Movie Analysis : PK

Directed by : Raju Hirani
Imdb link -> http://www.imdb.com/title/tt2338151/


Splendid 1st half, reminds of OMG in 2nd.. still a great Aamir-Hirani entertainer. 

Read at your own risk, might contain some spoilers… 


We always get plenty of entertaining movies (thanx to our mass audience) releasing every year. But, Hirani movies are often in the category of quality entertainers, ones which we enjoy and in very few scenes we could say - ‘kuch bhi’. Same happens in PK, infact 1st half is so hilarious that I can’t remember last movie which made me laugh so much.

The plot of PK deals with a alien PK (Aamir Khan) who lands on Earth, near Jaipur, Rajasthan, and his remote control which he would use to give signal back to his planet to take him back home, gets stolen by one of random guy. Now, PK has to survive on earth without any knowledge of how people live here, how they earn, whom they worship and many more stuffs.

Moments like dancing cars, Gandhi pics collection, fashion understanding (specially where he corrects the fashion of a barber), and different managers of religions… All these makes for a 1st half where you won’t stop laughing. Special mention to three wonderful scenes, one where PK has a conversation with a guy outside temple, other where he describes to Jaggu how a word on Earth has different meanings like ‘Accha’ in the manner they speak it, and lastly when he lands inside a church with a pooja ki thaali with reactions of ‘anarth about to happen’ along with loud bg.

Hirani has always kept a social message or so in his movies with a well thought of tag for it. It was ‘Jadoo ki jhappi’ in Munnabhai MBBS, ‘Gandhigiri’ in Lage Raho Munnabhai, ‘Aal Izz Well’ in 3 Idiots and now in PK he comes up with ‘Wrong Number’.

2nd half goes into the direction of OMG (comparison is inevitable). Hirani makes use of ‘Wrong Number’ to show how some managers of religion misuse belief of people in God to their own advantage. How we people prefer to use our money in worshipping instead of donating to a poor person and many other aspects of religion in our country is wonderfully put up by Hirani. In Oh My God too, we saw it but I would say OMG tried to show more of managers together against Paresh Rawal scenario, whereas in PK we see it as one to one battle where slowly people understand what PK is trying to say holds true.

In the last scene from flashback of PK in 1st half, I knew where the story would go now, and sadly that did make me feel ‘Oh no, we have already seen that’. Still, Hirani makes the 2nd half watchable though  it has many flaws with it. Wish he had a different storyline though..

One of major drawbacks for me was PK-Jaggu (Anushka Sharma) romantic plot, he suddenly has a love feeling for her which was not required, he could still had played a very good friend who finds out she is heart-broken by Sarfaraz (Sushant Singh Rajput) and then try to re-unite them. Another flaw was the church scene, I agree that Jaggu had the wrong number in her mind that made her think the letter was by Sarfaraz and not care to call him even. But why would Sarfaraz not try to call either, that was plain stupid. They should had kept the separation of Jaggu-Sarfaraz in some other convincing manner.

Also, the scene where Jaggu calls Pakistan Embassy and all the reaction shots of people there looked so fake, maybe because Hirani never invested in the Sarfaraz story separately. And Hirani actually tried to do a Karan Johar KKHH moment where everyone from Jaggu to PK to Boman to Jaggu’s friend and others in the news debate place cries over the romantic story of Jaggu-Sarfaraz.

Liked the use of songs like ‘Tum toh thehre pardesi’ and ‘Aasmaan pe hai khuda’, they are so apt to the situations, the former is comical while latter very touchy.

I love ‘Love is a waste of time’ song, but it was forced into narrative trying to add to the unwanted romantic track. Sonu’s other song ‘Bhagwaan hai kahan re tu’ was very emotional one, and brilliantly sung, the visuals were one of main reasons why the song made a great impact on me. While 'Tharki Chokro' is good to watch dance moves of Aamir in alien style. Ankit Tiwari’s ‘Dar ba dar’ was a turn off for me, even though only one line of the song is used, still it felt like suddenly I landed into a Bhatt movie from Hirani, should had done away with a bg only. And lastly, it was very nice to hear Shaan’s voice after a long time in a pretty good track ‘Chaar kadam’.

Special mention to the PK theme, love the choreography of it where PK teaches Jaggu how to charge her battery or be happy when feeling low.

In performances, Aamir Khan makes me love him even in a Bhojpuri role so much, and I thought I would finally dislike him for a change in a movie.. but not to be. His looks at times do look odd, but his acting is always on the spot. Love the way he runs in alien manner, kudos to whosoever suggested it. And his comical timing is too good.

Anushka Sharma once again irritates, Bombay Velvet would be the last time when I would expect her to give a performance to be liked. The problem here once again is same, she overacts.

Saurabh Shukla, who plays Tapasvi Maharaj is brilliant, love the scene where he is introduced to us. I could so much connect to that, though Hirani overdid it slightly.

Sanjay Dutt is lovable in his small cameo as the Rajasthani guy, first friend of PK on earth.

Boman Irani is effective as always. While Sushant Singh Rajput in a 10 min role gets one worthy moment where he questions Jaggu that how uneasy she suddenly felt when he told her he was from Pakistan.

And there is a special appearance from a actor (you probably already know it) in the last scene of movie.



PK is a enjoyable entertainer despite some problems in 2nd half, it dares to talk a lot about our blind belief in God and how people like Tapasvi manipulate ordinary people to their advantage. Aamir-Hirani combo gives  many special moments specially in 1st half that may stay for long in our memories for good.


Verdict : 3.5/5 

Movie Analysis : NightCrawler

Directed by : Dan Gilroy
Imdb link -> http://www.imdb.com/title/tt2872718/


Jake Gyllenhaal is exceptional in this must watch movie, if you  like creepy-unusual character oriented movies. 

Read at your own risk, spoilers ahead… 

Louis Bloom (Jake Gyllenhaal), is desperate to find work and when he lands himself into crime journalism, he forgets the ethics and starts working his way up the ladder. He is helped in it by Nina (Rene Russo), a T.V news veteran who accepts all the videos he brings up to her.


There’s a certain creepiness in Louis Bloom character, kudos to the way Jake shed weight and made this possible. You can easily notice it in his long eyes whenever someone said something that wasn’t as per what he wanted to hear, specially in night car scenes.

Plenty of dark humor, how Louis tries to find his way in into any profession he could, his amazing learning things quickly talent which you see as the movie goes on. At almost no point we see Louis show emotion to any human being, even the conversation he has with Nina in mexican restaurant is more of a wanting someone to have sex with plus making use of his work that had made Nina’s recognition increase at news channel with rise of their ratings. Only time we see Louis care about someone, is when he is watering his plants at his home.

Notice how Louis is ironing his clothes while watching a comedy show on tv, and suddenly he gives a creepy laugh looking at other side as if there was some other person present there to share that moment with him. The ending dialogue of Louis during the long conversation with Nina at restaurant was hilarious too. Also, when Nina doesn’t agree to pay better amount to Louis, how he stamps his authority over her with Nina stand-still listening to all he is saying, was one of best scenes of movie.

The way Louis interviews Rick (Riz Ahmed) makes you think he must had applied for some job in past where the interviewer presented himself the way he is doing now. The salary negotiation scene in latter half of film is superb. There is a certain creepy tone even in the way Louis talks or the dialogues he has, but the one that I loved, and he made sure of emphasizing it more while saying to Rick ‘What if my problem wasn’t that I don’t understand people but that I don’t like them?’.

There are many more moments where you feel scared of meeting a person like Louis in real, like the scene where he brakes fail a fellow competitor and then shoots his video, love the way director pans face of Louis looking at him. Another is the end scene, where Louis wants to get rid of Rick and traps him into death and once again shoots his video instead of helping him survive. Even in one of the crime scene house, he didn’t care to help a old man who was still breathing. Or in a scene when asked if there was a baby in the room, Louis sounds disappointed not to find one.

Only flaw I found in the film was, Louis got away too easily in the end. How about he finds a harder way to get out of police and detective after him for breaking laws.

The screenplay is tight and pacy, most of the time we see the movie through point of view of Louis, getting to know how it would be to do the wrong thing and yet enjoy it. The director keeps the proceedings engaging and not easy to predict, you never know what might come up next. Also, he presents the ugly side of news presentation, like in the scene where Nina proves her point right saying people should see blood shed reporting at breakfast so that they can talk about it later on and it would that way stay longer with them.

He even builds sexual environment between Louis and Nina wonderfully. Infact the last video we see Louis show her, it felt like Nina was getting seduced watching a video which may make her channel and tv show so popular. And I liked the idea of not showing anything physically to viewers between them, keeping us to guess.

Dialogues were very well written, ‘A Friend is a gift you give to yourself’ always cracks me up.

Jake Gyllenhaal delivers excellent performance. He makes you hate his character and yet enjoy the weird activities he does. I would be surprised if I don’t see him make a oscar nomination next year. Yes, his character was kinda of one dimensional, we never see his past life or family or any sensitive part of his life. But I felt that was well done, otherwise it would had made resemblance with De Niro from Taxi Driver. It was good that Louis was always un-caring in entire movie.

Rene Russo does her supporting role very well too. She does actually look beautiful enough to make Louis say to her ‘I like older women’.


If you are into creepy and unusual character movies, then you gotta watch Jake Gyllenhaal in this movie, more than likely you will enjoy it a lot.


