Friday, January 2, 2015

Recap 2014 : Top 100 Songs

The moment I heard Mohammad Irfan sing ‘Banjaara’, I knew it would be hard for any other song to over-take it, ‘Aao Naa’ did came pretty close though.

At end of 2013, I said it would be interesting to see whether Arijit prefers quality or quantity, he went with quantity as we could see his song in every new album that released. The ratio of outstanding songs thereby was less, but there were songs that made to my top25 list, like ‘Khul Kabhi’ from Haider or ‘Samjhawan’ from Humpty Sharma ki Dulhania.

In male singers,  unlike last two years, there wasn’t really anyone who single handedly dominated the year, almost everyone had their fair of success. It was superb to hear Shaan with his ‘Chaar Kadam’ and Sonu Nigam with ‘Bhagwan hai kahan re tu’ as well as ‘Love is a waste of time’ from PK.

Benny Dayal had a good year too, ‘Shake it like shammi’ and ‘Hum na rahein hum’ features in top25. Ash King impresses in ‘Meherbaan’, and so does Ankit in ‘Galliyan’. Among all this, Rahman quietly gave one of best song of the year, ‘Maahi Ve’, as peaceful track as Rehna Tu of Delhi6. Special mention to Bashir Lone, Bashir Bhawani, Muzamil Bhawani and Mayukh Sarkar for ‘So Jao’ track from Haider, very haunting with that digging grave sound.

It was a year of actresses attempting to playback, from Shraddha Kapoor to Alia Bhatt to Priyanka Chopra, and expect it to happen much more now. Shraddha nailed it completely with ‘Teri Galliyan’, even Alia’s version of ‘Samjhawan’ was worth a listen.

Sunidhi and Shreya don’t even have a single song in my top25, unless you consider Samjhawan as Shreya song, which I don’t.

Shilpa rao with ‘Meherbaan’ & ‘Darbadar', Nooran sisters debut (don’t know if they sang before) in ‘Patakha guddi’, Kanika kapoor in ‘Baby doll’, Jasleen Kaur in ‘Preet’ and Nandini Srikar in ‘Harjaiyaan’ were some of the worthy performers. Special mention to Jonita Gandhi for her track ‘Kahaan hoon main’ and Shefali Alvares in ‘O Gujariya’

PK dance theme, Implosive silence from ‘Highway’ and Samrat’s theme (which was only good thing in the movie) were the instrumental tracks worth listening.



Here’s my list of Top100 songs, mostly on basis of my connect with them and not how creative they were.


 TOP 25 SONGS : 



1. Banjaara - ek villain



The song talks about ‘hope’ a guy finds in a new person he meets, and how he feels like changing himself and start a fresh life. This was a easy choice for me, loved the song the day its video promo arrived. Mithoon’s composition (plus lyrics written by him only) and Mohammad Irfan’s brilliant vocals makes this romantic track impossible not to love. It adds to the long list of songs that I love listening in peaceful atmosphere. Love the soft start to the track and minimal use of instruments until the prelude ends.
haan kisi shayar ki ghazal, jo de rooh ko sukoon ke pal… koi mujhko yun mila hai jaise banjaare ko ghar.


2. Aao naa - haider



Its a insane song as it asks you to take that eternal sleep, and there’s no better composer than Vishal Bharadwaj (apart from Rahman) when it comes to insane tracks, remember Ibn batuta or O mama or the famous Dhan te nan. I won’t deny it, there were some occasions when I felt this could be my no.1 song of year, a very addictive track that got attention with its terrific use in the theatrical trailer. Vishal Dadlani’s rendition and Gulzar’s super lyrics make this track to remember. How cool it would be to dig a grave, lie down on it and listen this track, sounds mad but would love to do it.
na shaam na savera, andhera hi andhera.. hai rooho ka basera, so jao. 


3. Maahi ve - highway



I would call this song a lighter version of ‘Rehna Tu’, both talks of a person having a longing for his/her lover, and both are sung by Rahman himself. Also both songs can be heard by relating it to spirituality (which of course I don’t do). As much as I love Rahman as a composer (ignoring his last few works since Rockstar), I have loved him as singer in very few songs, Maahi Ve is one of those. Irshad Kamil probably has written his best songs for Rahman, this one is another proof of that.
yeh jeena bhi, na jeena bhi.. hai dono ka tumse hi vaasta. 


4. Teri galliyan (female) - ek villain



Someone you love, whose memories you wanna live with, that is the feeling this song provides. Ankit Tiwari composition and lyrics by Manoj Muntashir, its Shraddha Kapoor’s haunting voice that attracts the most in this song including the terrific alaap she makes after end of mukhra. Also its nice to listen Ankit sing in a low pitch for a change in the last antara.
teri galliyan galliyan teri galliyan, mujhko bhaave galliyan teri galliyaan… teri galliyan galliyan teri galliyan, yunhi tadpaave galliyan teri galliyan. 


5. Bismil - haider




Telling a story about someone’s murder through a song has been done successfully in past, ‘Dastaan' from Om shanti om or the much famous 'Ek haseena thi' from Karz. Sukhwinder Singh completely nails it in Bismil, plus the kashmiri flavor Vishal brings into the track is commendable. Listening this song with visuals gives goosebumps, everything falls in perfect sync. Special mention to the heavy words used by Gulzar and how effectively he adds the murder lyrics at last with ‘jhelum, jhelum, laal laal hua, laal laal hua laal'.
mushkil-e-dil bhi mushkil hoti hai, dil dhadke dil dil dhadke toh, dhadkan-e-dil bhi harqat-e-dil hoti hai.


6. Awari - ek villain



The song has 2 parallel stories running, one is about a prostitute and her struggles dealing with the way the world sees or wants her, while the other one is about a broken boy who doesn’t feel good about the recent incidents happened with him and his gf/wife. Composed and sung by Soch band (Adnan Dhool and Momina Mustehsan), their original version released in 2012 but personally I find this movie one much better. The sadness is well reflected in the track, specially love the male part in the song.
teri baahon mein jo sukoon tha mila, maine dhoondha bahut tha, phir na mila. 


7. Khul kabhi toh - haider



First of Arijit best songs last year. He looks in complete form in this one, some people may argue that Vishal Bharadwaj himself should had sung it but I feel Arijit made this one much more romantic, and love that harkat he does with that 'hmmmmmm hmmmmm' humming which Vishal so much liked during recording that he kept it into the song. And Gulzar once again does such a superb job in lyrics, specially the way he relates ‘jhuk ke jab jhumka’ and ‘gulmohar jhoom raha tha’ to jealousy.
tu hi tu hai… main kahin nahi. 


8. Samjhawan - humpty sharma ki dulhania



Let me write something to surprise you (or Rahat ali fans), I prefer Arijit version of Samjhawan anyday! The moment I heard him sing ‘main tenu samjhawan ki’ words, I knew this song will work for me. Only disappointment was Shreya Ghoshal final part that spoils the song just like she did in ‘Kaise mujhe’ of Ghajini, wish they kept it just a male version. Kudos to Sharib-Toshi who have recreated the song so wonderfully.
main tenu samjhawan ki, na tere bina lagda jee.. tu ki jaane pyar mera, main karu intezar tera. 


9. Preet - khoobsurat



What a debut song by Jasleen Kaur Royal, I am sure we will get to listen more of her songs in next few years. And after quite a while, Sneha Khanwalkar comes up with a composition to admire, oh how much I missed her songs in 2013! The song talks about a person lost in love thinking if she would had been better not falling in love if she knew it would give pain, the theme isn’t really new but the lyrics by Amitabh Verma gives it a fresh feel.
nain bane banjaare, phirte maare-maare… har pal teri baat nihaare, pal-pal bhar-bhar aaye. 


