Mini Review : Enola Holmes (Netflix)

Directed by : Harry Bradbeer

Imdb link -> https://www.imdb.com/title/tt7846844/

The choice is always yours. Whatever society may claim, it can't control you.

On the morning of her 16th birthday, Enola Holmes (Millie Bobby Brown) wakes up to a surprise that her mother Eudoria Holmes (Helena Bonham Carter) has gone missing leaving behind few clues, maybe she wants to be found out. Enola who has been brought up in very different manner by her mother, now has to face her brothers Sherlock Holmes (Henry Cavill) and Mycroft Holmes (Sam Claflin) who are eager to send Enola to a finishing school for proper young ladies, more of a institution that converts young ladies into robots for men. But Enola runs away to London trying to find her missing mother and solve the mystery behind her disappearance, and on the way she falls into another mystery surrounding a young runaway Lord Tewkesbury (Louis Partridge) she meets on the train who is unaware of a dangerous conspiracy he's involved in. 

Starts off like you expect a Holmes based detective case solving story, but soon it becomes something different entirely. We here are shown how Enola tries to suddenly enter the real world, and not only search for her mother, but also find herself growing in the new dangerous and tough situations she faces on her own and then there's a little romantic angle with mysterious Tewkesbury. This storyline maybe would work for teenage audience, but for others like me it was a disappointment and not really much to enjoy. 

It also didn't help that Henry Cavill felt awfully miscasted as Sherlock almost like he had no personality, that witty one liners or the 'sociopath' attitude (was there very slightly), all of which previously we had enjoyed in Benedict Cumberbatch and Robert Downey Jr's versions. Then we get a  fictionalised different version of Mycroft which was a headache to watch for the kind of anti-feminist he is. It was a major disappointment as I was looking forward to Sam Claflin's act. When he was trying to control Enola and she runs off, I felt thank god they didn't go that route, only to return to same narrative much later on, grr! 

Even if I ignore these problems as in anycase its Enola and Twekesbury who get more screentime, issue is both sub-plots of mother disappearance and why people want Tewkesbury dead, leads to not so interesting adventures which is what Holmes world should consist of. The movie may have worked better if they didn't try to do too much, and stuck with just mother's motives, explore more of her feminism angle and Enola's attempts to find her mother, while outdoing Sherlock. The whole Tewkesbury plot just spoils the narrative and it just becomes more of neither here and nor there. 

I have not seen Millie Bobby Brown in anything else than 'Stranger Things' and she was fun to watch, liked those 4th wall dialogues she would often do (not overdone thankfully), and she had a nice cute chemistry going with Louis Partridge.

Enola Holmes doesn't work for me mainly because it's more of a fictional different take of Sherlock's little sister, not the kind I was expecting from the trailer.  Just about watchable but have to manage some cringeworthy sequences on the way. 

My Rating : 5/10 

Mini Review : I Care a Lot (Netflix)

Directed by : J Blakeson

Imdb link -> https://www.imdb.com/title/tt9893250/

There are two types of people in this world. Those that take and those that get took. Lions and lambs. My name is Marla Grayson and I am no lamb. I am a fucking lioness. 

Marla Grayson (Rosamund Pike) is a professional court appointed guardian for many elderly wards in past but she with her partner/girlfriend Fran (Eiza Gonzalez) are in reality conning the judge by using false medical reports with help of Dr Amos (Alicia Witt) and Sam Rice (Damian Young) whose facility is used to put the new wards at. Having been right up her game, Marla next chooses Jennifer Peterson (Dianne Wiest) who appears to be very wealthy, has no heirs and offlate was in touch with Dr Amos. But things turn wild when its learned Jennifer isn't what she looked like, and has got connections with Russian Mafia as Marla tries to get out of this unwanted mess.

The way film starts, voiceover of Marla with her back of head shown, it always felt like we were re-watching 'Gone Girl' (trailer had the same vibe too) with similar tone and style minus the nervy background music. Its fun watching how Marla is easily getting her way, sending normal old people into care centers with proper legal methods. But if you think of same scenario happening in real, then its scary to think how easily someone in your family could end up for no fault of theirs at a place not meant for them.