Verdict : 4/5 

Movie Analysis : Happy Ending

Directed by : Raj-D.K
Imdb link -> http://www.imdb.com/title/tt3017412/


Fun of a cliched rom-com format and narrating story itself as same rom-com with happy end. Not possible to like such narration of story… 

Read at your own risk, spoilers ahead… 


When you saw the trailer, and the starting dialogue then you expected a movie that would ideally show what real ‘Happy Ending’ stories have in reality unlike the movies (fantasy ones). But, unfortunately and very surprisingly, a film that tries to make fun of typical rom-com we see ends up in the end to be one of the same league itself.

Yudi (Saif Ali Khan) realizes that his 1st written book about 5 and half years ago, didn’t end to be successful as he had thought. Now, he is desperate to get work and he gets a offer to write a movie script for fading star Armaan (Govinda) who asks him to copy best dialogues and scenes from Hollywood movies he gives to him. But, Yudi can no longer get the inspiration to write somehow. His new rival as well friend Ileana D’Cruz (whose latest romantic novel gets lots of praise) becomes the turning point of his life. But, Yudi has many things to deal with, one is his commitment issues, other is his ex gf Kalki Koechin who isn’t ready to leave him at all.


We have seen Saif in uncountable movies now doing this role where he is confused, comical, searching for answers, not ready to accept love etc. Despite that, Saif has got amazing comic timing that you still like him doing all of this once again.

But Raj and DK fail to deliver as director duo this time, they were amazing in Shor in the City and Go Goa Gone (my personal fav), for keeping the humor tone simple and yet very funny. I couldn’t understand why they decided to make fun of rom-com movies and its plot initially, and then do narration of movie in similar manner leading to same cliched end. How about if they ended the movie when Ileana says ‘I don’t love you’ and follow with a funny line by Saif about how different reality is indeed.

Another unusual aspect of film was the alter ego of Yudi, i.e Yogi played by Saif himself. At places he was indeed funny, but mostly he came more of a irritating personality to me. Could had worked a lot more on his character and dialogues.

What works the most is Ranvir Shorey (playing friend of Yudi) and Yudi bonding, and Kalki’s funny performance, love the scene where she tells Yudi about a app she has installed in his phone or when she gives Yudi heart-attack about her being pregnant.

Among Cameos, Kareena was good.. but Preity who got a longer role did really well as the matured ex gf of Yudi. The advices she gave to him, without making them look too much preaching was good to see.

Ileana didn’t really play her role well, she is like saif in terms of her way of looking at love but you never really see that kind of attitude when she is with saif. She does look lovely, and has two very good scenes, one when she puts music on while they drive to a certain place, was surprised to hear loveria from raju ban gaya gentleman, and bharo maang literally made me laugh loud. And other when they stay in hotel, and she makes him sleep in opposite direction, liked the conversations they have at that time and where it leads to. Ileana character would had appealed more, had we told a lot more about her..

Govinda is great in two initial scenes where Yudi meets him at his place for discussion on script. Apart from that, I didn’t really enjoy his performance despite being a comic role.. strange but true.


Even the music was disappointing, not a single song that I found worth listening again.


The best moment of the film is when Govinda tells Yudi ‘tu kitna bhi hatke likh le, logo ne baith kar hi dekhna hai… 300 rs mein unko jeena mat seekha, entertain kar.'



Happy Ending is at best one time watch, atleast its not slapstick and bad humor. But if you go to watch movie based on Raj-DK past films, then you gonna be highly disappointed like me.


Verdict : 2.5/5 

Movie Analysis : Kill Dil

Directed by : Shaad Ali
Imdb link -> http://www.imdb.com/title/tt3380264/


Poor cliche gangster story, avoidable movie. Shaad disappoints. 

Read at your own risk, spoilers ahead… 


It was a movie I had great expectations from, the day its cast was announced with Shaad as director, S-E-L & Gulzar teaming up (same as Jhoom Barabar Jhoom), and a fantastic 1st trailer, followed by 1st song promo of title which was peppy and addictive.. but after that all went downside with poor promos and the real picture got revealed, not everything that appears good initially is actually good.


Two gangsters, Dev (Ranveer Singh) and Tutu (Ali Zafar) work for Bhaiyya Ji (Govinda) who raised them in their childhood and gave them guns to play with instead of reading books. They now kill or scare anyone Bhaiyya Ji wants them to. Enters Disha (Parineeti Chopra) into the story, Dev falls in love and now he has to choose between his love or the life he has been living till now.


This is such a cliche story. Why do we have to see a gangster film where the gangster has to be forced to stop doing the bad work he is in which he loves a lot.  Funny thing is Disha is shown as a person who works on criminal history people and make them live good life instead. In the entire movie she is never seen helping anyone, what we see instead is her rich spoilt girl life, her swimming scenes or going for parties. And still if we agree that Disha does actually do the ‘samaaj seva’, then why the hell she decides to give up on Dev when Bhaiyya Ji tells her who Dev was once i.e a killer, and who Dev is now i.e. a improved guy. If she improves criminals, then here was a person who did it by himself for her and yet we see Disha abandon him and do all the un-necessary emotional drama. Why was the need for Dev to record a video and tell her the truth, does Shaad Ali wanted to say that how dumb this girl was ? I just hated Parineeti Chopra in this movie, for a change sadly.


The other sad part of this movie was the screenplay. Shaad Ali it looks like forgot how to form a narration, we see characters all of sudden killing, then joking, then the terrific ka ka ka kill dil bg used unnecessarily in worst possible manner. Infact, they end Bhaiyya Ji character also so lamely. Also, we never see any police activity in the movie, its like these gangsters never ever get to face them.. they are too smart or stupid writing, eh? And what was that scene where Dev tries to show his good side to Disha by asking small kids to eat food with them.


There are some good dialogues in the movie, one of it that standsout is BhaiyyaJi telling a person who has got gun on his head ‘Goli maarni hai toh maar-de, yun ghoor ke mera time waste mat kar’.

Best part of movie was, Tutu’s friendship towards Dev, firstly when he shows concern towards Dev asking him to remember who he is and who Disha is plus that they work for Bhaiyya Ji. Then the scene where Dev tells him that he thought Tutu would understand him atleast. Or when Tutu tells how he will manage Bhaiyya Ji on his own now.  Ali Zafar did a fairly good job, of course could had been much better if the script had been well written.

Ranveer Singh is full of energy, and very lovable once again..  The entire scene where he meets Disha for first time, talks while she rides bullet or his touching the hot sizzler food with hands directly. And the funniest scene of course, when he asks Tutu, what is meaning of Lol. Wish Shaad didn’t overdo it with Rofl though..

Govinda in a villain role, is something you don’t really expect from him but right from trailer it looked he had perfectly nailed it. Unfortunately though, he gets very few scenes to shine, once again for bad writing. Two scenes to watch out would be, one where he forces his orders onto Dev, and other when he plays a great chess move with Dev’s life. He does gets most of the best lines in movie though.


S-E-L music is decent. The title song stands out, but not used the way it should had been in movie. Love the way they film the 'Daiyya Maiyya' song. ‘Sajde' is totally misplaced fantasy song in the narrative, would had made for a better end credit song instead. If I remember right, they didnt use 'Baawra' ? It was 2nd best song of movie for me.



Kill Dil ends up as my first Shaad Ali movie that I disliked. There’s no emotional connect, a cliche gangster story and narrative that looks like arranged together with bits and pieces without much meaning or style quotient. Its only the performances of all 3 male leads that keeps you hold on to the end in a movie that you can easily avoid watching.



Verdict : 2/5 

Movie Analysis : Haider

Directed by : Vishal Bharadwaj
Imdb link -> http://www.imdb.com/title/tt3390572/

Not perfect adaptation of Hamlet, but a worthy Vishal movie nevertheless. 

Read at your own risk, there may be spoilers ahead.. 


An adaptation of Hamlet, the plot deals with Haider/Hamlet (Shahid Kapoor) returning back to Srinagar after studying at Aligarh. His father Dr Hilal (Narender Jha) had been taken away by Army for keeping militants in his house. When Haider comes to know that his father has been killed, and the murderer is none other than his own uncle Khurram/Claudius (Kay Kay Menon) who was helped in it by his mother Ghazala/Gertrude(Tabu). He immediately seeks revenge, and goes insane in his acts as he witnesses the murderer.


If I compare Haider with Hamlet, then one major difference is, how well Vishal Bharadwaj develops Kashmir and its political angle as the backdrop of the plot. He could easily had started the movie from the point when we see Haider returning to Srinagar in that bus shot, just like in Hamlet happens. But, we get to see how and why Dr Hilal disappears (even though we know who is behind it). He lets the connect happen with the Ghazala-Haider sequences including flashbacks, my fav is when they walk together alone and talk where Haider accuses her to be always thinking from her own point of view and never caring to see other’s views. For me, the mother-son relation was the best part, even that phone call by Haider to her later in the movie..

There are 3 changes however that didn’t go well for me. One is Horatio isn’t there in Haider, instead Arshia/Ophellia (Shraddha Kapoor) is given the role to act both as love and best friend of Haider. Whether it was to do with monotonous feel people would get with the friendship angle of Shahid-Chandan in Kaminey or it was deliberate attempt to keep narrative shorter with one less character, only Vishal would know. The reason I felt he was a key character is, many times in Hamlet you see him talk to Horatio about things he won’t talk to anyone else because he was the only one loyal and friendly to him whereas Ophellia was always more loyal to her father.