10. Harjaiyaan - queen



I have been fond of Nandini Srikar ever since that splendid ‘Dua’ track from Shanghai, and then ‘Bhare naina’ from Ra.one. Now she comes up with Harjaiyaan which I totally loved, a song that again talks of same theme like ‘Preet’ i.e a girl lost in love and feeling totally down with lyrics by Anvita Dutt. Good thing about Amit Trivedi is that he usually makes the sad looking tracks look real and not melodramatic.
chunti rahun main yeh lamhe gir kyun hai jaate, kyun bunti main rahun kismat ke dhaage.. jo khud hi main chunoon.


11. Patakha guddi (male) - highway



After Saadda Haq, another song from Rahman that says ‘give a damn to the world’, though this one is much lighter version as its more about a girl seeking freedom. The only reason why I have kept Rahman’s version of song ahead of Nooran sisters is the outstanding rock part that is present in this version. Those beats right after the wordings ‘jaaye bhaad mein duniyadaari woh toh chali chali chali ali o’ are Rahman special. Another Rahman-Irshad combo that hits the right notes.
tu de har gaali pe taali, uski kadam kadam rakhwaali.. ainvayi lok-laaj ki soch soch ke, kyun hai aafat daali. 


12. Shake it like shammi - hasee toh phasee



This should be first major surprise in the list for many. Why I love it? Benny Dayal is the answer! Last year he did it with the full on energy track ‘Batmeez dil’, and now with Shake it like Shammi he repeats the formula of successful dance numbers. ‘Beat baje toh everybody, I gotta shake it like shammi’ words actually make me wanna dance onto the popular steps of Shammi Kapoor. Vishal-Shekhar’s composition and peppy lyrics written by Amitabh Bhattacharya, easily a song that will remain on my playlist for many years.
laakh main rokun, ho maane na kamariya nikammi.. beat baje toh, everybodyy.. gotta shake it like shammi.


13. Hungama - queen



Originally composed by Laxmikant Pyarelal and lyrics written by Varma Malik. This re-created track by Amit Trivedi keeps Asha Bhosle voice intact and adds Arijit Singh for small part whose lyrics is written by Anvita Dutt. Amit has done exceptionally well to first off keep the main feel of original as it is and then add his own touch so well. The angst part of Arijit is something to drool on.
dekho na logo ne botalon ki botalein khatam kardi toh kuch na hua, magar, magar.. maine hothon se lagayi toh, hungama ho gaya. 


14. Patakha guddi (female) - highway



Jyoti Nooran and Sultana Nooran have arrived to music industry, and if its anything like this track then they will stay for long. Rahman beautifully composes the track, making Nooran sisters sing together at most places and still making the song not lose any impact. I think there was a song some years back where this attempt of making two singers sing together in sync failed badly, but not the case with this song. And I just loveeee the part ‘maine toh tere tere utte chhadiyaan doriyan’.
rasta naap rahi marjaani, patthi baarish da hai paani.. jab nazdeek jahan de aani, jugni maili si ho jaani.


15. Yaar na miley - kick



Surprise no.2 in my list. Just a song that I couldn’t stop listening again and again. Jasmine Sandlas has a heavy voice that fits this item song and even Nargis on-screen. Yo Yo Honey Singh who has composed this track has his rap going as usual in the track, but its his low pitch (atleast in comparison to his songs) in last antara that catches my attention and also is my fav part of track. If songs can be called entertaining, then this certainly is one of them for me.
mohabbat bhi karke dekhi, kya paaya woh kaise bataayun… dil ka aisa aalam tha ke, dard-e-dil kisko sunaayu, haan main hoon tera gunahgaar, mat dohrana tum abki baar.


16. Meherbaan - bang bang



Finally a Shilpa Rao track! Its a duet with Ash King in a very lovely romantic composition from Vishal-Shekhar. Anvita Dutta and Kumaar have written the lyrics, Anvita specially has written some great songs last year. The film maybe forgettable, but not this track.
rab ne banaya sabko, par kaun bataye rab ko.. mar ke tumpe hum saans lete hai. 


17. Galliyan - ek villain



I am not really fan of Ankit Tiwari’s voice, but this composition by him is indeed really good even with his typical loud pitch singing and those long alaaps. The catch line ‘teri galliyan galliyan teri galliyan, mujhko bhaave galliyan teri galliyan’ is superbly written by Manoj Muntashir, wish 1st antara was better written too which is the weak part of this song. The song works for its romantic feel, though I would anyday prefer the female version of it.
kaisa hai rishta tera-mera, be-chehra phir bhi kitna gehra… yeh lamhe, lamhe yeh resham se, kho jaaye, kho na jaaye humse.


18. Hum naa rahein hum - creature



Another surprise. Again, its Benny Dayal who makes me love this song despite a routine romantic composition by Mithoon. Benny beautifully sings the track that shows a guy who has fallen in love for first time and wants to do anything for his love. Die hard romantics specially would have loved this song as much as I did.
chahe jitni mulaqaatein ho, mujhe kam hi lage.. tere saath guzaaru har din, par dil na bhare.


19. Baatein yeh kabhi na (male) - khamoshiyan



Another romantic track, this one is more on the emotional level. Sayeed Quadri has written some quality songs in past for Vishesh films, its a surprise that I haven’t seen him writing more songs in last 2-3 years. Jeet Ganguli’s composition and very well rendered by Arijit Singh, I totally love the 1st antara.
tu saath hai toh zindagi, tu jo kabhi door rahe… yeh humse ho jaaye ajnabi. 


20. Aaj phir - hate story 2



The 80’s classic song originally composed by Laxmikant Pyarelal and sung by Pankaj Uddas, Anuraddha Paudwal is very well recreated by Arko Mukherjee. Arijit Singh and Samira Koppikar sing this new version with lyrics by Aziz Qaisi and Arko. Specially like how Samira holds her own in this track despite presence of Arijit, also the sensuous feel is more in this new version.
aaj phir tumpe pyaar aaya hai.. behad aur beshumar aaya hai. 


21. Baby doll - ragini mms 2




This song too qualifies as a entertainer, Kanika Kapoor’s rendition and composition from Meet Bros & Anjjan. Lyrics by Kumaar are pretty much ordinary except the main line ‘yeh duniya, yeh duniya pittal di’. Pretty good song to listen when in a happy mood or wanna drift away from emotional numbers.
Ae takdiyaan rehndiyaan ankhaan… main ki dassaan apni ve, ae chan karda hai tareefa.


22. Harry is not bharmchari - shaadi ke side effects



Fun dance number by Pritam, rendition done by Jaazy B, Divya Kumar and Ishq Bector, lyrics from Amitabh Bhattacharya. Only complaint is why the song had only 1 antara, should had been longer.
kamre mein kudiyon ka poster taange, sharmo haya ka har border laange. 


23. Bhagwan hai kahan re tu - pk



Sonu Nigam, he is so brilliant in this track that I just had to keep the song in top25 even though its a religious track (I aint religious at all). If you have seen the movie, then you may connect much more to the song.. brings a lump in the throat. Lovely composition by Shantanu Moitra and terrific lyrics by Swanand Kirkire where a guy from different planet is asking which God he should worship and where can he find him. And I am surprised all award shows preferred Ankit or Arijit as best singer of year, not for me, its Sonu by a big margin!
jo bhi rasmein hai woh saari main nibhaata hoon.. inn karadon ki tarah main sar jhukata hoon.