Rosamund Pike seems to be enjoying the role, you can just feel that with the way she performs, smiles, stares or gives the look of 'you can't win against me' even at a stage in film where she is on verge of death. And Eiza Gonzalez is also a delight to watch as her partner and lover, last saw her in 'Baby Driver'. 

Its two places where the film falls apart, one being the reality check as it often goes in over the top fiction, whether its how easily Marla tricks all old people never getting caught, with the judge or police never getting any hint of the fraud. Also, how the hell did Marla escape when been heavily drugged and alcohol inserted, still not drown, unless you wanna tell me those Russian thugs used poor quality of drugs and alcohol.. Even getting the security guards down felt unreal. But I am willing to totally ignore these basic flaws, its the whole Roman Lunyov (Peter Dinklage) vs Marla Grayson angle that didn't felt engaging enough. I would had liked more of Jenniffer, her attempts to escape or Roman trying some other methods to get her out. There was a scope of lot more of dark comedy that way.

A clear classic case of a movie where you wanna root for the bad person, and it helps when she is paired against another bad person. The ending was little cliched, but then thats the only justice you could had given to all the people that suffered due to her which we don't see much in movie because we wanna be kept in awe of Marla's character. 

I Care a Lot is a decent watch, specially first 30 mins.. Rosamund Pike keeps you interested till the end even when the screenplay begins to drop down into the territory you wish it didn't go. 

My Rating : 5.5/10 

Mini Review : Ma Rainey's Black Bottom (Netflix)

Directed by : George C. Wolfe

Imdb link -> https://www.imdb.com/title/tt10514222/

You don't sing to feel better. You sing because that's a way of understanding life. 

Adaptation of an August Wilson play, with the story revolving around the legendary singer Ma Rainey (Viola Davis) known as 'Mother of the Blues' and her band of musicians including a very ambitious horn player, Levee (Chadwick Boseman)  as they assemble for a recording session one afternoon, set in 1920's Chicago. 

Very much get the feel of watching a play, with most of the settings limited to a room and many monologues. The constant banter among the musicians in the band, each telling a dark tale they were part of or knew about. Levee's childhood story version monologue specially makes you feel sorry for him and just maybe side with him after feeling he is on a very tightrope way he would be behaving like he would be a big thing one day and not respecting others. 

Ma Rainey is another complex character, at first you feel she is showing the shades of a famous singer, until you learn the reason behind it, with her wanting to make sure the whites never end up ruling how she can behave. That makes for some interesting scenes involving Ma and the white management that wants the recording done badly. 

A very dialogue heavy movie that does lot of character study on almost all the musicians in the band, and then how it leads to a very dark hard-hitting ending which you can see coming amidst the rising tension during all the never ending banter. It does felt little monotonous at times and lengthy despite been just 1h30mins in duration. Though, at same time I won't deny I was very much engaged in most of the banter that was going on, or the moments when Ma would dominate over the white management. Also, there's the racism and prejudices that comes with it since its set in an very old era. 

Maybe little more story about Ma before they shifted to this recording session could had added that something extra that I felt was missing in the movie. 

Viola Davis as expected shines, despite her not having that much dialogues to begin with, her conversation about what music is to her and the coca-cola scene were my favs. Sadly, its the last movie of Chadwick Boseman, and how good he is in this, specially the scene where he narrates what happened when he was 8 yr old, or his enthusiasm after having bought new shoes. 

Among the rest band, Cutler (Colman Domingo), Toledo (Glynn Turman) and Slow Drag (Michael Potts), each were fun to watch, whether its their reactions to how foolish Levee would often sound or their own dark secrets they share with time.

'Ma Rainey's Black Bottom' is a good watch for all the performances, bit restrictive on the plot nevertheless I still felt fully invested barring some places. And always good to know about some history I ain't aware of, though many may remember this movie for Chadwick Boseman, being his last one and he does deliver too. 