Second is Arshia’s  father Parvez Lone/Polonius (Lalit Parimoo) who is again completely changed by Vishal. In Hamlet, he would be extra-caring towards both Arshia and Liyaqat/Laertes (Aamir Bashir), and give various funny moments with his long speeches and non-understanding nature. But in Haider, he is a typical father, who uses his daughter to save Khurram from Haider.

Third is Liyaqat who is totally wasted in Haider. He only has one scene at start just like Hamlet, but in the climax sadly he is again limited to two small scenes, instead of giving a longer screen time where a fight between him and Haider would make him realize that Haider’s revenge is right too just like his revenge against him is.


Now talking about Haider, and keeping the comparison away.. the film still works for me a hell lot, but could had been easily a classic if and only if Vishal did one thing i.e increase the madness of Haider, show more scenes of him acting like insane, he only shows two scenes : one is that terrific monologue of Shahid ‘Hum hai ke hum nahi’, and other when he sings the same song which Khurram was seen singing earlier to Ghazala. He could had shown a sequence with Vishal Dadlani's Aao Na as background that told what Haider is aiming for now, is to act insane and meanwhile find out whether Khurram is in real the murderer or the story told by Roohdaar/Hamlet’s Father (Irrfan Khan) was fake. Even with gravedigger, he gets just two small conversations, ‘kiska janaaza hai?, kisi murde ka hai’, more dialogues like these would had been so wonderful’. There should also had been a scene where Haider before narrating Bismil song told Arshia to notice Khurram throughout and see if his eyes show guilt (yea its from hamlet where Horatio did it for Hamlet, but this would had made the proceedings doubly special). And yea, there was no need to show Liyaqat in a conference getting sad news, could easily had cut direct to Arshia home scene and Liyaqat coming there, as why would you even for a second divert from the Kashmir backdrop. And one last complaint, why did Arshia act normal when Liyaqat returned home, and in next scene she is shown gone mad. She should had been shown mad right at the moment Liyaqat enters, why the delay…

Vishal handles the Oediplus complex probably keeping Indian audience in mind, and for my liking it was perfectly done as you do get the sense in some scenes as to what relation they might be having even though you never see any of that.

The cinematography is brilliant, special mention to the shots before Roohdar makes a entry, and also Irrfan Khan is given a terrific entry scene. Background score is special too, my fav was the Ghazala-Haider one, Aao na theme used at certain places and also the revenge one which is inspired from Moby’s extreme ways (also used in Bourne series).

Also, commendable to see the dialogues having the kashmiri effect including the english they speak..

Music from Vishal Bharadwaj is among the best of this year, the version of 'Aao Na' which they use in film is so haunting. ‘Jhelum' shows the situation of Kashmir in 1995, with plenty of half-widows and missing people. While 'Khul Kabhi' might be not that well placed in narrative, it does help in giving weightage to Haider-Arshia romantic track. But, the song of movie (Aao Na by vishal is my personal fav but not used in film) is easily Bismil, what special choreography. And for me the way Shahid emotes in that song was as good as I saw Richa Chadda do in ‘Taar Bijli’ of Gangs of Wasseypur2. The feeling of pain and revenge at same time were so much visible in his eyes, and since he is a good dancer he made it look one of best choreographed songs of the year.


One may argue about the ending, the message given.. I for one would had preferred to see Khurram die and Haider take revenge but the moment you saw ‘Inteqam se sirf inteqam paida hota hai’ dialogue in 1st half, you very much know its gonna be key part of Haider’s revenge part too. Good thing however was they did make Khurram lose his legs, and thereby plead to Haider to kill him and not let him live this life who already had guilt feeling inside him for killing his own brother Hilal.


Salman1 & 2/Rosencrantz & Guildenstern (Sumit Kaul & Rajat Bhagat) was a brilliant idea to add humor, both playing mad fans of Salman Khan. Love their first scene dancing to Maine Pyar Kiya song, did any of Salman fans recognize that dance when Haider trailer was out was a question that came to my mind.


In performances, Shahid Kapur doesn’t disappoint in his portrayal of Haider, the helplessness he feels while finding his missing father, to see how his mother is attracted to Khurram (love that scene where he keeps staring at her when she is singing), his two insane sequences, when he breaks down after a laugh with Arshia at end of Khul Kabhi song, his violent attack at Salman’s or the confusion in his mind when he is about to kill Khurram but voices of both his father and mother’s words keep going inside him together. Easily among his best performances of career, would be good to see Shahid-Vishal work together in near future.

Tabu actually gave the performance of the movie, and finally she got a film which used her talent to full potential. Whether its the first scene where she is worried to see a militant in her house, her unexplained love towards Khurram, or her motherly love towards Haider. Love her expression when Haider says to her in climax scene ‘kyu aap apni jaan de dengi kya’. Why don’t rest film-makers offer her good roles, that is the question…

Kay Kay Menon for a change wasn’t flawless, at some places felt he was hamming a lot. Also, I felt Vishal should had not let him over-try to show how much he cares about Hilal to Haider.

Shraddha Kapoor has the same old problem, she got great looks and looks wonderful in Kashmiri mode but her acting is again upto the point, nothing extra added by her. Arshia was meant to be innocent girl, so she was kind of apt for role (maybe Alia Bhatt was also another worthy actress for it), but she fails to attract you with her acting skills and this has to stop sooner or else I may have to think her of being Sonam Kapoor Part2.


Narender Jha and Lalit Parimoo are very good in their supporting roles, and so is Kulbhushan Kharbanda in his small cameo appearance.  Aamir Bashir was totally wasted.

Irrfan Khan is terrific despite having a extended cameo role at best. His entry scene with that bg is awesome, and so is his humor with Arshia and then the person who he helps go inside his home.



Haider is an intense drama that must be seen, it had in it to be Vishal’s best till date but didnt miss by too much. Easily one of best movies this year for his direction and Shahid-Tabu performances.


Verdict : 4/5  

Movie Analysis : Happy New Year

Directed by : Farah Khan
Imdb link -> http://www.imdb.com/title/tt2461132/


Farah Khan-Shahrukh jodi fails this time, still watchable for Deepika and supporting cast. 

Read at your own risk, there maybe spoilers ahead.. (as if it matters )


The opening scene of a dance competition, a wide camera shot of event with some great visuals that attract you and then move to the flashback, introduction scene of Shahrukh who spoofs his own hit dialogues and now you come to the understanding that Happy New Year here onwards should be seen without any kind of expectations of Main Hoon Naa or Om Shanti Om (atleast its first half was entertaining) from Farah.

The movie is about losers named Charlie (Shahrukh Khan), Nandu (Abhishek Bachchan), Tammy (Boman Irani), Rohan (Vivaan Shah), Jag (Sonu Sood) who plan to take revenge of the betrayal Charlie’s father (Anupam Kher) face by Charan Grover (Jackie Shroff). Their plan is to execute the biggest diamond heist ever in world for which they have to enter a World Dance Championship and thereby need Mohini (Deepika Padukone), a bar dancer to help them reach main stage at the most so that they can steal the diamonds and run away without giving a damn about dance competition.

The story is in no-way exciting, and then the time Farah takes to move to the heist sequences doesn’t help either.

All the 5 losers are given a special intro-sequence and surprisingly only Nandu one worked for me to certain extent.

Its hard to understand why do our film-makers believe in slow-motioning a shirtless guy (mostly salman, in this film’s  case shahrukh) or in case of actresses when they wear bikini or some similar kind of shots. Makes me think that either the director is a big time perv or is of opinion that majority of indians are like that.

Then there’s a irritating cameo of Sajid Khan whose scene made me actually think if that is how he in real directs his own films.

Logically (avoid reading this paragraph if hny = watch without logic for you), there’s certain things that will come to mind, main one is how come Charan Grover never notice the duplicate of his son Vicky Grover i.e Nandu roaming around in dance competition. Then, why does Charlie need Mohini to train them in dance or even forget that why did they even need to practice if during audition round he was going to get selected with that blackmail video and Rohan was there to hack votes for next round. They actually never needed to give any importance to dance. Another imp blunder was, why didnt they steal the diamonds by entering to the place directly where Jag goes to change oxygen and water pipes. Oh wait, one more is there.. in entire movie we are shown how bad the 5 losers dance and yet Farah being a choreographer didn’t want his losers to go away from dance competition losing. Forget 3rd position or runner-up, she makes them win the competition…Sigh.


But But But… Farah’s touch is visible in quite a few scenes, like the Damini spoof or Mohini’s hilarious 6 minute (or was it 7) speech lifted from Chak de or the reaction of Mohini when Charlie speaks a long english dialogue about her beauty with a great sense of humor or when Nandu has to remove his clothes to reach out a point on top of a wall, or when Tammy sarcastically answers Charlie ‘I am the king of the world’ when Charlie asks him if he remembers a dialogue of Titanic,  and of course the main heist at the end which was easily the best moment of movie.


Vishal Shekhar’s music for a change didn’t work here, with film they were definitely good to ears but none is gonna stay in memory for too long. Farah tries way too hard to make ‘Indiawaale' look very patriotic but it turns out to be pretty mediocre. While 'Manva Laage' is a Shreya song that would easily put me to sleep with a deja vu of her umpteen old songs. ‘Lovely’ also doesn’t work  except for its tunes. The song that I loved was ‘Satakli’ specially the line ‘raadhe raadhe bolo jai kanhaiyaa laal ki’ and Sukhwinder Singh’s voice, he should be asked to sing one song for Shahrukh in every film.

The background score was decent, except for that unwanted theme used where Charlie fights Korean guy.


