi toot ke main choor ho gayi' part is lovely, however its a total Udit Narayan song for me. Shiv Hari's melodious composition and Anand Bakshi's lyrics that work despite being so over the top bringing in the mad love angle even more. Its one of Shahrukh Khan's best performances, and as expected he nails the expressions of a mad lover. Interestingly, if you watch carefully, Shahrukh's attire never changes while Juhi's does throughout the song. 

iss kahani ke sau saal hai, iss jawani ke sau saal hai..
yeh tere pyaar ke chaar pal, zindagani ke sau saal hai...

Listen here - 


O Leke Pehla Pehla Pyar - C.I.D (1956)
Singers : Shamshad Begum, Asha Bhosle, Mohammed Rafi
Music Director : O.P. Nayyar
Lyricist : Majrooh Sultanpuri

Dev Anand, Shakeela in 'O Leke Pehla Pehla Pyar' from C.I.D.

The concept of street musicians singing with lead actors walking alongside has its own appeal and its been missing these days in our films. Out of all the singers involved, Shamshad Begum makes the song standout for me in this lovely O.P. Nayyar composition. Also, how good Dev Anand looks with his smile in this song and you can see backdrop of a very silent looking Marine Drive. 

khillein honthon pe bahaar, nikla gusse se bhi pyaar..
jaadunagri se aaya hai koi jaadugar...

Listen here -


Shikayat Hai - Jism (2003)
Singer : Roop Kumar Rathod
Music Director : M.M. Keeravani
Lyricist : Sayeed Quadri, Nilesh Mishra

John Abraham in 'Shikayat Hai' from Jism

I don't know about South, but in Hindi Films Industry M.M. Kreem is very under-rated composer. This track is tailor-made for all the people who have gone through one-sided love or been heartbroken or live a life they don't like with perfect lyrics. M.M. Kreem's composition and Roop Kumar Rathod's vocals (one of his best track) makes for a great listen. Also, lovely use of 'Awarapan Banjaarapan' tune post 3:15 mark. The video is a bit underwhelming though.. 

kishton kishton mein mar raha hoon, roz lagta hai..
isliye mujhko apni zindagi se nafrat hai...

Listen here - 


Dum Maro Dum - Hare Rama Hare Krishna (1971)
Singer : Asha Bhosle
Music Director : R.D. Burman
Lyricist : Anand Bakshi

Zeenat Aman in 'Dum Maro Dum' from 'Hare Rama Hare Krishna'

One of many decades old classic track that is still considered among the best anti-world song ever. R.D.Burman's composition full of great beats, Anand Bakshi's lyrics that are so relatable and Asha Bhosle's excellent vocals taking the track to a total high. Perfectly picturised on Zeenat Aman. 

duniya ne humko diya kya, duniya se humne liya kya
hum sabki parwah kare kyun, sabne hamara kiya kyaa...

Listen here -


Chupke Se - Saathiya (2002)
Singers : Sadhana Sargam, Murtuza, Qadir
Music Director : A.R. Rahman
Lyricist : Gulzar

Vivek Oberoi and Rani Mukherji in 'Chupke Se' from 'Saathiya'

As much as I enjoy listening to Sadhana Sargam's voice, the 'doston se jhoothi moothi' part always makes this song special for me. It was also a very beautiful film with the pairing of Vivek and Rani working so well. Also, checkout the original version of this song starring Madhavan. 

doston se jhoothi moothi doosro ka naam leke,
teri meri baatein karna.. yaara, raat se din karna...

Listen here - 


Lag Jaa Gale - Woh Kaun Thi (1964)
Singer : Lata Mangeshkar
Music Director : Madan Mohan
Lyricist : Raja Mehndi Ali Khan

Manoj Kumar and Sadhana in 'Lag Jaa Gale' (Woh Kaun Thi)

Lata Mangeshkar's beautiful voice making this song a combination of romantic + sad (fear of losing close one) and a very haunting feeling throughout. 

jee bharke dekh lijiye humko kareeb se,
phir aapke naseeb mein yeh baat ho na ho..