My Rating : 6.5/10 

Mini Review : Coolie No.1 (Amazon Prime)

Directed by : David Dhawan

Imdb link -> https://www.imdb.com/title/tt10280276/

Inka pyaar download ho raha hai Sir, inke pyar ki file ko delete karke time khoti mat karo please

Pandit Jai Kishen (Javed Jaffrey) wants to teach lesson to a very arrogant businessman from Goa, Jeffrey Rozario (Paresh Rawal) who wants a rich son-in-law for his daughter Sarah Rozario (Sara Ali Khan), someone who would use a chopper/plane to go buying groceries (yea just one eg of the never ending exaggeration). Pandit accidentally meets Raju Coolie (Varun Dhawan) who co-incidentally falls in love with Sarah just after getting a look of her photo, and rest story is predictable. 

I have seen Govinda version in bits and pieces only, it was a guilty pleasure despite having same story that is very odd but it was Govinda-Karishma pairing and Kader Khan with their comic timings and lets say not cringeworthy dialogues that made it a good timepass watch. 

Coming to this new version, where do I start.. the opening credits of animation where Amitabh Bachchan asks 'tumhare paas kya hai, and little Raju replies 'mere paas maa nahi hai' as the train left with his mom on it. The annoyance at usage of film references started here. I personally enjoy how Sridhar Raghavan uses them so wonderfully in his films, but in this case David Dhawan is literally forcing them at our face with instances of Raju Coolie doing mimicry of many celebs time and again, to an extent that the fake twin character (oh that was so well done by Govinda), here uses Mithun voice to make him differ from the other brother. 

The sillyness doesn't end there, Sarah is shown dumb to fall in love with what looks like a very wierd rich guy, Jeffrey only talks in 'heaven on the docks man etc', Varun Dhawan's overacting to sell his over the top character, Sara Ali Khan struggling in her acting once again specially when she cries, out of no where there's a scene involving deaf kid on railway track with everyone shouting and not willing to help because script says Raju Coolie will do a heroic stunt to save, and the usual stammering/overweight guys made fun of to get laughs.  

I can recall only one time I got laugh when Jeffrey says he ain't pizza delivery guy to Sarah. I am not sure why David Dhawan doesn't understand that it was Govinda that made his films work, and not the script.. he just gonna keep ruining films with his son like this.

Leaving asides the 'husn hai suhana' track, that too for the song and not the poor choreography or vulgar dance steps, and 2-3 possible decent moments, there was nothing I enjoyed in this movie. 

My Rating : 2/10 

Mini Review : The Girl On The Train (Netflix)

Directed by : Ribhu Dasgupta 

Imdb link -> https://www.imdb.com/title/tt8907992

Lekin best time ka ek problem hai, woh jaldi gujar jaata hai..

Spoilers ahead..

Mira Kapoor (Parineeti Chopra), a recent divorcee on her daily commute watches a girl from train, Nusrat John (Aditi Rao Hydari) and gets obsessed with a little bit of jealousy wondering how can someone appear so happy with a loving partner/husband. Nusrat happens to live some kms away only from Shekhar Kapoor (Avinash Tiwary) ex-husband of Mira, who now lives with Anjali (Natasha Benton). Mira, an alcoholic and suffering from short term amnesia since suffering from a car accident gets very angry when one day she sees something unusual from train about Nusrat. The next day Nusrat is found missing, and question is whether Mira is related to it in anyway or there's more to the story then we know. 

I have not read the novel, but did see English version which had Emily Blunt in lead and I had totally enjoyed her act even though the movie was just decent. The Hindi version has been changed around quite a lot with a totally new climax, and to be honest all the changes felt silly and downgrades the movie lot more. 

For instance, the focus here goes totally on whodunit and it does succeed in that as its not always clear who would had killed Nusrat. But the screenplay is too loose to keep you engaged, which is why I felt it was a wrong choice, and should had stuck to character study of all 3 ladies, Mira, Nusrat and Anjali, how they are inter-connected and their relations with psychiatrist making you feel sorry for all 3 of them. I so much missed that awkward and chilling sequence at the end where Mira and Anjali would had felt trapped inside house after learning reality of Shekhar, rather we get a one on one scene of Mira and Shekhar with a flasbhack which was meh. 