In performances.. Shahrukh disappoints, except for some moments like ‘horny’, ‘english lines to Mohini’, he over-acted a lot specially scenes where he had to show his anger. Not to forget that irritating ‘kismet kutti cheez hai’ line which I lost count of how many times he repeats. I think he has reached a age where atleast to me he won’t appeal anymore in these masala movies. Either he has to do total romantic film (like JTHJ) or hatke movies (like CDI) or negative roles (like Don2).

Deepika Padukone is so lovable in the movie, despite again having a weird diction. It was great to see her shine so well in comical scenes one after another  with such comfort, even her mannerisms were perfect. And good that her emotional scenes were very few. She looks simply Wow in that Indiawaale outfit, even the Chammiya one.

Abhishek looked like to be so much enjoying this role, which was quite impressing even though it was just a supporting role. While Sonu Sood except for the overdose of body exposure, did well in both serious and comical situations. And loved Boman Irani’s child at heart yet a matured guy character, plus his dialogue delivery. Infact all three of them were real jaan of movie after Deepika.

Feel bad for Vivaan Shah, after 7 Khoon Maaf I never expected him to be doing a Farah Khan movie and he hardly has anything in the movie to speak of. Wonder how Naseeruddin Shah would had felt about his choice of film.

Jackie Shroff is good in villain role, though his character isn’t given much screen time unfortunately.

Among Special appearances, it was surprising to see Dino Morea from the days when he used to try his hand at lead roles unsuccessfully and now doing a anchor role at a dance competition. But not as surprising as it was to see Anurag Kashyap play a gay character, I mean what on earth made him accept the role, for a person who is either associated with hard-hitting movies or sarcastic humor at best. This was definitely quite un-expected for me.

And it was first of a kind to see a special appearance credited as ‘Emotional Apperance’ for Anupam Kher, whatever that meant.


Happy New Year is tolerable unlike Chennai Express, whether you like Shahrukh or not (I didnt) you most likely will like performances of Deepika and the supporting cast. There will be some entertaining moments and the final heist scene to enjoy.

And if you are interested, then there’s a lovely Abram shot in the final end credit sequence.


Verdict : 2.5/5 

Movie Analysis : Annabelle

Directed by : John R Leonetti
Imdb link -> http://www.imdb.com/title/tt3322940/

Avoidable horror movie, no where near to the magic of Conjuring. 

Read at your own risk, there may be spoilers ahead.. 


John Gordon (Ward Horton) and his wife Mia (Annabelle Wallis) house is invaded by members of a satanic cult on one night, who attack them. Both survive the attack as the cults get killed but after that incident, a doll that John had brought as gift for his pregnant wife, starts to show supernatural behavior.

Unlike Conjuring or even Insidious, what lacks in Annabelle is a good plot. The scares aren’t bad to be honest, though they are very few sadly. Most of the times what director does is show situations where we see close up of doll or any other suspicious object and we expect something will happen, but nothing happens.

There should had been lot more activities related to doll, which isn’t the case. Also, the plot no where resembles the real story of Annabelle incident. I am assuming (correct me if I am wrong), that the ending showing a lady buying doll for a birthday gift for her girl is the actual story which means there has to be a Annabelle Part2 that shows it, and of course Warrens didn’t get doll locked in this film which is another clue that there has to be another part to the film.

The fire scene is brilliantly edited with a bg that builds the nervousness, also the scary scene where a girl comes running towards the door and the elevator one is the scariest of all. Unfortunately, the climax was a big let-down, just when you thought that okay the movie till now didn’t have that wow factor but we may get it at the end, but not so. Perfect ending would had been, either the scene where Mia mistakenly kills her daughter thinking it to be a doll, or she killing herself to save her daughter. Instead there’s a happy ending that for me totally sucks.

Even performance wise, there’s nothing to talk about. All actors do a decent enough job but not worth to remember.


Annabelle as a horror movie gives few jump scare moments, but still its very much avoidable movie. I would suggest wait for 2nd part if its in making, I got a feeling that would be much better and I hope James Wan directs it.



Verdict : 2/5 

Movie Analysis : Bang Bang

Directed by : Siddharth Anand
Imdb link -> http://www.imdb.com/title/tt2905838/

A bad remake of already average Hollywood movie ‘Knight and Day’. 

Read at your own risk, there may be spoilers ahead … 


When you remake a movie that itself was at best one time watch, you expect the film-maker to work a lot on script and do major changes. Siddharth Anand and his team didn’t believe in it, not only do they keep plenty of stuff same, the changes they make only makes the original Hollywood movie ‘Knight and Day’ look far superior to it.


Right in the first scene, Siddharth spoils the entire movie where he lets you know clearly that Viren
(Jimmy Shergill) who is dying has a brother Jai (Hrithik Roshan) who would revenge his death. Instead of keeping Jai’s character full of suspense, we are given the typical stereotype revenge story. Not to forget, Jimmy Shergill is given the smallest possible screen time, sadly for the viewers who are thereafter left to find moments to enjoy which are far and few.

Even Hrithik Roshan’s comic timing looks out of touch, what works is his stunt sequences and his first meeting sequence with Harleen (Katrina Kaif).

Watching Katrina Kaif after a long time, and you wonder what happened to her improving hindi diction, her dialogue delivery looked completely unbearable. Also, unlike Diaz in Knight n Day, Katrina’s comic timing is awful. Its only her looks that is likable in the movie at best.

The action is also so disappointing, nothing like jaw dropping at all.. not even one stunt scene.

The rest cast is totally wasted, as most of screen time is given to Hrithik and Katrina only. They get a extended romantic plot which only weakens the already going no-where movie.

Songs are certainly good break from the movie, giving some pleasant moments, specially Meherbaan which is my fav.


Bang Bang is a movie that is best avoided unless you are a die hard Hrithik or Katrina fan. Else like me you are gonna feel you wasted time watching this movie which gives very few entertaining moments.


Verdict : 1.5/5 

Missed Reviews : August-September

Again, my views on seen films last two months in short…


Hindi : 


Entertainment : 

This year I think I am ending up watching lot of movies that deserve 1 or less than 1 star rating. The trailer itself was bad, but still went to see if there’s a surprise in store, and indeed it was, it turned out to be a total nightmare and headache. In Jacqueline words from kick, this was a totally unjhelable movie. Right from 1st scene where you see Akshay in total fatty make up, a sight you would prefer not to see. Then, over the top comedy lines, with terrible irritating Krishna (same one from Bol Bacchan) speaking idiotic written dialogues that have filmy names and actors. One scene that I remember I laughed at, was when Akshay goes to meet Mithun at his place and Mithun is saving electricity by having candle light meeting with his future son-in-law, also the sofa end broken at one side, one of rarest funny scene in movie. Also, Johnny Lever provides some good moments in movie with his still present great comic timing. Tamannah it appears has decided to do only nonsense movies in her career, that gives no scope to showcase her acting.  Sonu Sood and Prakash Raj 1st scene is hilarious, after that their plot is terribly predictable. Akshay does nothing new, you have seen him do same comedy in numerous movies, in between he choses good films like Special Chabees, Holiday and then he returns to undo the good work with films like Entertainment.
Verdict : 1/5 


Singham Returns : 

In the first scene, when you see Singham trying to advice a young boy in what direction he should be using his anger, the tone of the dialogue tells the film might attempt to preach which it does in few other portions too, and then you see the iconic dialogues of 1st film in franchise like ‘aata maajhi satkeli’ and ‘aali re aali’ etc used by Ajay Devgan all of a sudden making you feel like seems Singham just realized he forgot to use his famous lines. One good aspect in this film is, that Kareena-Ajay love angle is given very less importance and unlike last movie, there’s very less comedy based on them. But the bad aspect is, the villain played by Zakir Hussain and Amol Apte aren’t even half as effective as Prakash Raj alone was in last movie. Yet, you enjoy watching Singham beat the wrong guys and let Police win over corrupt minister and hypocrite baba. If only the script was better, and Rohit preferred to film it like new movie, and not trying to use heroics of last one, this movie had in it to work. A okish one time watch…
Verdict : 2/5


Mardaani : 

Rani in another bold avatar since No One Killed Jessica, this time playing a senior inspector at Crime Branch trying to find a missing girl and solving clues to reach the mastermind behind the child trafficking racquet. As expected Rani gives a solid performance, watch her helplessness when in front of her eyes she watches her husband face turned black with shoes necklace over him, or the next preceding scene where Rani challenges Tahir Raj Bhasin (the mastermind) over phone with tears rolling her eyes after she ends call being still in a state of shock over her husband’s treatment. But for me the real stars of the movie were Pradeep Sarkar and Tahir Raj Bhasin. Sarkar’s direction is top notch, can you fucking believe that the film has just one song that actually comes at the final scene of the movie. And he never indulges into any sub-plots, like the relationship of missing girl Pyaari with Rani and her daughter, just given 1-2 scenes. Even Rani’s relationship with her hubby isn’t given importance. From the promos, Tahir looked pretty amateurish to me, but I was wrong. He has acted brilliantly, infact at times I was enjoying his performance more than Rani. He gets his mannerisms, and dialect perfect. Also, his way of calling Rani ‘Maam’ was cool. The screenplay keeps it Tahir vs Rani, chess piece like scenario, one move followed by opponent’s move. Anil George (from Miss Lovely film) plays a good supporting role of Vakeel. The background music from Julius Packiam was once again terrific, he started with Dhoom3, decent in Gunday, then Kick and now Mardaani, easily becoming a reliable person in background music department. If there’s something that bothered me in film was, two scenes, one where Rani tries to be over-smart as a cop while dealing with a person at CP, and other was the key fight scene between Rani and Tahir which should had been shooted skillfully without dialogues like ‘lokpal bill’ and all. Leaving these aside, the movie works pretty much, but you are more than likely to remember Tahir’s performance when you come out of theatre (not talking of Rani fanatics).
Verdict : 3.5/5 