Listen here -


Jaane Kaise - Raqeeb (2007)
Singers : KK
Music Director : Pritam Chakraborty
Lyricist : Sameer

Rahul Khanna and Tanushree Datta in 'Jaane Kaise' (Raqeeb)



A melodious track with vocals of KK, brings back memories of college days when I would bunk classes and travel in an altogether different world while listening to this song. I personally feel if you are in love, then this song would make even bigger impression on you. 

gujra nahi tha main toh kabhi bhi pyaar ki dilkash raahe guzar se,
deewangi ki yeh inteha hai har chehre mein chehra tera..

Listen here - 


Ek Rasta Do Raahi - Ram Balram (1980)
Singers : Mohammed Rafi, Kishore Kumar
Music Director : Laxmikant Pyarelal
Lyricist : Anand Bakshi

Amitabh Bachchan and Dharmendra in song 'Ek Rasta Do Raahi' from 'Ram Balram'

A fun playful track with voices of Rafi-Kishore together making this a very enjoyable track to listen to. The 'aha aha' part is special highlight of it. 

na mit sake naseebo ke kalam ki siyahi
aha aha siyahi aha aha...

Listen here -


Pyar Ko Ho Jaane Do - Dushman (1998)
Singers : Lata Mangeshkar, Kumar Sanu
Music Director : Uttam Singh
Lyricist : Anand Bakshi 

Sanjay Dutt and Kajol in 'Pyar ko ho jaane do' from 'Dushman'


Lovely melodious romantic duet of Lata-Sanu that is so pleasant to the ears. And love the violin end to the song. 

pyar ke beech mein hum nahi aayenge,
jis taraf le chala dil chale jayenge...

Listen here - 

Sunday, December 18, 2022

Movie Analysis : Chup - The Revenge of an Artist (Zee5)

Directed by : R. Balki 

Audience ki aankhein khol.. unka taste upgrade kar.. Entertainment ki quality badha, its your bloody job.

Dulquer Salmaan, Shreya Dhanwanthary, Sunny Deol in 'Chup'

Spoilers ahead... 


Inspector Arvind Mathur (Sunny Deol) reaches the crime scene of a building where a film critic has just been found dead having many cuts on his body including an inverted triangle drawn on forehead. When more such brutal killings of film critics takes place, Arvind realizes its work of a new kind of serial killer who kills critics. On other hand, a parallel track runs involving a florist Danny (Dulquer Salmaan) also a Guru Dutt fan, as he meets an entertainment reporter Nila Menon (Shreya Dhanwanthary). She is a huge bollywood lover and aspires to be a film critic. 

It doesn't matter whether you have seen the trailer or how much you know about the story before watching the movie. R. Balki isn't interested in narrating the story in form of suspense, from the very first scene of Danny you can make it that he is the killer. The focus of screenplay stays on 2 aspects, one is the running commentary about Critics vs FilmMakers/Actors basically stating how important ethics are while critiquing a movie, and the other is the homage given to Guru Dutt's 'Kaagaz Ke Phool'. Both in my view is done very efficiently without going overboard. 

There's no direct references or namecalling done but if you follow critics closely (not literally) then you would most likely be able to connect dots, for instance the scene where Danny calls out the critic for his 4 star rating to a movie stating he must have got good sum of money or a vacation package for some nights or a good present. Another scene where Nila refers to a dead critic telling whenever he would rate a film high would mean she won't like that film and vice-versa. 

Another very important point the movie makes is about the personal attacks that some critics do and are still doing in the name of reviewing a movie thinking they have become God and can say anything they want even if it has no relevance to the movie. There's actually 2 points that Balki missed out keeping in the script that could had been part of Danny's frustration over some idiotic critics, one is the famous 'Tweet while watching film on the go' (Like how the hell are you watching the movie then?) and other is some critics I have noticed like to write a long paragraph on what people were doing in their show, their talks or even own life talks or just some other random stuff. Just because they didn't like the film they feel they have to entertain the readers with gibberish!