If there was something to change then it should had been more screen-time for Shekhar's character but unfortunately that doesn't happen, infact it was easy to read Shekhar wasn't what he pretends to be but that could be because I already knew the story. 

What seriously irritated me most was the Bagga family angle involving the cop Dalbir Kaur Bagga (Kirti Kulhari), this addition to the story felt so bollywoodlike and hilarious to watch in ofcourse unintentional way. 

For me to enjoy this film from the point of view of director, it needed tight editing with no requirement of those final two forced songs into narrative and also I wasn't particularly satisfied with Parineeti's act specially in the drunk scenes. Aditi is very much wasted like Avinash, and Natasha Benton role is reduced entirely to ofcourse give more weightage to Kirti Kulhari's unwanted revenge angle. 

Its not a torture as many people have labelled it, a watchable movie for most parts, but if I have to prefer a version, I would pick English one, though most likely novel should be the best pick to go with looking at how flawed both film versions are. 

My Rating : 4.5/10 

Mini Review : Gulabo Sitabo (AmazonPrime) and Bulbbul (Netflix)

Gulabo Sitabo

Directed by : Shoojit Sircar

Imdb link -> https://www.imdb.com/title/tt10333912/

Aapka hamara nikaah hua tha, ki hum bhaage the aapke saath? 

Set in Lucknow, Mirza (Amitabh Bachchan), a 78 years old landlord is very obsessive about his old crumbling mansion known as 'Fatima Mahal' waiting to get the total ownership when his wife, Begum (Farrukh Jaffar) dies. Many tenants live there on rent that includes Baankey (Ayushmann Khurrana) along with his mother and three sisters. There's a constant banter going between Mirza and Baankey, which increases when Baankey accidentally breaks one of the washroom. A lawyer and archaeology gets involved very soon citing it to be a heritage property but having their own personal interests. 

The pace reminded of October, very slow but unlike that movie, I struggled to find a character to love. We see a guy on street doing puppet show based on 'Gulabo and Sitabo', they always fight and argue with each other and that's how the main characters Mirza and Baankey are. Even a reference scene is shown at one moment where Baankey's sister is watching 'Tom and Jerry' cartoon on TV. Mirza wants rent on time and planning to increase the rent, which is only 30rs per month right now (I am not sure what year Shoojit kept this film on) while Baankey is good at making excuses or lieing everytime he has to pay the rent The light-hearted moments between them keep coming, both been selfish in their own ways. It gets bit repetitive at times, that gold digging scene was un-necessary. When Brijendra Kala (lawyer) and Vijay Raaz (Archaeology) characters enter the narrative, it did give me feeling of maybe they are working together but the twist we get at the end was very unexpected. To be honest even though I liked the twist, it still feels not completely real. 

What I did enjoy was the dialogues, a thing about Shoojit films that was again so good due to Juhi Chaturvedi. Amitabh Bachchan is lovable, totally into his character, the way he walks bending over and those attacks he gets whenever someone would tell a big amount of money he may get either through rent or selling mansion was very funny. Srishti Shrivastava was very good as one of sister of Baankey. Ayushmann Khurrana was okay, again didn't appeal fully to me but atleast I didn't feel irritated by his character in here, and he gets some nice moments like the one where his girlfriend comes to buy 'Organic atta' right at end or when he asks Mirza to adopt him. The show stealer however was Farrukh Jaffar, that scene where she asks Mirza whether they got married or ran away and then asking who did she run away with then was hilarious. Its a pity she gets very less screen-time for the obvious reason you find out in the end. Liked that chair sequence in the end, how from 250rs it goes to a very high price.

An interesting take on the humans and their greed and desires whether they are young or old, a tighter screenplay would had helped though and also I ended up feeling for Mirza despite his greedy nature which I think makers weren't wanting so somewhere they failed in putting his character not look miserable. Still a likeable movie that has some fun moments, if you enjoy the slow pace and don't mind the twist then you would end up loving it, I didn't. Definately among my least enjoyed Shoojit movie.