Raja Natwarlal : 

This is a good con movie made in our hindi industry, but it had great potential to be remembered for many years if and only if the writers plus director wanted the focus on main plot more than the un-necessary romantic songs that keep popping up as if asking viewers ‘bahut thrill ho gaya, thora rest ho jaaye’. Emraan Hashmi in such awara type roles isn’t new, and hence he looks at ease portraying it. Paresh Rawal is fantastic in his part playing the eldest con artist, love the training scenes in Dharamshala. Kay Kay Menon is shown menacing which he does look, but still he gets conned too easily to my liking in the end. Humaima Malick has got looks, acting wise I would give another film a go before saying anything, she gets limited scope in this movie. Even the songs except for ‘Tere hoke rahenge’ and Mika’s, aint catchy enough. The ending reminds of ‘The Prestige’ which didn’t really bother me, as it looks good but you don’t really feel the impact because the director ends up going the routine mixing everything in a thriller that would had been best kept as a thriller movie only. Yet its worth a watch once for the performances and all the con sequences.
Verdict : 3/5 


Mary Kom : 

As it appeared from trailer, Mary Kom couldn’t turn out to be another great biopic film like Bhaag Milkha Bhaag. Priyanka Chopra unlike many others, looks like Mary Kom to me in appearance and quite expectedly gives a great performance but its the screenplay and writing that disappoints. Firstly, we get to see the rise of Mary Kom in boxing happen all too quickly with a montage as if the struggle had to be limited to get that first chance of training only with coach (Sunil Thapa playing it). I was very much okay to see how a woman once a great champion quit it to get her family going and now wants to get back to it feeling a void in life, and the whole training she has to get her body in shape. These were some of best parts of movie, along with that scene in bus where a small girl and her father couldn’t recognize Mary Kom. And then in the climax, they mess it up terribly with forced drama. Why would a husband tell his wife that their daughter has fallen ill again one night before his wife goes for a very important boxing match in her life. Even if I accept it, then why would he tell her after deciding to keep the reason for her child’s illness a secret, suddenly moments before match he calls her to tell it just as to help the match get added drama, totally disliked it to a extent I felt like Mary should lose this match. Two other things that don’t gel with me, one is the relation of Mary with her father, how he all of sudden starts cheering his daughter after all the time having hatred towards boxing sport, the sudden change of heart was unconvincing. Then, there’s a scene where Mary shaves her head off because she feels this will help her control her anger, again completely un-necessary. Even the music except for dil yeh ziddi (which is again nothing special) and the training song in 2nd half, is very ordinary. Darshan Kumar is quite effective in his supporting role. Mary Kom certainly deserved a better movie.
Verdict : 2.5/5 


Creature : 

A different kind of horror movie, where the ghost for a change isn’t a aatma or badly make-uped person… but a creature that has human structure although looks like a raakshas and runs like tiger. So much effort in all the creative effort goes into vfx effects and making sure the creature should look scary, that they forget the movie required a story too. What we get is another same old cliched story of a lady living in a far away hilly place where a hotel placed right across jungle starts to get famous for all the attacks the guests living in it face with the creature. The acting of most of these supporting cast is so terrible that you simply plead that they die especially Bikramjeet Kanwarpal who plays the forest officer always seen chewing paan while speaking a dialogue. The romantic track between Bipasha and Imran Abbas never interests you, with Imran’s acting skills hardly visible. Even Bipasha gets very little chance to shine in this dull movie. The scare elements are far and few, with no suspense at all except for the reason why creature is attacking that hotel guests which really ain’t something we all are too keen to know either. The only part of movie that thrills to some extent is the final 20-25 mins when the creature makes it hard for Bipasha and all people helping her to find a way to kill it. If only our film-makers first write a good horror script and then think about all other aspects to enhance it, but if you follow the pattern oppositely then its gonna be a film that would not appeal at all.
Verdict : 1.5/5 


Finding Fanny

Quite unusual movie, yet funny in various parts and a story where Ferdie (Naseeruddin Shah) gets back a letter he had posted to Fanny 46 years ago where he had proposed her. Ferdie is heart-broken to learn that the life he lived till now in regret was a waste as Fanny never read his proposal. So, Ferdie and his friends set on a journey to find Fanny and a lots more about each other. Naseeruddin and Pankaj Kapur are the real stars of this movie in almost every frame they are in. Now take this, Pankaj Kapur plays a very vulgar character and yet you can’t help but love his act, or the way he addresses Dimple in the movie. Naseer makes Ferdie look so child-like and innocent guy who you feel sorry for and thereby you want him to find Fanny. Deepika and Arjun were not so convincing in their performances. Deepika irritates a lot in those voiceovers which she speaks as if a teacher told her to stand up in class and start reading lesson from 1st line without stopping. Dimple Kapadia at places hammed, still was pretty likable specially the scene where Pankaj paints her portrait and you feel sorry for her when you look at that painting. Also, I felt there wasn’t a need to give endings to every character, a happy ending to be precise. There was a clear case of ending the movie on a open end where you were left to guess who would had gone in with what life in future.  I do feel there was a case of more insane situations in the screenplay. Love the scene where Naseer breaks into a song, or when he makes Arjun stop the car to give a speech or when Deepika tells Arjun next time their love-making would be even ‘better’ which Arjun finds offensive. And yea the best of all, the cat getting killed accidently. Still Finding Fanny is a attempt at something different, instead of routine comedy movies that hardly makes you laugh. This one will give many moments to laugh at.  And also Anil Mehta’s camera captures some stunning visuals of Goa that may not have been seen before. Its not a great movie, but if you got a appetite for watching hatke hindi movies, this one is definitely for you.
Verdict : 3/5


Khoobsurat : 

Watching a Sonam Kapoor movie is always a headache due to her non-existing acting skills. But Khoobsurat doesn’t really bore you and she actually fits the character a lot even though at some places her acting falls flat. I haven’t seen Rekha version of Khoobsurat, so no idea of similarities and changes. The story is totally predictable, but what is likable is the interactions of Mili (Sonam Kapoor) with the royal family where she goes to live as physiotherapist  and finds everyone living a boring strict life.  Her opening scenes are definitely ones that should had been edited out. Fawad Khan can definitely act, love the scene where he goes to talk to his dad probably after years and the conversation sounds so formal, and his reply to Mili’s mom in the climax. Also, the dialogues both Mili and Vikram (Fawad Khan) speak to each other in their heart makes for a lovely watch. Kirron Kher playing mom of Mili is hilarious despite being a dejavu of her past punjabi mom roles. Fawad-Aditi plot looks weak, and ends in abrupt manner. Even Cyrus Sahukar looks miscast. Also, too much of melodrama is forced with 2 emotional numbers in 2nd half.  Preet na Koyi is the best song of album, and very well used. The weird way to come over the breakup shown for Mili looks very silly to me. Khoobsurat is a watchable movie, one of few films where Sonam won’t annoy you for atleast 75% of the movie which in itself is a hell lot, plus performances of Fawad, Kirron, Ratna Pathak and rest make it a decent watch.
Verdict : 2.5/5 


Daawat e Ishq : 

When a film is on dowry, and you see a girl trying to cheat guys to get money through 498 act of law and fulfill her dreams.. you aren’t quite pleased with it though we are given enough scenes before to show how broken she feels to see guys not marrying her due to less dowry. Yet Habib Faisal makes the 1st half enjoyable, especially the entire sequence when Anupam and Parineeti reach Lucknow followed by the hotel and interview scene. Anupam Kher does has shades of his character of Special Chabees here, in the way he is scared and brave at same time to help his daughter. But the 2nd half falls flat, partially due to Aditya Roy Kapur whose act as Lucknow nawab doesn’t come up convincing even though his mannerisms are upto mark, his acting isn’t.  Also, a predictable climax, and average songs except the title doesn’t help the proceedings. Parineeti is once again very good in her performance, but its high time we see her in something different than these very modern and muhfat girl characters. Daawat E Ishq is at most one time watch, different way of showing dowry concept but not good execution, and lots of foodie scenes that may make you hungry.
Verdict : 2/5 



Hollywood :


Into the Storm : 

Visually the movie was a jaw dropping experience, for all the tornado and big big tornado sequences. But where the movie lacked was the screenplay and story. Too many cliches of son-father issues, boy trying to impress girl, and father trying to save his boy are used. What bothered me most though was the narration style, using cameras that are shooting the film all the way, on one hand a college guy fond of shooting with camera in hand all the time, another is shooting for the college project, two jerks are trying to shoot and get famous for youtube and then there’s storm trackers who are trying to go as closer to the tornado as possible just to get that one camera shot even at risk of their lives. It eventually became like Chronicle kind of movie. Also, in one tiring scene, we see guy and girl whose character’s have hardly been invested in, sharing each other’s final thoughts on their lives as they are drowning and feel will die before anyone could save them. Its like a movie where gorgeous visuals (with good special effects) are saddened with all possible cliches, and non-interesting drama with no proper character build up done at all. And even the performances of most actors, except for Richard Armitage and Sarah Wayne Callies (even their’s was nothing to boast about), was pretty ordinary.
Verdict : 2/5 