24. Kill dil - kill dil



Remember ‘Dil Haara’ song from Tashan? That had a very catchy tune but the song was mediocre. Same is the case here, a highly catchy part ‘ka ka ka ka kill kill, da da da dil dil’, sung very well by two veterans Sonu Nigam and Shankar Mahadevan. And there was Gulzar’s shayari lines to begin the song with, yet it fails because the song in totality doesn’t click. The insane feeling is there and about but never comes around completely. S-E-L had a chance to do something on lines of ‘dhan te nan’ but they just couldn’t do it. Still, a track worth listening for that high energy part.
Jee bhar ke, jee mar le, aaj hai, aaj hai, aaj hai, aaj hai.. kal kuch nahi. 


25. Ishq bulaava - hasee toh phasee



Beautiful romantic number by Vishal-Shekhar, sung by Sanam Puri and Shipra Goyal with lyrics penned by Kumaar. Like the punjabi flavor in the song ‘main ta kol tere rehna’ and also the alaap ‘re ra re ra’ used in many parts of song.
paagal main khud nu banaunda ravaan, tu hansdi rave, main hasaunda ravaan… tenu takdaan ravaan.





26 TO 100 SONGS  --------



26. Kahaan hoon main - highway
27. Chaar kadam - pk 
28. Kya khoya - khamoshiyan
29. Palat - main tera hero
30. So jao - haider
31. Muskuraane (arijit) - citylights
32. Zaroorat - ek villain
33. Locha e ulfat - two states
34. Saturday saturday - humpty sharma ki dulhania 
35. Love is a waste of time - pk
36. Baawra - kill dil
37. Kinare - queen
38. Tu har lamha - khamoshiyan 
39. Tu hi tu (female) - kick
40. Drama queen - hasee toh phasee
41. O gujariya - queen
42. Fanny re - finding fanny
43. Chaandaniya - two states
44. Ek aur bismil - haider
45. Satakli - happy new year
46. Suno na sangemarmar - youngistaan
47. Galat baat hai - main tera hero 
48. Darbadar - citylights
49. Jhelum - haider
50. Khamoshiyan - khamoshiyan




51. Muskuraane (irfan) - citylights
52. Mardaani anthem - mardaani
53. Wanna mash up - highway
54. Mileya mileya - happy ending
55. Sajde - kill dil
56. Sharabi - happy new year
57. G phaad ke - happy ending
58. Ek charraiya - citylights
59. Jaise mera tu - happy ending
60. Party with the bhoothnath - bhoothnath returns
61. Tauba main vyaah - shaadi ke side effects
62. Mehboob ki - creature
63. Khamoshiyan (unplugged) - khamoshiyan
64. Hai dil yeh mera - hate story 2
65. Khamakhaan - bewakoofiyaan
66. Tune maari entriyaan - gunday
67. Jumme ki raat - kick
68. London thumakda - queen
69. Haseena tu kameena main - happy ending
70. Subhan allah - khamoshiyan
71. Zehnaseeb - hasee toh phasee
72. Offo - two states
73. Besharmi ki height - main tera hero
74. Hangover - kick 
75. Humdard - ek villain 




76. Taake jhanke - queen
77. Awaara - alone
78. Uff - bang bang
79. Naina - khoobsurat
80. Lovely - happy new year
81. Tu hi tu (male) - kick
82. Indiawaale - happy new year
83. Sweeta - kill dil 
84. Manchala - hasee toh phasee
85. Tabah - heropanti
86. Maa ka phone - khoobsurat
87. Dil aaj kal - purani jeans
88. Ziddi dil - mary kom
89. Tere hoke rahenge (male) - raja natwarlal 
90. Soney do - citylights
91. Abhi toh party shuru huyi hai - khoobsurat
92. Allahda - lekar hum deewana dil 
93. Tu hi hai aashiqui - dishkiyaoon
94. Daawat e ishq - daawat e ishq
95. Party toh banti hai - bhoothnath returns
96. Shukr tera - samrat & co
97. Khalifa - lekar hum deewana dil
98. Tere hoke rahenge (female) - raja natwarlal
99. Mannat - daawat e ishq
100. Paaji tussi such a pussycat - happy ending 



---------

Recap 2014 : Best Albums

Just like the movies, even the music was disappointing last year. Only 'Ek Villain' and ‘Haider' were the albums that I loved to the core. Vishal Bharadwaj is back to the form he was in during 7 Khoon Maaf tracks, while Mithoon yet again gives me song of the year composition. Unlike last year, Amit Trivedi features only once in my list, which is a very quality album ‘Queen’.

A.R Rahman again had okish year, ‘Highway' does make to my top5 but I expect his albums to be in top2, and then he also did a very poor ‘Lekar Hum Deewana Dil’ whose songs I don’t dare to listen again now.

As I had said last time that Vishal-Shekhar will bounce back, and so they did with excellent music in 'Hasee Toh Phasee’, even Bang Bang and Happy New Year had some decent songs.  While Himesh Reshammiya in his own film ‘The Xpose’ gave forgettable music, his work in ‘Kick’ definitely reminded of his good old days, still not at his best.

Sachin Jigar disappointed me, expected a lot after 'Go Goa Gone', their music in Humpty Sharma ki Dulhania and Happy Ending appeared creative but nothing worth listening on repeat mode.


Here’s my list of Top10 Albums of 2014 :

                                                                                                              1. Ek Villain

Mithoon along with 2 other composers takes the 1st position this year, last time his Aashiqui2 was on 2nd place in my list. Complete album with exception of Hamdard (which I don’t dislike but not fond of listening) is a gem, mainly in terms of the romantic and emotional feel the compositions provide. Creatively, you may argue that its just another routine album but thats never the only yardstick to measure a album for me! Mohammad Irfan’s ‘Banjaara’ is simply magical, specially if you listen it in peaceful place or at late night/early morning, and yea its my song of the year too. Ankit Tiwari’s ‘Galliyan’ composition is lovely, but its Shraddha’s haunting version of it that gets my special attention. Soch band comes up with ‘Awari’ that is very appealing, and I prefer this version over their private album one. Mustafa Zahid’s ‘Zaroorat’ is good but not as much as his past hits.
Favs : Banjaara, Galliyan (female version), Awari


                        2. Haider

I have been fond of Vishal Bharadwaj music, almost waiting for his albums like I do with Amit Trivedi or A R Rahman. With Haider, Vishal gives me that album which I can fully love after quite a long gap. The moment you saw Haider trailer with ‘Aao Naa’ song, the expectations increased and how well he lived upto them. And not to forget, Gulzar is the lyricist. Vishal Dadlani does a compelling work at Aao Naa, and the composition is madly addictive. Even its other version ‘So Jao’ creates a haunting atmosphere especially in the movie with that sound of ‘digging grave'. Sukhwinder Singh gives another song to remember for lifetime ‘Bismil’, its choreography in movie takes the song to further leaps. Its other version ‘Ek Aur Bismil’, different kind of remix with pacy tunes but different lyrics, is very likeable specially the part ‘al vil, al vil, alvida.. dil vil, dil vil ki adaa' Arijit Singh who has been over-used throughout the year, gets a very romantic ‘Khul Kabhi’ track bang on.  Vishal Bhardwaj gets himself  singing ‘Jhelum’ that describes the state of Kashmir at a particular point of movie efficiently, as just a audio song, it does offer less though. Suresh Wadkar voice is lovable in ‘Do Jahaan’, but the composition as a whole with Shradda Kapoor voice in kashmiri lyrics fails to deliver. Other two tracks, 'Gulon mein rang bhare' and 'Aaj Ke Naam' were avoidable for me.
Favs : Aao Naa, Bismil, Khul Kabhi