My Rating : 5.5/10



Bulbbul

Directed by : Anvita Dutt

Imdb link -> https://www.imdb.com/title/tt12393526/

Thoda pagal hai.. par chup rehna. 

Spoilers ahead .. 

Its been 5 years as Satya (Avinash Tiwary) returns back to his village where only his elder sister-in-law, Bulbbul (Tripti Dimri) lives now. His brother Indranil (Rahul Bose) has abandoned her, and Indranil's twin brother, Mahendra died few years back with his wife Binodini (Paoli Dam) not living at the haveli either. There is a strong belief among the people living there that the deaths taking place in the village has something to do with chudail. Also, there's a doctor Sudip (Parambrata Chattopadhyay) who visits the haveli often to check up on Bulbbul.

The moment you see Bulbbul's grown up sequence where she is herself controlling the haveli, her conversation style is enough to reveal she is hiding some trauma. She is just going through the senses mostly with her own life but always eager to help others which is a key point for the plot. In one of the early scenes she clearly warns one of the guy to never hurt his 1st wife who just recently married another lady, and in the finale we do see the chudail kill him when he does hurt the 1st wife. We know for certain from start Bulbbul is the chudail, what we don't know if its literal or there's more to it which is told to us in phases through flashbacks.

The film never works on basis of thriller, and its not a horror either if you are looking for chudail scenes throughout, rather its how bad a horror life women goes through whether its the child marriage, patriarchy or domestic assault/violence/rape, with no freedom at all. Set in 1880's, pre independance era in the Bengal Presidency, a time when such things were a norm, even though some of it still prevails in our societies today.

There's one superb scene (some would had found it funny if the film released in theatre), where Binodini keeps telling Bulbbul 'chup rehna', her way of elaborating how women must always bow down to the men and its not bad as that way they get 'ijjat', and 'gehne'. Binodini and Bulbbul share many good scenes together, where both are in their own ways putting forward their opinions against each other. Its interesting to see such a relation when both have been suffering, but it was hard to emphasize with Binodini having seen how she acted as a catalyst leading to what Mahendra does. The assault scene was hard-hitting, and so was the act Mahendra does later.

I like how they use the horror freak mind of Bulbbul to advantage in taking the narrative towards feminist revenge. Oddly, at first watch I almost bought it that she was indeed chudail and its silly to show her get shot at end. But clearly, she was human always, with only thing to decipher, if she had got some powers that made her a Devi or it was a complete case of using fantasy to give justice to others. Love how they shot the night sequences involving the bullock-cart giving it a eerie feel. However the red color over-use got to me after a while!

Totally enjoyed Tripti Dimri performance, she played different aspects of the character so perfectly, be it the sarcastic or laughing tone she has on most of the time, the conversations with Badi bahu (or choti bahu as shown) Binodini,  the lovable attraction towards Satya, the feeling of she will lose him forever or the drastic change when she is hunting people who hurt women including her own revenge on the brothers. I couldn't really find a flaw in her acting, which I felt wasn't totally upto the mark in Laila Majnu. Rather its Avinash Tiwary, who stole the show in that film, felt very less appealing here mainly because his character never gets the detailing or more extra that it should had. He does chip in with a good performance still, but how I wish they had kept Mahendra's role out which was very un-necessary to the plot and added more to Satya-Bulbbul story. Rahul Bose was efficient in his both acts.

Parambrata Chattopadhyay is lovable yet again playing the 'good guy' role, all his scenes with Bulbbul are sweet and he's the only guy that doesn't turn grey. Love the conversation he has with Bulbbul on the balcony telling he knows his limits.

Kudos to Anushka Sharma who keeps bringing creative ideas in every new project, even though only NH10 and PaatalLok have been the best of them all. Bulbbul is very much on par with how Pari was for me, many problems including a weak final act, yet I can't dimiss it because there's a lot to like too. And I would love to see Tripti get more movies.

My Rating : 6/10

Series Analysis : The Sinner (Netflix)

You want everyone else to tell you everything, while you say nothing.