The topic of what matters more - Critics Rating or Audience Views (Boxoffice Results) is taken up subtly through a small cameo scene of Amitabh Bachchan (can there ever be a Balki movie without him?) where he without much hesitation chooses Boxoffice, however he doesn't deny that Critics are very important to be there in the film industry so that everyone can learn about their mistakes. 

The screenplay of movie keeps shifting from dark to romantic to dark to dramatic and its never ending, usually I would not really enjoy it but here it had a very good effect and special thanks goes to the way music and background score is used. Many classics are brilliantly inserted, whether its the theme of 'Waqt ne kiya kya haseen sitam' (Kaagaz ke Phool) filmed on Danny who is cutting a body in the style of using brush over a painting. The lyrical version is also aptly used when Danny just gifts Nila paper flowers on Guru Dutt's birth anniversary. 

There's 'Sar jo tera chakraye' (Pyaasa) used in such a clever dark humor way over how Danny just fooled Arvind. Then there's 'Jaane kya tune kahi' (Pyaasa) which essentially forms the romantic track of Danny's life, however its catch tune is used throughout wonderfully. Also, I like how this very romantic track turns into a psycho-tic version when Dulquer sings the lines while telling the person he is about to kill what did that person write wrong in the review. 

Sneha Khanwalkar's emotional version of 'Yeh Duniya' (Pyaasa) is very haunting with the visuals of Danny's past life and I really liked that they added the original version's famous lines 'Tumhari hai tum hi sambhalo yeh duniya' for a perfect end to the movie. 

Its not just the old music but I found the original songs also very good at a time when we hardly get much quality music these days. The romantic track 'Gaya Gaya Gaya' is very well sung by Rupali Moghe and Shashwat Singh, and also beautifully picturised on Danny and Nila. Love those 2 small mistakes Danny does, firstly that direction of sunset through bicycle frame and then trying to have his routine two cups of tea by himself. Also, the track 'Mera Love Main' has some lovely lyrics, even though it is rightly not used in the movie. 

I really don't know why Balki movies in past have always been mixbags, they would always have one underwhelming act to not make me love the movie. For a change, that doesn't happen in 'Chup'. The  final twist is really good because for a moment I fell into the narrative that 'Oh no, is Danny going to kill her despite knowing she wrote fake review', but that foreign film copy idea was a super one. By the way I didn't understand the reference of Woody Allen, what was Balki trying to say there ? 

It would have been a perfect movie if they didn't include Pooja Bhatt's character in the movie who helps Arvind in the case in just one way informing him that the killer attacks those critics whose review has a particular script with catchy lines. I rather would had wanted Arvind himself to brainstorm and learn about this aspect very much how he decoded the traingle on forehead or how the review lines are being brought to life in his killings. Or they could have let Pooja help him right from the 1st killing. Another thing that came to my mind was the reason behind Danny being like this, they went the cliched route of a troubled childhood, how would have it been if Danny did it because he was tired of the poor critic system, much like Naseeruddin Shah in 'A Wednesday' who took it to himself because he felt someone had to do something. I am not 100% sure if this version would have worked more or not, but it would have been less routine than the chosen flashback. 

Dulquer Salmaan plays the serial killer exceptionally well, whether its the double personality or his growing closeness with Nila. Love his hilarious dialogue referring to 'Nalasopara ke baad agar Churchgate aa jaaye toh kaisa lagega?'. Shreya Dhanwanthary as a reporter again didn't really feel repetitive as her role plays more around her being a movie buff and also her chemistry with Dulquer is very good. I like the scene where she gets hyper realizing how her bravery act might actually result in her death. 

Sunny Deol in a very restrained role keeping his anger limited to just one loud shout scene was also a delight to watch. I like how he slowly understands the case, afterall someone killing critics for bad reviews doesn't happen everyday. Saranya Ponvannan playing the mother of Nila was very sweet and lovely to watch in a supporting role. 

Chup works for me both as a sort of tribute to Guru Dutt and also a very good take on how critics can misuse their profession resulting in ruining life of a filmmaker/actor.