                                                                                                                3. Queen

A typical album by Amit Trivedi whose every song appeals with movie, specially Ranjha, Jugni, Badra Bahaar and Taake Jhanke who despite been good songs I prefer listening with movie only. Shefali and Nikhil shine in a very peppy composition ‘O Gujariya’. Nandini Srikar is once again terrific in a sad number ‘Harjaiyaan', one of under-rated singers at present, remember Dua from Shanghai or Bhare naina from Ra.One. While Mohan Kanan gives me another track to admire after his Barbaadi from Aurangzeb last year. His song ‘Kinare’ reminds of Dev.D’s Ek Hulchul Si, both inspiring songs making us believe that life is all about moving on from the bad incidents.  Sonu Kakkad, Labh Janjua and Neha Kakkad comes up with a punjabi song that is gonna be heard at marriages for a lifetime, ‘London Thumukda’ has lyrics you wanna dance on, specially the re-worked ‘latte di chaadar’ lines. But, the song I totally loved was ‘Hungama’, a old classic of Asha Bhosle where her voice was kept intact but the composition was brilliantly changed by Trivedi with addition of extra lines from Arijit that provide a certain angst to the song.
Favs : Hungama, Harjaiyaan, O Gujariya


                          4. Highway

A R Rahman after Rockstar, finally has a album whose songs are addictive. Nooran sisters compliment each other so beautifully in ‘Patakha Guddi’ while Rahman gives rock beats to its male version which he sings himself. Its really hard to choose fav among both tracks at times for me. ‘Maahi Ve’, a soft  number very well sung by Rahman, has that romantic as well as spiritual feel, depending on how you wanna listen it. ‘Kahaan Hoon Main’, a slow track sung beautifully by Jonita Gandhi where you question your own life, particular love the lyrics in this song. Jonita has another track ‘Implosive Silence’, a plain background number with no lyrics, works with movie mainly. Sunidhi does well in ‘Tu Kuja’, yet this religious track failed to impress me like past such Rahman tracks have done. ‘Wanna Mash Up’ is that typical Rahman song in album where he experiments heavily, its a song with dose of flirt and seduction in it, not special but still  a track that you don’t mind listening to. ‘Heera’ and ‘Sooha Saaha’ were only songs that I totally disliked.
Favs : Patakha Guddi (both versions), Maahi Ve, Kahaan Hoon Main


                                                                                                        5. Hasee Toh Phasee

Vishal-Shekhar are back with a very good album. They take the stage in ‘Drama Queen’, giving it that club/party feel, the song works for its composition and lyrics, wish female singer was Shilpa Rao though. ‘Ishq Bulaava’, is a very lovely romantic track whose lyrics have punjabi flavor,  and sung by Sanam Puri and Shipra Goyal. ‘Shake it like Shammi’ is my most fav track from album, it has amazing beats and lyrics that makes you wanna dance, Benny Dayal is one hell of a singer when it comes to songs full of energy! Despite super rendition by Shafqat Amanat Ali, ‘Manchala’ has that heard before feel in it right throughout. ‘Zehnaseeb’ is worth listening for Chinmayi rendition, though as a whole the song is just passable. ‘Punjabi Wedding Song’ is very much forgettable track of Sunidhi.
Favs : Shake it like shammi, Ishq Bulaava, Drama Queen


                           6. Kick

When you listen ‘Tu hi Tu’ track, you feel Himesh Reshammiya as a talented composer is still there, not totally gone yet. Though I like both versions, I prefer Neeti Mohan’s one much more. Despite Salman’s non-singing abilities, ‘Hangover’ is a decent listen too though a routine singer would had been much better! ‘Hai Yehi Zindagi’ sung by Mohammad Irfan works with movie only. The two dance numbers ‘Jumme ki raat’ and ‘Yaar na miley’ are fantastic, specially the latter which has Jasmine Sandlas in quite a heavy voice fitting the song, plus I love the last antara sung by Honey Singh which is very unusual from his routine rap stuffs. Special mention to Jumme ki raat signature tune, its very catchy.
Favs : Yaar na miley, Tu hi tu, Jumme ki raat


                                                                                                        7. Khamoshiyan

Bhatt camp and multiple composers seems to be becoming a routine now. Jeet Ganguly gives ‘Khamoshiyan’ title track, sung by Arijit which is addictive despite average lyrics, ‘Baatein yeh kabhi na’ again sung by Arijit works both as composition and lyrics and easily is best track of album though its female version fails terribly. Bobby has composed ‘Tu har lamha’, guess what, sung by Arijit again, if you ignore first 2-3 lines of song that I found very ordinary, the rest song is worth a listen specially the part ‘tu har lamha tha mujhse juda’, ‘Subhan Allah’ is more of a reprise version of tu har lamha, and is sung by Anupam Amod whose voice I like quite a lot, has the same feel, but unfortunately they changed best part of lyrics to subhan allah here, which I didnt like. ‘Kya khoya’ sung and composed by  Naved Jafar, has superb lyrics, more of motivational in a different way and is brilliantly sung too. Ankit Tiwari for a change fails, as his composition ‘Bheegh loon’, sung by him only,  has nothing in it except for a catchy starting tune to the track. Its female version by Prakriti Kakar is very much forgettable too.
Favs : Baatein yeh kabhi na, Kya khoya, Tu har lamha


                          8. PK

Raju Hirani-Shantanu Moitra team up after 3 Idiots, and give us a very good album, not magical though like the last time around. Its such a pleasure to listen to Shaan voice after a long time in ‘Chaar kadam’, would had liked it solo track, Shreya has habit of destroying many songs. ‘Love is a waste of time’ has Sonu and Shreya together, a fun track that is very enjoyable, like the bhojpuri touch Sonu gives it. And Sonu takes it to a complete emotional level in ‘Bhagwan hai kahan re tu’, he should definitely sing much more. Special mention to the pleasant PK theme instrumental. ‘Tharki Chokro’ looks nice with film only, and ‘Nanga Punga Dost’ might appeal to die-hard shreya fanatics, I found it boring. ‘Dil Darbadar’ looks completely odd track in the album, sung by Ankit Tiwari, makes you feel that suddenly you started listening some Bhatt camp movie track.
Favs : Chaar kadam, Bhagwan hai kahan re tu, Love is a waste of time


                                                                                                           9. Citylights

Jeet Ganguly gets a solo album, and he does come up with some very good songs. ‘Muskuraane’ by Arijit has a very good romantic feel, though I like it most for its lyrics. Its unplugged version by Mohammad Irfan is pretty good too. ‘Soney do’ by Arijit is another track where lyrics gets extra attention, infact Rashmi Singh has written awesome lyrics for entire album. ‘Ek Charraiya’, if you see the film, almost describes the entire movie perfectly, though I found it too slow to listen as audio alone. ‘Darbadar’ beautifully rendered by Neeti Mohan tells the struggling tale of a guy, the music used compliments the composition very well. Sad to see Usha Uthup wasted in the title track of Citylights, only bad composition of album.
Favs : Muskuraane, Darbadar, Soney do


                                10. Two States

I didn’t like Shankar Ehsan Loy work in this album much in terms of worth remembering songs like he did with Bhaag Milkha Bhaag. The best track ‘Locha e ulfat’ sung by terrific Benny Dayal has some cool lyrics ‘ban ke musibat peeche padi hai, yeh comedy hai ya tragedy hai’, the music at times did remind me of Dil Chahta Hai’s woh ladki hai kahaan. ‘Offo’ by Aditi is used in narration very well, but the song doesnt work for me. ‘Mast Magan’ and ‘Iski Uski’ are also songs that I prefer to ignore. ‘Hulla Re’ gets the happy occasion feel spot on along with the punjabi flavor and tamil lyrics (I guess?), but not a song that would get your repeat button busy. ‘Chaandaniya’ is a beautiful separation song sung by  K Mohan and Yashita Sharma.
Favs : Locha e ulfat, Chaandaniya




Albums that missed my list but worth a mention : 

Kill Dil
Humpty Sharma ki Dulhania
Khoobsurat

Recap 2014 : Worst Films

Many big movies failed to live upto the expectations last year, for instance Gunday, Shaadi ke Side Effects, Gulaab Gang, Bobby Jasoos, Singham Returns, Mary Kom, Daawat e Ishq, Bang Bang, Happy New Year, Kill Dil and Happy Ending. Phew, that is seriously a big list of disappointments!