Creator : Derek Simonds

Directed by : 

Antonio Campos (5 episodes, 2017-2018)

Tucker Gates (3 episodes, 2017-2018)

Brad Anderson/Cherien Dabis/Jody Lee Lipes (2 episodes each, 2017-2018)

John David Coles (2 episodes, 2018)

Adam Bernstein/Andrew McCarthy (2 episodes each, 2020)

Colin Bucksey/Radium Cheung/Rachel Goldberg/Derek Simonds (1 episode each, 2020)

Imdb link -> https://www.imdb.com/title/tt6048596/

Spoilers ahead... 

Season 1 :

You know, when I first interviewed you at the station, the way you were blaming yourself. I realized... it felt familiar. Because I do that too.

Cora Tannetti (Jessica Biel) living a happy life with husband Mason Tannetti (Christopher Abbott) and son Laine Tannetti (Grayson Eddey) but there's something off about her and not long before she stabs an unknown guy Frankie Belmont (Eric Todd) seven times at the beach. While cops are willing to take safe approach that she is lieing and knows Frankie somehow which may be the motive to kill him. Detective Harry Ambrose (Bill Pullman) knows its not that straightforward as he begins searching for clues and hoping Cora will trust him and open up without any lies.

Starts slowly with the narrative almost taking full first episode to reach the Cora's beach incident, maybe because that's how the blurry memories of Cora would work better later on as I did like the story. She would often have the flashes of July 4, 2002 night and then the next 2 months when she won't remember anything which involves a mask guy. The past is here mixed together with the present time with main focus mainly on Cora, who has a father having affair mainly because her mother is all the time busy with her sister Phoebe (Nadia Alexander) who was born sick and every birthday is a victory for them. The chocolate scene of Cora was fun, as her relation with Phoebe gets stronger growing up which is shown in patches across season. We clearly can see she was made to believe by her mother that over praying solves every problems and she was deprived of the love with the strictness all the time, can almost call it mental abuse.

Coming to Frankie killing, I initially felt it would be related to Phoebe more like he must have done something bad. I did get the guess half right, and kudos to the writing and screenplay, the way they confuse you and take the story all around from J.D's (Jacob Pitts) love for Cora (or maybe using her), Mason's frustration not knowing what or with whom was his wife involved long ago, all the dollar bill wallpaper flashes, why the 'hugging and kissing' song triggers Cora and Harry himself trying to get his marriage working again with Fay Ambrose (Kathryn Erbe).

Harry uses little clues and unorthodox ways to find truth that mainly revolves on what happened that 4th july night which Cora can't remember due to the PTSD condition as told by the doctor. Its interesting though that the entire story Cora tells about that night to Harry turns out to be true at the end, but not exactly as told as she slowly gets her memories back with the test Harry makes doctor do on her.

If you are paying very close attention then its most likely you would identify very early at the scene where Frankie's father tells that Frankie was never present there on that 4th July night, you would have felt maybe he is the one always involved and this could be a cover up for his son. I sadly missed that point which maybe was for the engaging story that tried to mislead other ways because its never really known when Cora is speaking truth.

Many great scenes, like the one where Harry tries to trigger Cora with that song was very intense, or Harry asking Cora to show him how she takes the heroin drug, also both tests doctor has - one alone and other with Harry present trying to guide Cora very close to whatever happened that night, and when Cora says 'go to hell' to the state police cop Miss Farmer (Joanna Adler) - I so loved that. Phoebe's death scene is a tough one to watch, mainly because you know she will die soon and it happens right when she was having the most fun happy night of her life which incidentally was her birthday.

Harry gets very close personally, like a friend to Cora that helps her trust him. I specially enjoyed their conversation in the final episode in the car or the final scene before she leaves the prison.

Apart from the slow pace that at times bothered me, what really irritated me was that kinky dominant mistress angle played by the waitress with whom Harry was involved. Felt like a completely forced track when they could had just kept the focus more on case or rather show past of him and wife Fay. Then that state cop Miss Farmer from the very first scene gives vibes of 'oh no, she will go her own way and spoil work of Harry now' and exactly what happens, except for that last talk she has with Harry, only time when she made sense to me. But then most cops don't get personal and prefer quick completion of job, so can't really blame her in that sense.