My Rating : 7.5/10

Movie Analysis : The Good Nurse (Netflix)

Directed by : Tobias Lindholm 

Why ?
They didn't stop me.

Eddie Redmayne and Jessica Chastain in a still from 'The Good Nurse'

Spoilers ahead... 


Amy Loughren (Jessica Chastain), a single mother with 2 daughters works at the Parkfield Memorial Hospital as a night nurse in ICU. She has a heart condition but can't let anyone at hospital know or she will lose the insurance she badly needs. When Charlie Cullen (Eddie Redmayne) joins her as the male nurse, they form a good friendship but she isn't aware of Charlie's past and what kind of person he actually is until some patients begin to die. 

If you are told the basic premise and the true events on which the film is based then it would bring a very chilling effect just to think how dangerous your life can be even when you are safely in the doctor's hands just because a male nurse wants to kill you for no reason at all. He was charged for 29, but it is believed that he actually killed around 400 patients. Also, you can't help but think how poor the health system is if they allowed this guy to shift jobs from one hospital to another 9 times. 

In the film however, this feeling never comes across fully as I felt it should have. We do get some great scenes involving both Jessica and Eddie (who are really good in their performances), but they never culminate into more than that. There's always a creepy kind of feeling hanging whenever we see Charlie come into the frame especially after the moment Amy learns his truth. Or how afraid suddenly Amy feels when Charlie is at her home with her daughters. I liked both the confrontation scenes, one at the restaurant and other in jail, though I still don't understand why he did it or maybe we will never know.

One reason for the slow pace of movie could be to set up the moody feel while showing the life of a nurse at hospital. I still would had preferred tight editing, some scenes just meander along way too long serving no purpose. 

If like me you had never heard about Charlie Cullen, then 'The Good Nurse' is going to be worth a watch as you realize that such kind of 'serial killer' (if I can call that) exists too. Despite a weak screenplay and loose editing, the story and performances make up for it to some extent. 

My Rating : 6/10 

Thursday, December 15, 2022

Movie Analysis : The Adam Project (Netflix)

Directed by : Shawn Levy

When a bad idea is the only idea, it becomes a great idea. 

Ryan Reynolds, Walker Scobell and Mark Ruffalo in a still from 'The Adam Project'



Adam Reed (Ryan Reynolds), a pilot who time travels from the future into 2022 accidentally meets his younger 12 year old self (Walker Scobell) who is still mourning the loss of his father Louis Reed (Mark Ruffalo) having lost him in an accident a year ago. Adam wants to travel to 2018 and find what happened to his wife Laura (Zoe Saldana). In his way is an obstacle of Maya Sorian (Catherine Keener) who was once partner of Louis at work but in the future she became greedy to be in total control of Time-Travel.

Having directed some of the episodes of 'Stranger Things' and also 'The Free Guy' that I enjoyed a lot, have to say this movie turned out to be a little disappointment. The whole time-travel plot I understand wasn't meant to be complex and rather used in entertaining way, yet it never appeals or draws me towards the storyline. 

Some of the scenes that actually worked were the non-comedy ones like Adam's interaction with her mother Ellie Reed (Jennifer Garner) at the pub, or younger Adam giving advice to Adam about their dad, or Louis just pondering over if his busy professional life has lead to very less time given to his own son.

The entire romantic angle of Adam-Laura felt too rushed to my liking, it would have actually worked lot better had they kept Laura completely out of story and just introduced her in the last when that story Adam told his younger self happens again. 

The Adam Project with a weak core story and irritating villain ends to be quite a bore despite some good performances and the usual Ryan Reynolds laughs. 

My Rating : 4.5/10

Monday, December 12, 2022

Movie Analysis : Bhool Bhulaiyaa 2 (Netflix)

Directed by : Anees Bazmee

Mere ghar ka toh phone na tring tring nahi karta, conjuring conjuring karta hai.