But there have been even terrible movies (out of ones that I saw) that made my top5 list. Here’s a look at them :


1. The Xpose

There’s a shot in the song ‘Dard dilo ke’ where Himesh has got goggles on and walking with a dead straight face along with the actress,  that you just won’t stop laughing at the lack of chemistry and acting plus you get a feeling that maybe Himesh is blind. The movie is full of such instances, brainless sequences where a murdered girl is shown falling off a building thrice for no fucking reason and then her flashback murder scene is hilarious too. Leave aside two scenes, Himesh yet again confirms the inevitable thought that he can’t act.  The director couldn’t even get the court-room scene right, a case gets solved on 1st hearing itself. Its a pity to see Irrfan Khan in a small appearance. Both actresses have nothing to offer in their performances either. To make it worse, Himesh the composer fails too with songs like ‘Ice-cream khayungi, kashmir jaayungi'. And guess what, sequel of this film coming this year.. These film-makers and actors fall under category who never learn from their mistakes. Himesh will continue to spoil his good music career once he had due to this acting keeda he wants to not put a end to.



2. Ragini MMS 2

Sunny Leone plays role of actress for a director named Rocks who wants to make a movie on Ragini scandal that happened in 1st part. In a scene when Leone goes for character research, Rocks says ‘Yeh porno se rituporno kab ban gayi’. Leone goes to meet a mental Ragini in asylum who is said to be possessed, but our actress is very brave. Sandhya Mridul talks in a accent only she and director knows why! Divya Dutta chips in with decent cameo, but a strange character that takes dangerous and unusual cases, and then goes to help Leone on her own at midnight knowing it may even cost her life. Sunny Leone’s porn status is getting exploited a lot in all her films, first Jism2, then a double meaning item number and now this movie where writer puts dreamy sex sequences, lesbian scene and some erotic scenes too. As an actress, she once again shows she can’t act, except for one scene where she has to fakely seduce a guy which would had been a routine scene for her. The movie is terrible in every regards, be it direction, writing, dialogues. Only plus point of movie is the song ‘Baby Doll’.


3. Entertainment

You get to see Akshay in a fatty makeup avatar in 1st scene, and you realize what type of movie you are heading into. Then there’s the over the top Krishna who continues his hamming from Bol Bachchan to this movie. Tamannah stars yet again in a nonsense movie with insignificant role. One standout scene is when Akshay meets Mithun first time who plays a total kanjoos father having a candlelight meeting to save electricity. Johnny Lever is other respite in this film who still hasn’t lost his comic touch. Sonu Sood and Prakash Raj have a hilarious entry scene but what follows after is a very predictable and boring comedy. When the most liked character in the movie is a dog, then its easily understandable how bad the movie is. Akshay has been doing good films every now and then, but he needs to stop going for these over the top and meaningless comedies.


4. Kaanchi

When I saw Yuvvraaj, I thought Subhash Ghai is coming back, maybe next movie he will be completely in the zone. But Kaanchi tells it was just a illusion, as Ghai tries too hard to bring his old hit movie formulas to work in today’s modern cinema and all of it falls flat completely. The debut actress Mishti almost screams in most of her dialogues, and dependable actor Kartik is given just 15-20 mins role. Then there’s a song ‘Kambhal ke neeche’ that tries to ruin old hit Ghai songs, and tells a lot about the mind-set Ghai is in while filming now a days. Music is very average! Rishi Kapoor also chooses a wrong role for a change after been so good in past 2-3 years specially. Only Mithun is likable in the movie in a negative shade.


5. Jai Ho

If you thought that Arbaaz Khan messed up Dabangg franchise with his poor direction, then watch this movie that says Sohail Khan is even worse at direction level. Salman’s action skills and punchlines is used as USP but that has worked in many films in past, here Sohail tries to provide a message ‘help someone and ask him/her to help another three’, and this message is banged on our head till the end of the movie. There is one of worst directed army sequence ever too in the film. Genelia takes a weird 3 scene role that only she would know why she did it, and so is the case with Tabu who we don’t want to see in such stupid films, she has one great scene in movie though along with Danny Denzongpa. Daisy-Salman love angle doesn’t work too. The movie has a long list of supporting actors, among whom only Mounish Behl leaves a impression. Songs by Sajid-Wajid are the usual forgettable ones except for ‘apna kaam banta’ which works with movie atleast. In the end, its just one of those irritating movies where you wait for the torture to end.


Recap 2014 : Hollywood Top10

Leaving aside John Wick, I rated all films in my top10 list as 4 or above 4, which tells that how brilliant 2014 was for Hollywood movies.

There were plenty of disappointments too in form of ‘The Monuments Men’, ‘Noah’, ‘Transcendence’, ‘The Amazing Spiderman2’, ‘Lucy’, ‘Into the Storm’ and ‘Annabelle’. And yea most of Oscar nominated movies are so fucking average, like ‘Imitation Game’ or  ‘The Theory of Everything’ or ‘American Sniper’. ‘Boyhood' and 'The Grand Budapest Hotel' also didn’t appeal much.

The year belonged to 3 outstanding movies for me, they were like bad addiction as I kept re-watching them day after day - ‘Interstellar’, ‘Gone Girl’ and ‘Nightcrawler’. Interestingly, all these 3 movies were hardly considered for Oscar awards or even nominees. Oh well, as if that changes anything about my love for these movies!


Here’s my list of Top 10 Hollywood movies of 2014 :


                                                                                                                       1. Interstellar

I was highly skeptical that its gonna be 1st Nolan movie I am gonna dislike as I am not fond of space oriented movies at all, even Gravity didn’t click for me. But the 100% love record for Nolan movies stayed intact as I was simply blown away by this masterpiece. Though it did took few viewings before I could completely feel how much I am in awe of it, thanks to the abundance of physics used in the movie. More detailed write up on that when I write the review. The main reason however why this movie worked so much for me was the emotional bonding between father-daughter, i.e Cooper (Matthew McConaughey) and Murph (Mackenzie Foy/Jessica Chastain/Ellen Burstyn). There were outstanding visuals of various planets, satellites etc and there also was the ever reliable Hans Zimmer background score. At 1-2 places, it was too loud to my liking making it hard to listen the dialogue, but then why would you complain if the music piece is worth listening. There are two brilliant scenes that I can re-watch uncountable times, one is the ‘Coward’ sequence where  Nolan like his many old movies builds drama and thrill using 4-5 parallel running scenes together, and oh boy how well it works always! The other one is of course docking scene that almost every person loves, when Brand (Anne Hathaway) asks Cooper ‘what are you doing, cooper?’ and Cooper replies ‘Docking’, it was and still is a goosebump moment in the movie for me. To be frank, I don’t really see a single flaw in this movie. Its duration is no way long and the final act is very convincing for me too, including the final meet up scene between old Murph and Cooper which I am actually glad that it was short one and not a melodramatic. Special mention to the scene when Cooper watches 23 years span of messages from his family, pretty emotional one to watch.
Nobody believed me, but I knew you would come back. 
How?
Because my dad promised me. 