The Hundred Foot Journey : 

Another of good foodie movies to have come out this year. Hassan Kadam (Manish Dayal) comes along with his family to Europe, where a accident makes them stay somewhere in France which in result makes his father Om Puri believe that this was destined to happen and they were bound to stay here and open a restaurant. But they end up opening restaurant right opposite to Madame Mallori (Helen Mirren) famous cuisine restaurant. The tussle between Madame and Om Puri is lovely to watch, also the various Indianised stuffs he does, from the look of restaurant to the music played or the way he brings first customers was hilarious. How with time the relation between Madame and Om Puri becomes sweet from sour, and they share better bonding. On other hand, Hassan is helped by Marguerite (Charlotte Le Bon), who herself works at Madame Mallori restaurant. Marguerite gifts Hassan various books and good adviceable knowledge about various food he ain’t aware of. What I didn’t like was the jealousy she starts to have when Madame hires Hassan to work for her so as he could get better training and become a famous chef. The jealousy looked out of context and only forced drama. What I did like was the conflict Hassan faces to choose between his profession and family/love, which was pretty well carried out without any cliches. Was slightly mifled with Indian censors to cut out the make-out scene totally from movie. AR Rahman’s background score was nice, nothing special though. Overall, the film has a good vibe for major portions and the performances by everyone is very good. Om Puri specially makes you laugh a lot during early half of movie. Also, you will see lots of dishes being made, so the usual say ‘film may make you hungry’ suits this film too.
Verdict : 3/5 


The Maze Runner : 

Another movie on the lines of Hunger Games and Divergent, difference here is that the boys who are sent in a compound they call as ‘Glade’ have their memory erased and now need to find answers while surviving. The story gets told through the point of view of a new arriver Thomas (Dylan O Brien), and suddenly things change at Glade as Thomas turns out to be lot more curious to find a way out than rest who have tried since last 3 years. New twists and stuff is known with every new move made by Thomas. All the maze sequences are stunning, and I just felt there should had been few more of it instead of maybe emotional conversations of Thomas with fellow people at Glade. The end of movie leaves you with lots of questions especially if you haven’t read the books like me. Also, the end isn’t properly executed either, while the answers to questions one can expect to find in the next two movies of franchise. Performances of entire cast is very convincing, and some very chilling moments when the Glade people are made to fight with grievers behind the mazes at night specially the first encounter of Thomas with it. The Maze Runner is pretty entertaining if you keep the expectations of lots of maze scenes to a slight minimum. I am certainly keen to see next parts, and probably read the books before it.
Verdict : 3/5 

Missed Reviews : July

Phew, another month when I didn’t write any reviews.. so once again, posting few lines on all the films I saw..


Bobby Jasoos :
What you want from a suspense film is that the reason why you were glued towards the story should be a valid and surprising one which you didn’t think of. Unfortunately, Bobby Jasoos gives a climax that may surprise us but only make us say why did we show interest in the movie if we were to get this. Two things to love about movie was, Vidya Balan who finally gave a performance to adore, her various disguises done with ease, love that dialogue ‘kasrat kiya kar, itne mein hi haanf raha hai’. And hyderbadi lingo used throughout movie was other aspect to love, finally I have another language after Gujrati (ref. Ram Leela) to love a lot. Bobby Jasoos as it looked from trailer to me, turns out to be average detective movie. Lets keep fingers crossed for remaining 2, Jagga Jasoos and Detective Byomkesh Bakshi (high hopes from this one).
Verdict : 2.5/5


Humpty Sharma Ki Dulhaniya :
If you are making a modern tribute to DDLJ, then does it mean that the goodbye scene will be changed to a love-making one. Not for me..  Some film-makers are too obsessed with classics. Either they will re-make it with changes here or there. Or they will make a film that is either a spoof or a tribute to the original. Yet its the lead pair performance and excellent dialogue writing that makes this a very pleasant entertainer. Varun especially shines in a role that offers him to woo a girl, be naughty and then become the mad lover with good comic timing. I love Samjhawan (Arijit version). Alia didn’t disappoint either in her acting. Ashutosh plays a different kind of dad pretty well (not total angry strict like Amrish Puri). Climax is weakly directed, as you wonder where the hell Siddharth Shukla vanish, and a un-wanted Srk imitation to end the already tribute film for him. In Supporting cast, I loved Sahil Vaid, who got some great punchlines and kept humor going in tense situations. Humpty Sharma Ki Dulhaniya is a good entertainer, but by no means a worthy tribute to DDLJ.
Verdict : 3/5


Hate Story 2 :
I always have said this, when your revenge story deals with death of one of lead pair, then their romantic plot must be strong enough so that you are there with the lead seeking revenge. Thats not the case here. The weak link is Jay Bhanushali, and also the writing that involves their romantic scenes. Only worthy scene is the ‘Aaj phir tumpe pyar aaya hai’ which is my fav track from movie. Editing is terrible and at times hurts your eyes with the way past and present are interlinked again and again. Pink Lips is forced into narrative and is funnily picturised. The film fails on the erotic level too. Sushant Singh (not Rajput) is the one who delivers best performance in movie, though I wonder how such a fierce person suddenly becomes so afraid of Surveen in the final portions, thanks to poor writing. Surveen does have a good debut, nothing special though. Hate Story won’t work if you are looking for revenge drama, nor for erotic lovers.
Verdict : 2/5


Amit Sahni Ki List :
The problem I usually find in rom-com movies is that they start off very well, and then in attempt to build drama, end up as just another movie that had some great fun moments. This film falls in that category too, unfortunately. Good thing is Vir Das after his last few films, gives a good comical performance, which I expect from him in every movie his features in. 1st half specially gives him ample scope to make you laugh. In 2nd half, there’s too much of seriousness and a new plot you don’t really feel like getting invested into. The best scene comes when that plot ends with a funnily done break up scene through presentation (reminded me of Vir Das scene of Namaste London).  Music is terrible, only decent song ‘what the F’ comes in end credits. Amit Sahni ki List is watchable, though chances are it will disappoint you in the end.
Verdict : 2.5/5


Kick :
Had huge expectations from movie, and thought this won’t totally be a movie that’s gonna use Salman stardom but will make the story rule. Unfortunately, the writers felt differently. They wrote dialogues that has ‘Kick’ word used throughout the movie. And the 1st half that has some un-wanted comedy. The police station scene (Sanjay Mishra comic timing is always spot on) and the role-reversal where Salman interviews Saurabh Shukla were best. The moment Devil character is introduced, it gives the movie a much wanted kick (oops). Almost all action sequences are bad, wonder why didnt they hire a good action director.. Editing is loose, though I love how through fast cuts he shows the badly directed 3 robberies of Devil with a excellent background theme (signature tune for Devil was my fav thing from movie), and make it look cool. Also, the cycle chase scene is nicely cut, the only action sequence I would say I did like including that train stunt (even though its over the top). What I didn’t like was the way social drama is added into the narration, came more like forceful and that scene where the parents of suffering kid fall from building was plain silly. Salman shines in both characters he plays, but is once again let down by a weak script. Nawazuddin is brilliant, love the laugh and Tok he does (which is brilliantly imitated by Salman in climax), how well he ups his level in his probably 1st all out commercial movie. Randeep Hooda I would say is a better likable cop instead of Abhishek Bachchan from Dhoom series since the roles are similar. Love his drunk scene (I just loved similar act in Jannat 2 too), ‘Main isiliye nahi peeta, chadti hi nahi hai’. Jacqueline does well in 1st half, but hardly gets any screen time in 2nd half, her mad dance in ‘Jhumme ki raat’ song was jaw dropping, had there been some more tough steps it would had bettered Katrina’s Ishq dance. Music by Himesh Reshammiya for a change was good, my picks were Tu hi Tu (female version) and Yaar Na Miley (love the final male part), though Nargis yet again fails to dance well, would like her to stick with acting and not item numbers. Rajat Arora as a dialogue writer gives some good punchlines, but I was expecting much more. Kick as a entertainer provides a lot to enjoy, but if you apply logic you probably won’t like anything in movie. Kick is definitely better than Jai Ho, Bodyguard or Dabangg2.
Verdict : 3/5 

Trailer : Haider

Vishal Bharadwaj movies always have a special corner for me, just like Anurag Kashyap or Imtiaz Ali movies have. Though, his last film ‘Matru ki Bijlee ka Mandola’ wasn’t upto the level mainly for wrong casting of leads. Going by the trailer of ‘Haider’, it looks like he’s got everything right this time perfectly, and might well give another 7 Khoon Maaf or Kaminey kind of movies which I madly loved.

Lots of stunning visuals from Kashmir, plus we see Shahid transform through various looks as he seeks revenge of his father. Based on Shakespeare Hamlet (yet to read), keen to see how much Shahid gets his act right, specially the one where he gets totally insane, like the shot at 2:00 where he is imitating shooting himself or the dialogue scene ‘hello mike testing, 123, awaaz aa rahi hai aap logo ko.. hello hello o o o’. Watch his expressions in 1:48 shot, killer.

Needless to say, the best part of trailer (there are hell lot to be frank) is Haider i.e Shahid telling Shraddha about his intentions, ‘To be or Not to be’ (quote from Hamlet) ..

For a change, Shraddha is looking so different and maybe the level of her acting will be high too or atleast I am assuming at the moment.