Its an enjoyable season in terms of story, very good performances from Bill Pullman and Jessica Biel, and the mystery suspense throughout with a new twist coming at end of almost every episode, bit slow but worked for me.



Season 2 :

We all have a shadow, all the good and bad inside that we try to hide. We shine a light on that shadow. You encounter parts of yourself you never knew were there. Not for the faint of heart, but it's rewarding.. powerful. It teaches you how to trust yourself. 

Adam (Adam David Thompson) and Bess (Ellen Adair) are driving to Niagara Falls along with their son Julian (Elisha Henig). Some unknown circumstances lead to Julian killing them through tea poison when they were staying the night at a motel. It does seem to be a straightforward murder case that the 13 yr old Julian might be a psychopath or something but we keep learning lot more about him and the community he lived at called Mosewood Grove. 

First thing, that opening shot visual is so gorgeous, if that's the road leading to Niagara falls in real then anyone would love to go there. Like the 1st season, starts off slow but it does pick up pace quite soon and also its showing many sub-plots that are all interlinked making the interest stay in every episode. We learn who the real mother is by end of 1st episode, Julian keeps having a nightmare which we don't know is real or just dream and there's a lot of mystery surrounding what exactly happens at Mosewood Grove Community. The cop Heather Novack (Natalie Paul) and detective Harry Ambrose together investigate, both having their own past they are dealing with. Heather had a close friend, Marin Calhoun (Hannah Gross), with whom she was in love with as she disappeared and Ambrose as a kid dealt with a fire incident involving his mother. 

The whole season very successfully keeps you guessing about what has happened in past and where exactly we are heading. I totally enjoyed conversations of Ambrose with Julian, where he tries to comfort him (very much like he was with Cora in last season) as he himself has gone through bad times in childhood but staying focussed on the case. Heather's character does opposite, so often she would act out of emotions and take wrong decisions. 

The whole ritual thing I felt was slightly underplayed, we do get few scenes totally played out but I would had liked it more specially the sessions that Vera Walker (Carrie Coon), the leader of Mosewood Grove, did after she had changed the community for good. I didn't understand why Lionel Jeffries (Brennan Brown) left though, he clearly looked strong and dominant over others so was hard to gulp that down. Those were only minor issues I had in what was otherwise a very enjoyable season with lovely twists. 

I felt bad for Marin, she keeps going through a lot and then that thing they reveal about her relation with Julian and who the father was, or that accidental death just when it seemed she may have some decent life ahead. I did have doubts on Heather's father right from the scene when Ambrose is told to leave the case and has a heated arguement with him at home. 

Performances wise, without a doubt Bill Pullman is fabulous yet again. So is Carrie Coon whose character goes through many changes mostly to confuse us. Elisha Henig and Hannah Gross chip in with good supporting acts.

Very engaging season, more than the 1st one for me (slight nitpicking, 7th episode was tad too slow, but I take it since we had to get major flashback of a particular character). And I liked that they ended on the beautiful shot of Niagara Falls, that we didn't get in 1st episode due to the murder.

Season 3 :

Move on? Why does everyone say that? I am sorry, it's just, um.. its like the only thing that matters is getting over things as fast as you can. I mean, death isn't going away. If anything, its getting closer. 

A car accident happens on the private property of Sonya Barzel (Jessica Hecht). Detective Harry Ambrose reaches the scene as he learns the driving guy Nick Haas (Chris Messina) died while the passenger who called 911, Jamie Burns (Matt Bomer) survived the crash. What looks like a routine car accident turns into Jamie letting Nick die and then we learn lot more about how Jamie's mind is running wild and mad due to reasons unknown to Harry who is about to dig in deep as always. We are again not told the past life of the main protaganist, a pattern this series has followed to keep it getting revealed slowly by slowly through episodes. 