              2. Gone Girl

Was more than satisfied how David Fincher utilized every main aspect of Gillian Flynn book ‘Gone Girl’. Amy’s (Rosamund Pike) early life, equation with parents, the love she had for Nick (Ben Affleck) and how it all changes. How she plans her own missing mystery and the soundtrack by Trent Reznor-Atticus Ross creates that atmosphere brilliantly. Rosamund Pike performance was so much good, while reading the book I was very scared of the fact that how would the life of a guy be if he ever meets or marries a girl like Amy. And Rosamund was able to give that same vibe with her performance, she was anyday my pick for best actress in oscar awards. Ben Affleck was also well suited to play Nick role, that smile he gives to press or the interview scene where he plays the smart Nick very well. Only complaint in movie was, Nick and his father equation that was pretty important one in book, was totally ignored in the movie. But, good thing was that it didn’t affect the movie at all. Also, I liked performance of Neil Patrick Harris (Desi Collings) who played the psycho lover role in a very subtle manner, like the scene where the plan of Amy to use Desi to her own advantage backfires on her, and as audience you wonder how badly Desi is gonna suffer now. The climax was talking point for many, I personally liked the way it is, Amy’s character definitely was more greyish but sending her to prison or killing her would had been partial for me. Instead letting both suffer together like in the book was perfect! My fav scene was when Amy’s true intentions are revealed through her own long voice-over sequence.
What are you thinking? How are you feeling? What have we done to each other? What will we do?


                                                                                                                      3. Nightcrawler

I had enjoyed Jake Gyllenhaal in Prisoners too, but here he made me love his performance so much that I ended up checking his filmography and watch his other films too. And some more oscar cribbing, he didn’t get a oscar nomination for best actor, haha idiots! Whats so lovable about Jake’s character Louis Bloom is the creepy look and behavior he brings out, in the way he speaks his dialogues, sometimes he intentionally says it slowly to make the other fear him like the scene where he is warning his assistant/intern Rick (Riz Ahmed). Also enjoyable is the plenty of dark humor, love the dining scene between Louis and Nina (Rene Russo), with that ‘a friend is a gift you give to yourself’ dialogue. Rene Russo and Riz Ahmed are both very good in their supporting roles. Screenplay is tight and pacy, and director Dan Gilroy presents the movie from the point of view of Louis, he keeps the proceedings engaging and hard to predict plus he presents the ugly side of news presentation very nicely.  Special mention to the salary negotiation scene, and my personal fav when Louis gives a creepy laugh while watching a comedy show on T.V alone.
What if my problem wasn’t that I don’t understand people but that I don’t like them?


  4. Dawn of the Planet of the Apes

A fantastic sci-fi drama from Matt Reeves, that is a sequel to the already amazing ‘Rise of the Planet of the Apes’. The CGI is commendable as for major portion of the movie it looks like you are watching real characters talking to each other. And so are the performances of Andy Serkis as Caesar, Toby Kebbell as Koba, Terry Notary as Rocket and Karin Konoval as Maurice. The first scene between Caesar and Maurice is so adorable as they discuss humans, how much Caesar still misses them and the state of Apes at present. The scene when Rocket realizes how wrong he was about his father and apologies to Caesar is bound to bring lump to your throat. Whats special about the movie is how it starts as Better Apes vs Bad Humans into Bad Apes vs Good Humans, just showing that Apes can be evil too like Humans. Good performance from Jason Clarke as Malcolm but I badly missed James Franco, nice that they atleast kept a nostalgic scene for Caesar when circumstances make him go to his old house. The background score is amazing, and so is the finale with all the action. One can expect a large scale war in 3rd part, looking at the way this movie ends as Caesar says ‘The war has already begun’
Ape not kill Apes.
You are no Ape.


                                                                                                                       5. Birdman

A satire on Hollywood big budget movies through the eyes of Riggan (Michael Keaton) whose alter ego keeps wanting him return back to playing the roles of superheroes like Batman and Birdman he did in 1992. But, its 2014-15 and he wants to make his name in a meaningful broadway play, or to put it in right words he wants to feel relevant again. Riggan also has got family issues to handle, ex-wife and a daughter Sam (Emma Stones) who is a spoilt brat trying to come out of drug addiction. And if this wasn’t enough, Riggan gets Mike (Edward Norton) playing the key role in play. Edward plays himself in the movie, a star who likes to interfere and get his saying into the script, a tough person to work with. There are only 16 visible cuts in movie, infact the director Inarritu shoots the movie in a long single continous take for major part. Love the conversation Riggan has with critic at bar like place, and also the first meeting with Mike as how Mike tries to show his dominance and how Riggan reacts when in 1st preview he improvises his lines. What is real, and what is fiction is a question that will occur at many parts of movie. Michael Keaton delivers a great performance. Emma Stones and Edward Norton are effective in their supporting roles, specially Emma’s long dialogue scene with Riggan where she de-motivates him and tells every truth about his intentions with broadway play attempt. Also,  Zach Galifianakis and Naomi Watts are wonderful in their cameos. Special mention to the jazz drum score that plays throughout the movie, and we get to see its visual only once in narrative.
How did we end up here? This place is horrible. Smells like balls. We don’t belong here. 


                 6. Whiplash

A talented young drummer Andrew (Miles Teller) wants to become successful in the field, he gets under the eyes of a instructor Fletcher (J.K. Simmons) at  music academy who enrolls him in his band whom he trains for upcoming events. When Andrew attends 1st class of Fletcher, it is then he learns what kind of teacher he is, and so do we the audience. I personally hate teachers who try to push you beyond your limits using abuse which Fletcher does. But if you see it from his point of view, he does achieve his goal at the end, getting what he wanted from Andrew. The question however is that, was this the right way to get the desired result? I would say no! The entire classes of Fletcher that Andrew attends were as painful and uncomfortable to watch as a viewer for me, as they were to attend for Andrew in the plot. There are only 2 moments where Fletcher shows his emotional side, one when one of the drummer passes away, and other when Andrew meets Fletcher again after a long time. The finale is of course terrific, the surprise Fletcher gives Andrew trying to spoil his career, and the response Andrew comes up with, literally saying Fuck You Fletcher, I won’t give up so easily. And I am happy that the musical piece was long.  J.K Simmons deservedly got Oscar for his performance. Also, Miles Teller was brilliant in playing the role of drummer.
Were you rushing or were you dragging ? 


                                                                                           7. The Hunger Games : Mockingjay Part 1

District 12 is destroyed, and Katniss (Jennifer Lawrence) is under much more emotional turmoil with the guilt of not having saved Peeta (Josh Hutcherson) as she prepares to help District 13 President Coin (Julainne Moore) defeat President Snow (Donald Sutherland) by becoming Mockingjay, the symbol of rebellion for districts of Panem. I still can’t understand why critics and most people discarded this movie saying its pointless and leads to nothing, Really? For me this was as good as 2nd Hunger Games was. And if you have read the book, there’s no changes done till the end except for ofcourse Plutarch scenes adjustment since Philip Seymour Hoffman is no more. I found this movie very depressing which is actually going to be the case for last part too but then there will be lot more joyous action in that one which this part couldn’t have. The motive of this part was to break Katiniss to the fullest, which happens in that last frame you see of her while watching Peeta struggle in a tied up hospital bed. ‘Hanging tree’ song is brilliantly used in narrative, and it also is one of my very favorite song. Also very nice of them to use Rue Whistle tune into a scene. Jennifer Lawerence performance was once again very enjoyable. I was disappointed to see Effie (Elizabeth Banks) have very less screen-time. Woody Harrelson as Haymitch was again good in supporting role, though he also had very small part to play. Keenly waiting for last part, I hope the ‘Real or Unreal’ conversations of Katinss-Peeta aren’t edited out!
Miss Everdeen, it is the things we love most that destroy us. 