The cast is amazing, with trustable actors like Tabu, Kay Kay Menon and Irrfan Khan (in a special appearance as ghost). I hope Tabu-Shahid romantic mother-son plot is restrained..

Not to forget, music will be by Vishal Bharadwaj and there are 10 songs with lyrics by Gulzar. The rock song used in the trailer totally sets the mood for Haider’s journey to revenge.
Ek phoonk se miya, sab udh gaya dhuan, woh jo saans ki ek phaans thi, woh nikal gayi jo kharaash thi. 

Still don’t know what part those actors in 1:04 shot are playing. But looks like it will be mad and insane…

Its been just a month when I said Ek Villain is best trailer of 2014, and now Haider has overtaken it, there’s nothing to not like in this trailer, absolutely nothing.


Dil ki agar sunu, toh hai
Dimaag ki, toh hai nahi
Jaan lun, ki jaan dun
Main rahoon, ki main nahi. 

Trailer : Gone Girl

This is the 2nd trailer of the movie to come out few days back, and its increased the curiosity to watch the movie even more. I will be reading the book on which this movie is based, and since the final act i.e the ending is different in movie, it would make a great view specially after knowing through twitter feeds that the ending in the book was a big let down.

Ben Affleck may be receiving a lot of flak in recent few months for his upcoming Batman movie, but I doubt people would like to miss this movie where he looks to be perfectly suited to the role. Its hard to tell whether he is behind his wife gone missing or there’s a lot more to it.  And I like the way Rosamund delivers her dialogues,  a mysterious touch is felt in it.

I have liked David Fincher’s last two movies, and he is a director worth having expectations from.



Nick, man of my dreams
This man of mine, may kill me.. 
This man may kill me …
This many may truly ….
Kill me. 

Mid-Year Report : 2014

Half of the year is gone by, and already we have many films that we loved and some we hated. Listing what clicked and what didn’t click for me..


Top3 Hindi Films  : 

Queen
Kangana’s best performance ever  + Amit Trivedi’s music that time and again takes film to a altogether higher level.

2 States
Amrita Singh’s supporting act playing a Punjabi mother so efficiently, plus the narrative that comes to main ‘parents should approve boy-girl, and their parents’ part quickly. And of course that brilliant bg during Ronit Roy scenes. Unlike everyone I liked Arjun more than Alia (she looked sexy in saree).

Ek Villain
Riteish Deshmukh’s best career performance, Siddharth once again impresses. Shraddha has amazing screen presence (despite still average actor), Mohit Suri’s good direction and non-linear narrative, and ofcourse the music as the main USP. Special mention to the edit cuts from past to present with female alaap of ‘galliyan’.



Worst Hindi Films : 

Ragini MMS2
Sunny Leone in yet another crap movie after that Jism2. This movie makes 1st part look so good.

Humshakals
Sajid Khan back after Himmatwala, to give another movie that tests your tolerance level.

The Xpose
New movie of Himesh, which doesn’t change the fact that Himesh can’t act, and even his music/songs are not likable anymore.



Top3 Albums :

Ek Villain
Except for ‘Hamdard' (which aint a  bad song either, just doesn’t work for me), I love every song of this album. Favs being ‘Banjaara’, ‘Awari’ and ‘Galliyaan’ (female one). And I feel Banjaara will be tough to beat as my song of year, for even A R Rahman or Amit Trivedi by end of this year.

Highway
Rahman doesn’t quite give gem of album, but does give 3 excellent songs, Patakha Guddi (I like both versions, but that fast rock part in male version makes it my fav), Maahi Ve (beautiful composition) and Kahaan Hoon Main (Jonita Gandhi’s brilliant vocals).

Hasee Toh Phasee
‘Shake it Like Shammi’ is one hell of a mad song that tops my iTunes most played song list at the moment. Also, ‘Ishq Bulaava’ is my other fav. ‘Drama Queen’ and ‘Zehnaseeb’ are pretty good too.



Top3 Hollywood Films : 

Godzilla
I can watch this film 100 times just to see Godzilla come out and roar.

Captain America
Humour with good action scenes supported by a solid narrative. You just don’t ask for more.

Chef
Food, food, food and a lovely father-son connect, plus the use of twitter in story makes this a pleasant watch.



Worst Hollywood Films : 

Noah
Leave out the great visuals, this was one hell of a bore to me. And it was my 1st Emma Watson movie sadly.

The Monuments Men
A brilliant concept wasted to the core, even Clooney and Damon acting couldn’t save it.

The Amazing Spiderman 2
Try to give Spiderman lots of villains to fight, but where’s the story, and the villain plot build ? All happens too quickly, and to make it worse they kill Gwen.

Movie Analysis : Ek Villain

Directed by Mohit Suri
Imdb link -> http://www.imdb.com/title/tt3175038/

Tere hi gunaah laute hai, ek ajnabee ke roop mein tujhe saja dene… 

This movie is another case of me connecting to a emotional romantic genre and inspite of various flaws, I end up loving the movie.  Sometimes, what a movie makes you feel is important, the flaws takes a backstage then.

The story is of a gangster Guru (Siddharth Malhotra) who meets Aisha (Shraddha Kapoor) and in few meetings he falls in love with her because of her innocence and her way of living life. As expected she helps Guru come out of his dark life and start to enjoy life. But, their happy life is destroyed by a serial killer, Rakesh (Riteish Deshmukh) who kills Aisha and many other girls because he loves his wife, Sulochana (Aaamna Sharif) a lot, and he feels by killing other girls he can remove the anger he gets towards her or others who insult him, he is basically a emotional lover psycho (bad version of shahrukh from darr). What happens later, is very much predictable.

Mohit Suri isn’t interested in making the narrative full of suspense, as he begins the movie with Rakesh brutally killing Aisha (though I wonder what was the need to dub Riteish voice in that scene, which in 2nd half we see again in his original voice). There are two main plots of movie, one the romance developing between Aisha and Guru, and other is Guru’s revenge of Aisha’s death. And Mohit uses them both in small intervals in a non-linear format with flashbacks quite efficiently.

Special mention to the editor who cuts the past narrative to present beautifully with ‘female galliyaan alaap’ in background and the contradiction of situations in both timelines, like when Aisha tells Guru ‘how she would like to die’ and we are cut to Guru in present, mourning the death of Aisha. Or when Aisha tells Guru ‘to close his eyes and he will find her near him in form of wind’, we are cut to present where Guru is in church and doing the same trying to feel Aisha around him with a very soft background score to accompany the environment. Both were my fav scenes, also the three times Aisha, Guru and Rakesh’s son draw that smiley on the window of jeep. Infact in all these scenes, that galliyaan alaap bg is the common thing. These small romantic elements is what makes a love story touching.

I liked the way Sulochana’s character is written, had she not been as rude and constantly insulting Rakesh, his psycho act won’t had looked convincing.  Now comes two flaws, one major and one minor. The minor one is to make Guru find Rakesh so easily by means of co-incidence that Rakesh son arrives at church.. also Mohit Suri cheats with us through flashbacks, in linear format Guru actually finds Rakesh just one day after death of Aisha. Even if I ignore this flaw which the non-linear narration does help to do, the major one is Suri doesn’t literally use Guru’s dialogue ‘main tujhe marne nahi dunga, lekin main tujhe roj maarunga.. ek baar nahi, hazaar baar marunga’. What I wanted was Rakesh getting tremendous torture and beaten badly atleast 2 times more, maybe near his work place or once in public. Infact if you notice, Guru is in that coat-shirt costume since Aisha death until Rakesh is murdered, which I think takes 2 days to happen… so it was in a way just 2 day torture to Rakesh.  Easily a opportunity lost by Suri in that regard.

I like the Rakesh-Guru face-off right at interval. Another aspect of movie that irritates is Remo Fernandes, what made Suri sign him and what made him not see how bad accent he’s got. Remo totally spoils that dialogue ‘sher ki asli jagah jungle mein hi hoti hai’. Prashant Narayanan would had been ideal choice for the role or some other good character artist.

The God angle is another common thing in Mohit Suri films but slightly over-done in Ek Villain. I am fine with that lady telling Guru that ‘khuda tumhe saja dega’ but saying ‘ek din tumhara koi apna tumhari aankhon ke saamne marega, aur tum kuch nahi kar sakoge’ was a tad too much. Also, his son whom Guru kills does too much of cliched dialogue ‘bhagwan ke liye mujhe chorh do’.

I ain’t much fond of Milap Zaveri’s dialogues, infact I have hated his work till now in almost every film or even the show ’24’. But for first time, his work is good and many dialogues are worth applauding like that ‘hamdard’ one. Though they edited my fav one from film ‘tere hi gunaah laute hai, ek ajnabee ke roop mein tujhe saja dene’.

Its hard not to adore the love story of Guru-Aisha even though the start of it may look silly. Plus it includes that badly directed scene of mental asylum which has a good Amitabh Bachchan reference which for 2nd time Siddharth gets for himself (actually 1st time, in Hasee toh Phasee it was his character at young age who is shown watching Agneepath). I till now don’t know why Aisha hired Guru to free Chotu when it was so easy to enter and the guards looked that scared.