Kartik Aaryan, Kiara Advani and Tabu in stills from 'Bhool Bhulaiyaa 2'

Spoilers ahead... 


Two strangers, Reet Rathore (Kiara Advani) and Ruhaan Randhawa (Kartik Aaryan) meet at a bus stop, they visit a music festival and become so friendly that Reet asks for a favor from Ruhaan to come along to her hometown in Rajasthan while she pretends to be dead to her family so that her fiance gets married to her sister. The only issue is they decide to hide in that very abandoned mansion that was shut down 18 years ago with the spirit of Manjulika trapped inside a room. 

Watching the movie I was wondering if forced humor is the new norm and do today's youth enjoy this in name of entertainment? What happened to the genuine laughs we would get over films a decade or so ago. The original directed by Priyadarshan and starring Akshay Kumar, Vidya Balan was miles better than this. 

Anees Bazmee films have in past worked for me, even that guilty pleasure movie 'Mubarakan'. But here, I kept searching for the moments when I would really say 'Oh yea, this was a very good punchline'. There are so many un-necessary parts that if edited out would atleast had made for a shorter movie even if it wouldn't still have made any difference to the poor humor thanks to the writing team. For instance, both the tracks involving Reet and Ruhaan, firstly does nothing to narrative, and secondly they were so average to listen to. Then that entire 'RoohBaba' angle was not required, complete waste of time it was.

There's Bade Pandit (Sanjay Mishra) who keeps using yester year movies songs/dialogues to talk while having an hearing issue. Normally, Sanjay Mishra would be very reliable but here even he felt so irritable, very few scenes worked like the one where he asks Manjulika to translate in hindi as his bengali is as poor as french. Both Rajesh Sharma and Govind Namdeo are under utilised. Ashwini Kalsekar was good, and the Rajpal Yadav 'Big Boss' dialogue was hilarious. 

The best part of the movie was Tabu, in the double role she was so good. There's a scene where she kills her dad, the way she behaves there slightly reminded of 'AndhaDhun'. The flashback scene telling the story of Manjulika, the entire black magic and then the twist at the end was very well done. 

Kartik Aaryan's comic timing is pretty good which is a reason he was able to get some laughs out of silly moments or poor writing too. I also liked his dance over the male version of 'Ami je tomar'. While Kiara did really nothing except being a glamour element, and I was really happy that they didn't go the route of Manjulika possessing her body because that prank scene where she mimicked Manjulika was extremely poor acting. 

In the end, Bhool Bhulaiyaa 2 falls way short when compared to Akshay's movie in 2007, is it watchable for Tabu's performance alone ? Not really. 

My Rating : 4.5/10 

Sunday, December 11, 2022

Movie Analysis : Enola Holmes 2 (Netflix)

Directed by : Harry Bradbeer

No matter how lost you feel, if you stay true to yourself, the path will always find you again.

A still from 'Enola Holmes 2'

Spoilers ahead.. 


Opening up her own Detective Agency in London, Enola Holmes (Millie Bobby Brown) is super excited only to find no clients at all as her age and the fact that she is sister of Sherlock Holmes (Henry Cavill) often comes in way of her getting new cases. Just when she is about to close the agency, a little girl Bessie Chapman (Serrana Su-Ling Bliss) comes for help to find her missing sister Sarah Chapman (Hannah Dodd). Enola soon learns about a matchstick factory where Sarah worked and there the girls were dying from Typhus disease as she tries to dig deeper into the case.  On other hand, Sherlock Holmes  himself is busy in a case involving corruption soon realizing he is against a very clever rival named Moriarty.  The question is, are both the cases interlinked ? 

Its a much better film than the 1st one (Enola Holmes), the pacing is good, very less meaningless interactions (already introduced characters before, helps in that regards) and we get lot more of Sherlock in this part in a supporting way making sure it still stays Enola's story. The use of breaking the 4th wall is again done exceptionally well without overdoing it, the feminism angle is still there but at the core the movie focusses very well on how Enola solves a new case with all the difficulties she faces. Liked how the nepotism angle is subtly played out where Enola is frustrated to be in the shadows of her brother Sherlock, while trying to create her own identity. Also, a lovely scene involving her mother telling her that its not compulsory to be great on your own, she can still accomplish a lot by seeking help of the ones that are close to her. 