                 8. Godzilla

Almost everyone had problem with the fact that Godzilla had very little screen time, and here I wondered why the fuck they wanted that! That very reason is why I loved this movie a lot because it keeps the eagerness of watching him alive, and when he does comes with that big roar, you feel goosebumps. It was very clever of the director to even avoid showing Godzilla fight with Muto’s in early part of movie, so that there is no feeling of repetivity when he fights them again in climax. There were two weak links in the movie, one that terribly done tsunami scene which looked fake in every possible way and other was lack of emotional connect with Ford (Aaron Taylor Johnson) and Elle (Elizabeth Olsen). Dr Ishiro (Ken Watanabe) provides good drama to the plot with his enthusiastic feelings towards Godzilla, almost as much wanting to see Godzilla as us. The background score was terrific. My favorite scene was the slow build-up to Godzilla's 1st visual scene with all the parallel cuts.
The arrogance of men is thinking nature is in their control and not the other way around. Let them fight!


                                                                                                     9. Captain America : Winter Soldier

Even without watching 1st part (seen it now though) this film had clicked for me despite the fact that Captain America along with Thor was my least liked superhero. I love when a superhero struggles big time, which is what happens here with Steve (Chris Evans) who is surprised to know the toughest enemy he is about to fight is none other than his best buddy Bucky (Sebastian Stan). Then there is Nick Fury (Samuel Jackson) who looks as vulnerable as he never looked before. A compelling drama with political events happening around and S.H.I.E.L.D in danger of wrong hands. The action is top notch and worth every minute, specially Steve-Bucky face-offs. The usual Marvel humor is there in entire movie, but there is much more to the plot than just that. Natasha (Scarlett Johansson) is very good in her flirty and witty liners, and her action scenes too, would love to see more details about her past history, how she became a avenger etc. Falcon (Anthony Mackie) gets decent scenes to shine, a character that would be seen in Ultron too. Robert Redford is good in his evil act. Also, the end-credits scenes for a change aren’t just gimmick but makes you anticipate the next part even more.
For as long as I can remember I just wanted to do what was right. I guess I am not quite sure what that is anymore. And I thought I could just throw myself back in and follow orders, serve. Its just not the same. 


           10. John Wick

The basic premise of the movie is quite funny, an ex hit-man John Wick (Keanu Reeves) comes out of retirement only because some gangsters kill the dog which was last precious gift from his dead wife. The action is pure entertainment, quick and full of vengeance written all over it along with some witty liners. Keanu Reeves brings on a brilliant stylish action performance, making you enjoy the movie a hell lot even though plot is predictable. Love the scene where a person informs the father of the gangster who killed the dog that it was John Wick’s dog and the tension the father has on his face hearing name of John.
People keep asking if I am back and I haven’t really had an answer, but yeah, I am thinking I am back. 



Movies that were very good but missed my list : 

Chef
Begin Again
The Judge
Guardians of Galaxy

Recap 2014 : Best Films

2014 would best be remembered for some good women oriented films as well as performances. But if you compare the year with the last two or even 2011, then its been a very low year for hindi films with not much of spectacular movies coming out. Not talking of 100/200 cr clubs, those craps are aneways meant for fanatics and people associated with them.

Despite that, I still ended up watching around 52 movies, out of which Queen and Haider stood out by miles.


Here is my list of Top 10 Hindi Movies of 2014 -


                                                                                                              1. Queen

One of those light hearted movies that made me feel good every time I watched, no wonder I rated it 5 out of 5, first such movie since Rockstar for me. What worked was Vikas Bahl’s excellent direction and narration style, very well mixing Rani (Kangana Ranaut) past and present life. Also, the humor touch in dialogues and editing was top notch. But, without a doubt, Kangana’s performance made this movie special, her career best since Gangster and Fashion. You could see that typical innocent Delhi girl in her, and then the transformation she goes through when she goes to her honeymoon alone was something to watch. Her drunk dialogue scene and various misinterpretations of situations were hilarious. Also, nice emotional touch to her romantic story with Rajkumar Rao. All actors enacting roomies of Rani in Amsterdam, along with Lisa Haydon when in Paris did very well in supporting roles. Amit Trivedi’s music once again adds much more to the film with each and every song specially Kinaare at right end, though my personal fav was re-worked version of ‘Hungama ho gaya’. Special mention to the end credits ‘kutta’ scene!
yeh log boat khareedne gaye hai ki rent karne…..mera sense of humour bahut accha hai, aapko dheere dheere pata chalega.


                        2. Haider

Based on Shakespeare book ‘Hamlet’, Vishal Bharadwaj almost nails this adaptation if and only if he had kept more of the insane madness of Hamlet i.e Haider (Shahid Kapur). Whats outstanding about the film is how beautifully Kashmir and its political angle is used as the backdrop for the story. Its not Haider-Arshia (Shraddha Kapoor) romantic angle that you remember after end of movie, but its Haider-Ghazala (Tabu), for their mother-son relationship. Shahid’s ‘hum hai ke hum nahi’ monologue is easily the standout scene of movie and 2014. Cinematography is very good, love the entry scene of Irrfan Khan with the Aao na bg. Dialogues have kashmiri influence making it as real as it can be. Vishal’s music is as always very well used in narrative, specially the deeply haunting 'So Jao'.  My only complain was why Dadlani version of Aao Naa not used in movie. To my liking, Vishal underplays Oediplus complex between Haider-Ghazala. Shahid and Tabu specially are scene stealers. Kay Kay hammed in some portions, while Shraddha looked beautiful in kashmiri outfits but her acting is still below par. Special mention to Haider’s expressions in entire Bismil song, his eyes portrays all the hurt, anger and revenge feelings, when its promo was out I knew Shahid will be my fav actor of year.
dil ki agar sunu toh hai, dimaag ki toh hai nahi.. jaan lun ke jaan dun, main rahun ke main nahi.

                                                                                              
                                                                                             3. Two States

Chetan Bhagat’s novel gets screen adaptation by a new director, but the gamble of Arjun-Alia pairing paid off. I was slightly skeptical of them if they would be able to bring the romance-joy-pain Krish and Ananya did in the book, but they both didn’t disappoint at all. Amrita Singh however was the main limelight in the movie in almost all her scenes, playing role of a Punjabi mother who is over expressive and caring towards her son. Director was able to quickly move to the lovers trying to convince each other’s families part and yet get most out to Krish-Ananya college love life. Krish scenes with Ananya’s father were hilarious. Ronit Roy was very good in a lighter version of Udaan’s strict father role, wonder why they kept his role so short almost looked more like a extended cameo. I love the bg that plays in his scenes with Krish throughout the movie. S-E-L music was a let down though, except for Locha e ulfat and Chandaaniya, rest songs failed to impress me. Two States for me is Chetan’s second best film adaptation of his novel, after Kai Po Che.
baat communities ki nahi hai, baat yeh hai ki hum kis tarah ke insaan ke saath apni zindagi bitaana chahte hai.