Not a single song that I dislike, easily best album of year and all of the songs are wonderfully used without halting the narration. Through ‘Banjaara’, Guru starts having a attachment towards Aisha (that shammi kapoor step was edited out, and I was so angry at it) which develops into love with ‘Galliyaan’ which is most romantic song along with ‘Hamdard’ which personally I don’t like much but the visuals are worth it. Then, there’s ‘Zaroorat’, where we see Guru in pain over death of Aisha and it includes Suri’s excellently one shot action scene on ship (just like Raabta in Agent Vinod).  Lastly, ‘Awari’,  which captures the broken Rakesh after being beaten by Guru and seen his wife taken by police.

Siddharth Malhotra comes out of his chocolate boy image, and in this role that has ample scope to perform, he takes it with open hands and simply doesn’t disappoint. He does falter in his dialogues at few places but overall, his acting is excellent.

Shraddha Kapoor is still coming into her own, improved performance after Aashiqui2, feel she is more comfortable in bubbly non-stop talk scenes rather than the emotional ones where her acting comes out more like delivering lines. Yet, I adore her a lot and she has a amazing screen presence, and how cute she looks when she says ‘lakshmi ko mana nahi karte’ or that angry bird imitation ‘puyiiii’. She still has a long way to go to become a great actor, but I am keeping fingers crossed that she will get better.

Its Riteish Deshmukh who steals the show, he is terrific in each and every scene he is part of, be it his innocent looking husband at home, or worker at office, or his evil psycho side while killing girls. The scene where his psycho side is introduced for 1st time openly is very well done by Suri, also the line given too ‘Phikr mat kijiye madam, aaj ke baad aapko shikayat ka mauka nahi milega’ (like Bob of Kahaani would say a particular line before killing).  Also, love the scene where he calls Guru and tells ‘tera talent bhi ajeeb hai, tu gairo ko toh bacha paata hai, lekin apno ko nahi’. And of course how can you not like the final fight scene, and all the dialogues and imitations of Aisha, Riteish does. You only wonder why such a talented actor keeps doing same nonsense comedy movies when he can offer so much more to hindi films.

KRK actually doesn’t irritate (except for his long laugh) and reason for it is the character he plays is such a asshole that you can easily relate KRK playing himself in the movie which he does quite easily.



Overall, Ek Villain works for Siddharth-Shraddha chemistry, Ritesh Deshmukh’s super evil performance and great music. Its still not Mohit Suri’s best direction, but much better than his last two movies.



Note : I haven’t seen the Korean film from which this movie is inspired or copied.. and I don’t really care either. 


Verdict : 3.5/5 

Movie Analysis : Chef

Directed by : Jon Favreau
Imdb link -> http://www.imdb.com/title/tt2883512/

Carl Casper (Jon Favreau) is a chef at a restaurant but he hardly gets any freedom to cook the best food due to his owner’s regular interference. One critic posts a bad review about his good on internet, Carl asks him to comeby and try his food again but Carl fails to do so due to getting sacked from his job. His ex wife takes him to Miami and convinces him to start food truck across the place serving quality food of his own choice. How Carl gets famous, with help from his son Percy (Emjay Anthony) and a loyal friend Tony (Bobby Cannavale)..


The relation between Carl and Percy is the major USP of the movie, they share some lovely moments. Percy asking for more time with Carl, and to be there in his kitchen of restaurant, great humor by Carl in the way he denies. Love how Percy teaches his dad how to make account on twitter. And then a rofl moment when Carl mistakenly sends reply to that critic thinking it is private message.

How Percy is made to work at Carl’s food truck which he doesn’t enjoy initially but when Carl shows concern and advice, Percy shows how good a helper he is along with his tech savvy posts on twitter regarding truck.

If there’s one relation that isn’t shown in final half n hour then its between Carl and Molly (Scarlett Johannsson), who just disappears ever since Carl sets up his own truck.  I was happy though that they didnt get into Carl trying to get back to his ex-wife drama plot.

The movie always has two main points along which it continues till end, one is Carl’s professional life where he wants to be a famous chef who can creatively put his inputs into food without being ruled over, and other is Carl’s relation with his son who wasn’t getting enough time to spend with his dad.


And Jon as a director does exceedingly well in covering both these parts, with well placed humor and keeping emotional moments to a minimum.

The final end to movie though was slightly abrupt to me, felt like it ended just too suddenly.


Very good performances by Jon Favreau and Emjay Anthony. Wanted more of Scarlett, while Robert Downey Jr appears in a one scene special appearance.


Overall, Chef was a delightful film to watch for Carl-Percy father-son relationship, good humorous witty dialogues and all the varieties of food we see cooked in film. Good thing for me, I went to see movie after having taken lunch, else its a movie that will make you so much hungry.


Verdict : 3/5

Movie Analysis : Humshakals

Directed by : Sajid Khan
Imdb link -> http://www.imdb.com/title/tt3036740/

In case any Sajid Khan fan (if any) gets upset with this post where I am mostly gonna write a lot about what I hated in the movie (and that’s a hell lot), let me remind that his first two movies Hey Baby and specially Housefull were liked by me.


Humshakals begins with this note :
A wise man once told me.. Err… Err.. Err.. Sorry guys, I forgot what he told me - Sajid Khan

My guess is that he told Sajid, how to not make bad films and Sajid being Sajid didn’t pay attention.


The plot of movie revolves around Ashok (Saif Ali Khan) and Kumar (Riteish Deshmukh). Ashok is a rich guy, with a ill father who is in coma. Thereby, his mama Kans (Ram Kapoor) wants to grab the opportunity to snatch Ashok’s property, and the only way suggested for it by  Kans friend, who is also a doctor (played by Nawab Shah) is to prove Ashok is mental. Ashok along with Kumar fall into trap, reach mental asylum where there humshakals are also present in different ward of asylum. How these 4 encounter each other, and how Sajid Khan brings the 3rd humshakal into the narrative, trying to bring out comedy (or headache) is what the rest story is about. And yea there are 3 actresses in movie who are dumb almost all the time, Tamannah leading them.



Some interesting points :

• The opening scene begins with Ashok’s comedy acts on stage. Yes he is rich, but can’t he have a weird hobby. Thankfully, every person listening to his jokes stands up and gets out of place in disgust. Oh wait, on a new day, when almost all people are gone, there is a loud clap by someone, the camera pans and its our very own Tamannah, who as I told leads the dumbest girl category, she loves the dumb jokes of Ashok, and thereby we have a jodi dumb meets dumb..  Eg of one of Ashok’s comedy lines (among many torturous ones) - You are so witty (V.T), and You are Churchgate.

• Since Ram Kapoor plays a villain, there has to be big scary laugh and its done twice by him almost tearing your ear-drums.

• If you seen that ever-famous Ashok Kumar scene from ‘Clerk’, there’s something similar attempted by Sajid in one scene that is worth calling guilty pleasure.. Ashok and Kumar’s humshakals enters the big mansion of original ones, and there they play with the hospital machines lying to aid his father lying in coma, like a video game and his father keeps getting up and down as the number changes in machine.

• Sajid cleverly uses a joke on his own film ‘Himmatwala’, hoping atleast that will give laugh to people who don’t laugh in rest of movie. Not bad.

• Saif should forget trying to attempt mimicry ever in his life, how terrible he is when he tries Pran, infact he couldn’t even imitate Sajid either. In that department, Riteish was superb, his Dilip Kumar one was fantastic.

• There’s a background of ‘Cocaine ke paranthe’ and ‘Vodka ke paranthe’ when the characters mistakenly make them…

• Two gays shown as such despos, didn’t knew that they behave like that.

• A character listens shut up as ‘Shirt up’.

• Humshakal of Kans is termed dangerous patient in asylum, and therefore kept at a distant and safe place. But when Ashok and Kumar make him angry accidentally, he breaks the glass. My que was ‘how the hell was this safe secured place and why didn’t he ran away before doing the same act’.

• And this humshakal of Kans, his anger can be stopped only in one way. Give him a lollypop. Phew, what a thought Sajid and the special team of writers.

• Sajid’s obsession in a night dress song doesn’t end, another version of Papa jag jayega, this time its called ‘Barbaad raat’.

• The office staff of Ashok aren’t less dumb, when a character hits the fire alarm in front of them… they act like blind and still run away thinking its real.

• And of course the girl getups by the trio where they try to woo the humshakals. At that point, you can only wonder what made these 3 actors sign this film.

• There’s Satish Shah who hams all the time, being admirer of Hitler and some other guys who I don’t remember. When was the last time he was made to act this loudly. Feel sad for him.

• In the climax, we see one by one characters sitting on a chair that acts like unstoppable. My que was ‘if chair is unstoppable, atleast try to get off it instead of acting like statues’. Silly humor at its best.

• When did Esha Gupta fall in love with the humshakal of Ashok, nobody knows when the film ends.


Himesh Reshammiya music is terrible, even Caller Tune isn’t worth listening for me.

Only performance that doesn’t totally irritate and not give you headache, is of Riteish Deshmukh. Its a familiar genre for him, and thereby even in a crap script he finds few scenes worth applauding, like his dog act, his mimicry and one of his conversation with Bipasha.

Tamannah looks hot, but she would better off doing a role that suits her, unless she is dumb in real life too. Bipasha is hardly seen in movie, and she would be happy after watching how bad movie is.  Esha Gupta is wasted too.


Overall, Humshakals will not only irritate you, bore you, give you headache .. it will also make you believe that  there’s no chance of expecting a decent entertainer by Sajid Khan in future. One of the film’s song ‘Hum pagal nahi hai bhaiyya.. hamara dimaag kharab hai’ aptly describes the mental state of Sajid Khan, and who knows that line could had been his inspiration to make this entire movie.


Verdict : 0.5/5