I however still did not like Henry Cavill as Sherlock, for the same reasons.. just hard to see anyone else in this role other than Benedict or Robert, even though he does a fairly decent job. 

The star of the movie is Millie Bobby Brown who is delightful and perfectly suited in this character full of energy, ready to take on the world and even her own brother. I would love to see her get a tougher next case to solve. Special mention to David Thewlis (playing Grail) who is efficient in a negative role. Other cast involving Louis Partridge, Sharon Duncan-Brewster and Hannah Dodd also chip in with good performances. There's a end credits scene involving the introduction of Dr Watson, slightly skeptical about it but hoping the actor chosen would be good in this role. 

I would have personally loved next part to have Sherlock and Enola together solve a case from the very start. But the scene where Enola refuses the offer of 'Holmes and Holmes' from Sherlock probably suggests we may again get them on different cases and meeting each other's paths along the way. 

Even though the case may not look that complex, Enola Holmes 2 screenplay holds itself very well and turns out to be a pretty good entertainer full of adventures.

My Rating : 6.5/10 


Friday, December 9, 2022

Movie Analysis : Dhokha Round D Corner (Netflix)

Directed by : Kookie Gulati

Main farebi nahi hoon Gul, aazmaa ke dekh lo.

Madhavan, Aparshakti, Khushali, Darshan in 'Dhokha Round D Corner'

Spoilers ahead..


Yathaarth Sinha (Madhavan) at work catches a glimpse of a news running on tv describing a terrorist Haq Riyaaz Gul (Aparshakti Khurana) in Springshine Aparments and soon realizes its his own house he is hiding where his wife Saanchi Sinha (Khushali Kumar) would be all alone. ACP Harishchandra Malik (Darshan Kumaar) has the whole building sealed trying to negotiate with Haq Gul. But, none of these 4 main characters could be trusted as we keep on getting their perspective stories one by one over what happened in past. 

Usually a film like this that keeps testing your brain is an immediate thumbs up for me, but here the issue is that firstly it tries to overdo it as a result it gets so much tangled that you no longer care who is telling the truth until everything is revealed in the climax. And then there's little hard to believe scenarios happening specially how Haq Gul having got betrayed by Saanchi, still falls for her 2nd time around. Thats too much even if at that time you are willing to trust his story on being innocent regarding the alleged hostel blast attack.

Also, having a talented actor like Madhavan and keeping him in more of a supporting role wasn't really a good idea. Having said that it was a delight to watch Aparshakti Khurana in a non-comedy role even if he had to go through a very below average writing and cringy situations at many places. Khushali Kumar too does a decent debut job as a housewife trying to seduce and having a personality disorder that makes the whole situation a deeper mess.

There's 2 really laughable moments (not sure if intentional or not).. first is when Haq Gul is so frustrated that he can't understand who the real Saanchi is, he directly asks her 'Tum goli (medicine) se pehle wali asli ho ya phir goli ke baad wali.' And then there's a spoof on Arnab Goswami, who actually in entire film gets trolled a lot but this one was unmissable as it was a direct take on that famous clip 'mujhe drugs do, drugs do' if you seen it.. its cringeworthy but hard to not laugh at. 

Talking of the twists, there are many.. most of them you would be able to guess, except for the last one that actually is good because that negates those scenes where I felt why the hell is ACP Malik all the time chilling with Yathaarth, having cups of tea or smoking like he is so sure nothing is gonna happen.

A dark ending always makes me happy but in this case, it didn't really move me which was more to do with how mediocre the 2nd Act was, that it made me run out of the patience to know what happens to all these 4 main characters.

In a way this is unofficial adaptation of Ittefaq with many additions done, if only it was tightly edited and the feeling of repetitivity didn't come after a while. Still an okay one-time watch!

My Ratings : 5/10