The first shot is of Jamie Burns, a high school history teacher who seems to be lost in his thoughts while in washroom. The main story picks up when Nick comes around Jamie's house one night for uninvited dinner together. The awkwardness tells Jamie has some past with him, initial thoughts are its a gay relationship but we learn they were good buddies who shared same ideology about life and loved playing games where they could face death with open eyes and come out alive. Its a good concept but where I had major issues was Jamie's character who would often do is think of a bad thought or commit crimes and then he would say I wanna get better and when anyone offers help in form of confession he would always deny it going on to do more wrong things. I somewhat remembered Bates Motel where Norman would be doing similar things, with ofcourse two differences, he would black out always and he was more of a psychopath whereas Jamie looks more of in between a psychopath and sociopath. Now I always cared about Norman because it felt he was wanting not to become evil but he will always landup  in situations where he would make wrong choices. But here Jamie does opposite, he wants to get into situations where Nick who is always in his head would make him do things he would regret or atleast feel so. That made me not really feel sympathy for Jamie character like say Harry or Sonya does who both wanna help him out. 

Unlike other seasons, this isn't about getting Jamie free from his crimes but to make him confess and stop him from causing more trouble to people as his condition keeps deteriorating. We are only told through a conversation between Nick and Jamie, that the reason why Jamie called Nick after almost 15 or so years, is that he felt his life had nothing meaningful going which his wife Leela Burns (Parisa Fitz-Henley) never experiences him going through.

Harry's plot this time deals with his dad, a parcel box carrying belongings of his that he is scared to open and see. Also, his few interactions with Eli and Melanie, or the growing closeness with Sonya, but again they kept it mainly on Jamie-Harry bonding. I personally didn't feel any dip in the performance of Bill Pullman, but it was more fun watching him find truth of the person to get them free or reduce their sentence, rather watch him get Jamie's confession to put him behind bars. And I specially disliked the episode where he is keeping a check on Jamie by joining two parties with him, felt kind of silly thing to do from a detective even by his own standards.

Some scenes I enjoyed a lot that had darkish tone to it, like the scary one when he's holding his child and Nick's ghost (just in his head) appears, there's an instant fear he might kill the child, and they even show that bone crunching by Nick thankfully not too directly. Then later the doctor questioning Jamie scene where he even mentions this 'that every guy must have thought what if the baby slips off hands', or his thoughts on 'why we live like we do when we know death is around corner'. Matt Bomer delivers a pretty good performance leaving asides the writing problems I had with his character.

Sonya is another character that does insane things, many times tries to study Jamie and always on brink of killing herself. I actually at one point felt maybe she would be new Nick for Jamie, but Jamie rather preferred Harry to be that.  Enjoyed that chilling grave dug sequence, though the outcome was known to us, the series needs Harry so he won't die in there. Keen to see what they do with Vic Soto's (Eddie Martinez) character, for a change was a good smart partner Harry got even though he again had problems in working together.

All the crazy things Nick and Jamie try make for a good and tense watch, be it the jumping into the invisible lake, fast driving on highway by Jamie with a old student, standing on the roof of a building close to jumping down while singing their 'prickly 5 in the morning' or Jamie almost killing off unknown older guy in hospital. And the obsession for a particular song for the season continues as Nick and Jamie love playing the song 'Come To Me Now' (by Kevin Morby).

There's a lovely silent scene between Jamie and Leela in the last episode, just before he goes in to meet Harry, more like him knowing his coming fate and so does she. I am not totally sure if Harry killing Jamie was the only solution.. surely Jamie felt uncurable but maybe locked in some physic ward or prison would be better choice. Or maybe that shows the relationship Harry had feeling Jamie would feel tortured in there and only death will give him the peace, interestingly in his final moments Jamie was scared of death which he kept testing otherwise with Nick and the theories he had built in his mind.

Not a season I would call unwatchable, but I definately prefer the earlier two seasons over it easily. Its still a season that gives a lot to think with all the philosophies, certainly had the potential to be as good as the last two.

The entire series for me has been good, not a perfect detective show with flaws in every season but time spent well is the way I would put it. Keen to see what new case Harry gets in the 4th season.

My Rating : 7/10