                         4. Mardaani

Pradeep Sarkar strikes back (after two duds ‘Laaga Chunari Mein Daag’ and ‘Lafangey Parindey’) and how! A intriguing thriller based on child sex trafficking that keeps you to the edge of the seat in a cat and mouse battle between Shivani (Rani Mukherjee) and Karan (Tahir Raj Bhasin). Tahir comes across as a very interesting new find by yashraj, so much at ease in his negative act. Aggressive cop role as expected suited Rani to the core, wish her final action scene with Tahir was well executed though. Screenplay is very tight, no songs at all. Special mention to the scene where Shivani reacts to the insult of her husband in public and challenges Tahir on phone that she will find him. Also, Julius Packiam continues his good work in bg score. It may sound weird but I enjoyed Tahir’s performance much more than Rani, which just proves how brilliant he was.
aaj mujhe yeh toh pata nahi ki tera naam kya hai, tu kahaan se baat kar raha hai par 30 din mein pakrungi tujhe.. yaad rakhna, 30 din. 


                                                                                                               5. PK


Can a Raju Hirani-Aamir Khan movie really fail to deliver? Answer is a big NO.  1st half was so hilarious that I had tears rolling out of my eyes, specially when PK (Aamir Khan) tells his initial days of struggle learning how to live on this planet. The different ways people say ‘accha’ was one of my most fav scenes, and so was the stuff he takes while going to church first time and the gandhi pics scene. 2nd half reminds of OMG, but still holds it own. But PK-Jaggu (Anushka Sharma) love story was completely forced, could easily had kept PK love hidden from audience too just like Jaggu and bring a bigger surprise at the end. Also, Jaggu-Sarfaraz (Sushant Singh Rajput) separation looked pretty silly. And Anushka’s hairstyle was a big turn-off. Despite all this, Hirani once again provides a quality entertainer unlike the crap masala films that keep coming out of our industry. Aamir can just do anything, be it look cool and stylish in his last movie Dhoom3 and now speak bhojpuri and yet be so lovable, just enjoy watching his films. Also, good to hear Shaan voice after a long time in ‘Chaar kadam'. Special mention to PK theme and Sonu Nigam’s brilliantly sung track ‘Bhagwan hai kahaan re tu’ with very good visuals.
karte kya ho? Astranaaut hoon. Woh jo moon pe jaate hai? Ek baar gaya hoon moon pe, bahut hi Lul place hai. 


                          6. Ek Villain

Yes its copied or inspired from some korean movie, but the hindi version works and that’s what matters in the end! You see Aisha (Shraddha Kapoor) die in 1st scene of movie, and you also know who did it so its more of how Guru (Siddharth Malhotra) takes revenge from a psycho lover (Ritiesh Deshmukh). Their first face-off scene is magical, if only Mohit Suri had lived upto the words Guru said in that scene ‘main tujhe marne nahi dunga lekin main tujhe roj maarunga, ek baar nahi, hazaar baar maarunga'. The non-linear narration of romantic story between Guru-Aisha is well executed, with the excellent music and background score. Shraddha Kapoor does irritate with  her non-stop blabbering, though not as much as Remo Fernandes does with his funny dialogue delivery, clear case of poor casting. Siddharth delivers another praiseworthy performance getting away from the chocolate boy roles, he does falter in dialogue delivery at places though. Milap Zaveri dialogues for a change were appealing and good. It was Riteish Deshmukh however who stole the show and quite rightly. It was a delight to see him do a non-comic role with so much conviction (last time it was Rann), and his dialogue ‘phikr mat kijiye madam, aaj ke baad aapko shikayat ka mauka nahi milega’ would not be forgotten at all. Wish we see more of this Riteish in future.. Apart from him, the emotional connect Guru-Aisha story provides was a major reason for my love for this movie.
tere hi gunaah laute hai, ek ajnabee ke roop mein tujhe saja dene. 


                                                                                                        7. Dedh Ishqiya

Abhishek Chaubhey returned with the next installment of Ishqiya, Khalujaan-Babban (Naseeruddin-Arshad) once again leave us in laughter scene after scene. Specially the scene where they stand all night with gun in hand or the initial Joker-Batman dialogue. But the sad part of film is the female characters, Begum Para (Madhuri Dixit) and Munniya (Huma Quereshi), who are very weakly written and end up not providing anything to the film as Vidya did in 1st part. Still there are plenty of hilarious sequences, one where Jaan Mohammad (Vijay Raaz) forces Noor Mohammad Italvi (Manoj Pahwa) to write shayari for him which he would later read out in a shayari -e-mehfil to win heart of Begum Para. That mehfil song which Naseeruddin lip syncs was very well sung by Raju Singh. And how Noor takes revenge in another awesome finale sequence. Only one song of Rahat ‘dil ka mizaaj ishqiya’ works, rest were just passable.  Special mention to Mushtaq’s evil laugh, might get as famous with time as Samba became for that one dialogue in Sholay movie.
aapko pehle kahin dekha hai ?
yaad aaye toh itliya zaroor kijiyega, hum bhi dhoondh rahe hai kabse apne aap ko.


                            8. Ugly

Anurag Kashyap can never disappoint me, Ugly adds to the list of his great movies though unlike many others I won’t call this as his best or my favorite movies from his filmography. The best thing about the movie is the twists and dark side of every character that surprises you to an extent that like the characters you also forget the simple answer to the missing girl case. Girish Kulkarni as inspector is brilliant in a 10 min long police station sequence. The entire ensemble cast of Rahul Bhat, Vineet Singh, Ronit Roy, Tejaswini Kolhapure, Surveen Chawla and Siddhant Kapoor were splendid in their performances. Love the sarcastic take on item number through ’tu mujhe nichod de’ song, specially the way Girish describes it in a scene to Ronit. There is a heavy dose of hindi abuses in the movie, main reference to Vineet jail scene with Rahul Bhat, which was at times hard to watch. Yet the film serves its purpose, a thriller that keeps you guessing. Special mention to the use of ‘One day’ track in the narrative and the love-making scene of Siddhant with the money he gets.
Sir actor log aisa karte hai, ghar pe ek naam aur parde ke liye doosra naam
Kyoon, amitabh bachchan ka kya hai naam ghar pe? 


                                                                                                       9. Ankhon Dekhi


A philosophical take on life as a 50 yr old man played by Sanjay Mishra decides he would only believe in things that he either watches or listens himself. One of very under-utilised actors in our industry and to see him in a lead role brings joy to the eyes. Watch how he handles the love affair of his daughter, or manages the conflict he has with his brother (Rajat Kapoor). All the humor situations that happen when he goes to zoo to see if lion does roar in real or when he tries to see if a naked wire gives current or when he finds his regular job not doable due to his new rules. Wish they had kept some more of his life sequences before he goes to vacation with his wife for that very well done climax scene. Seema Pahwa,Rajat Kapoor and Manu Rishi were as always very efficient in their performances.
main har uss baat ko maanne se inkaar kar dunga, jisse maine khud dekha ya suna na ho. 


                10. Hasee Toh Phasee 

Not a typical rom-com with backing of Anurag Kashyap, Vikramaditya Motwane and Karan Johar as producers, the movie has many light hearted moments to cherish specially when Parineeti acts insane. Siddharth in a chocolate boy role fits in and so does the supporting cast. Love the scene where he tries to bring his father-in-law to terrace. Nice to see Adah Sharma (1920 fame) get a good role and she looked smashing hot in ‘shake it like shammi’ track. The problem however lied in Parineeti flashback role which looked silly and also why would she again run away from his father when everything is sorted. Also the climax was a let down, as the typical dharma production tag was visible all over it. Still pretty much enjoyable movie. Special mention to the wonderfully done daya (C.I.D) spoof scene.
tum oxygen ho aur main double hydrogen.. hamari chemistry ekdum paani ki tarah hai.



Movies that missed my list but worth a mention : 

Highway
Finding Fanny
Kick